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Waiting for the Rain
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Vous avez sélectionné:
Waiting for the Rain
Partitions à imprimer
66 partitions trouvées
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51
Beyond The Sea
Beyond The Sea
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00 ≈
9.17€
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Beyond The Sea *INSTRUMENTAL PACK ONLY*
#
Ensemble Jazz
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea *INSTRUMENTAL P
#
Tobi Crawford
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00 ≈
27.51€
Beyond The Sea
Beyond The Sea
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Bobby Darin
#
Tobi A Crawford
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Sc...
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Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00 ≈
22.93€
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Luis Anjos Teixeira
#
Bach Fuga BWV 539 For Woodwind
#
Luis Anjos Teixeira
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00 ≈
22.93€
Down with the Smokers for voice and guitar
Down with the Smokers for voice and guitar
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Voix duo
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INTERMÉDIAIRE
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David Warin Solomons
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Down with the Smokers for voic
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David Warin Solomons
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SheetMusicPlus
Voice Duet Voice - Level 3 - SKU: A0.576909 Composed by David Warin Solomons. 20th Century,Blues,Pop. 14 pages. David Warin Solomons #516085. Published ...
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Voice Duet Voice - Level 3 - SKU: A0.576909 Composed by David Warin Solomons. 20th Century,Blues,Pop. 14 pages. David Warin Solomons #516085. Published by David Warin Solomons (A0.576909). I am so happy that smoking in enclosed public places is now illegal in the UK and in many other countries, but this song was written in the 1980s when people had to breath the pollution created by inconsiderate smokers, and, of course, there are still countries where this is the case. So I decided to publish the song even though the battle is thankfully won here. The sound sample is my own performance with some additional (un-notated) improvisations on cello and vibraphone. The pdf file contains the score and parts. The music has also been arranged as an instrumental duo called Laid back bounce, also available on this site. I went out this morning along the way to work when without warning I was faced with clouds of murk refrain: Sing Down with the smokers who infect the air with clouds hate their unthinking uncaring unblinking hate the stinking coughing crowds! I went down to the station and was waiting for my train but to my irritation the stinkers were there again. [refrain] Wouldn't it be pleasant to enjoy a drink in a theatre bar discussing the play or wouldn't it be jolly just to sing along with pals in a cozy pub along the way or wouldn't it be nice to go any where and not have to share with every breath some secondhand smoke and firsthand death. [refrain] I was eating my fav'rite curry but the air was getting thick and I felt I had to hurry because the smokers made me feel sick [refrain] It's fine bright hot and sunny and I'd love to have a drink but why spend time and money where the smokers sit and stink? [refrain] Wouldn't it be pleasant just to pass the time at a social do or a meeting hall or wouldn't it be jolly to dance the night away with the one you love at a disco or ball wouldn't it be nice to go any where and not have to share with every breath some secondhand smoke and firsthand death [refrain].
$8.00 ≈
7.34€
Waiting for the Rain
Waiting for the Rain
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Harpe
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Karen K Almquist
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Waiting for the Rain
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Karen K. Almquist
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SheetMusicPlus
Harp - SKU: A0.509000 By Karen K Almquist. By Karen K Almquist. 20th Century,Contemporary,Instructional,New Age,Sacred. Score. 4 pages. Published by Kar...
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Harp - SKU: A0.509000 By Karen K Almquist. By Karen K Almquist. 20th Century,Contemporary,Instructional,New Age,Sacred. Score. 4 pages. Published by Karen K. Almquist (A0.509000). This four-page intermediate piece for solo harp features a contemplative and longing melody in C minor. It builds to an energetic and full sound with sustained LH octaves in the bass under cascading 16th notes. Special effects such as en bas (near the board) and rolled chords make Waiting for the Rain an expressive piece that is enjoyable to play. I wrote this piece during the severe drought and wildfires in my home state of Oregon.
$4.99 ≈
4.58€
Waiting for the rain
Waiting for the rain
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Contemporain
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Lex g alex
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Waiting for the rain
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Alexey
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SheetMusicPlus
Percussion Ensemble Drums,Guitar,Piano - SKU: A0.1081084 Composed by Lex g alex. Contemporary. Full Performance. Duration 336. Alexey #29989. Published ...
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Percussion Ensemble Drums,Guitar,Piano - SKU: A0.1081084 Composed by Lex g alex. Contemporary. Full Performance. Duration 336. Alexey #29989. Published by Alexey (A0.1081084).
$50.00 ≈
45.85€
Waiting for the Rain
Waiting for the Rain
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Dana Joras
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Waiting for the Rain
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Dana H. Joras
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1413300 Composed by Dana Joras. Classical. Score. 4 pages. Dana H. Joras #995180. Published by Dana H. Joras (A0.1413300)...
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Piano Solo - Level 4 - SKU: A0.1413300 Composed by Dana Joras. Classical. Score. 4 pages. Dana H. Joras #995180. Published by Dana H. Joras (A0.1413300). This piece was written for some of my piano students who love to play the easier Chopin waltzes. The piece is suitable for advanced intermediate students.
$6.99 ≈
6.41€
Rainy Days
Rainy Days
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Caiden Christensen
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Rainy Days
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Caiden Christensen
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1389148 Composed by Caiden Christensen. Classical,Contest,Festival,Instructional,Romantic Period. 36 pages. Caiden Chri...
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Concert Band - Level 4 - SKU: A0.1389148 Composed by Caiden Christensen. Classical,Contest,Festival,Instructional,Romantic Period. 36 pages. Caiden Christensen #972676. Published by Caiden Christensen (A0.1389148). This piece was written with the idea that sometimes it rains, but the sun will always come back out! Although, sometimes, the rainstorm doesn't cease for a long time and the sun doesn't come back out for a while. During these times is when it's most important to be optimistic and be happy with what you have! Life isn't about waiting for the storm to pass... It's about learning to dance in the rain. -Vivian Greene.
$34.99 ≈
32.09€
Desperados Waiting For The Train
Desperados Waiting For The Train
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Piano, Voix et Guitare
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Country
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David Allan Coe, Jerry Jeff Wa
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Desperados Waiting For The Tra
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Hal Leonard - Digital
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SheetMusicPlus
Piano, voice and guitar (chords only) - Interactive Download SKU: HX.162973 By David Allan Coe, Jerry Jeff Walker, Johnny Cash, Kris Kristofferson, The H...
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Piano, voice and guitar (chords only) - Interactive Download SKU: HX.162973 By David Allan Coe, Jerry Jeff Walker, Johnny Cash, Kris Kristofferson, The Highwaymen, Waylon Jennings, and Willie Nelson. This edition: Interactive Download. Country. Piano/Vocal/Guitar. 3 pages. Published by Hal Leonard - Digital (HX.162973).
$4.99 ≈
4.58€
12 Evocations (for Piano solo)
12 Evocations (for Piano solo)
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Tiago Videira
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12 Evocations
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Tiago Videira
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Tiago Videira. Impressionistic, Neo- Classical, Repertoire, Recital, New Age. Score. 62 pages. Published by T...
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Piano Solo - Intermediate - Composed by Tiago Videira. Impressionistic, Neo- Classical, Repertoire, Recital, New Age. Score. 62 pages. Published by Tiago Videira
?vocations? is a suite for Piano solo, impressionistic, contemplative much in the trail of Satie, Debussy or Mompou. Intimist and suitable for aesthetic pleasure. This is a series of works that will lead you into an exotic journey to far away places. Just letyourself be drift away to a better place where the sounds will healyour soul.
These Evocations range all degrees of difficulty, from very easy to more challenging ones. Therefore, are suitable for the classrom, recitals or family gatherings and parties.
Evocation I ? The Harvest
The harvest in Alentejo, Portugal, occurs when the fields become tanned and a soft, warm wind coming from the south blows. It is the time of the year when you grab your hat made of straw and you let yourself be sunk ina sea of rye.
Evocation II ? The Sepia photograph
Memories. They can be happy, bittersweet or painful... Sometimes nostalgia gets the better out of us. And then we are dragged into the past, into a suspended, slow and hypnotic time. Old sepia colored pictures in a drawer orscattered around our bed.
Evocation III ? The dead soldier
The battle is over. Amournful wife, the weeping children. An everlasting pain shutteringour heart. And the hope that wherever he is, he is in peace now. And we are all proud of him. Thank you for serving our country.
Evocation IV ? The composer
The tragedy of the blank page. An everlasting winter in our soul. Snow is falling, thepath is difficult to trail. Being an artist involves an incommensurable amount of suffering because we have to give it all. And even giving it all it isn't enough, and we feel drained and exhausted in the end.
Evocation V ? The Glowing Sun
The blond hair and the most radiant smile one could ever imagine. She is a glowing sun, like an everlasting shine in the sky. She doesn't walk, she floats with extreme elegance across the street, and in the corner, she doesn't turn ? she spins and swirls with heavenly grace.
Evocation VI ? The Far
Longing. Eternally. I hope you've read my letters. I hope you've heard my calls. I opened my heart to you. Why do you take so long? Why can't I hear your voice? Why do you keep me waiting here. Here, so close, yet... so far... alone... forever...
Evocation VII ? The Queen of Spades
The dark lady is the strongest in the deck. Mystical, fantastic, she wanders like a shadow in your world. Across the garden, carrying a sickle, she's just waiting to chop a head on the next turn.
Evocation VIII ? The Poem
A book, a sonnet. Fourteen verses with rigorous metric, with a defined purpose. A parlor game, a riddle. Can you guess what's hidden inside these wondrous sounds?
Evocation IX ? The Thinker
A desk loaded with books. The glasses. A mind always working, methodic, cold, rigorous. Numbers, hidden relationships, an everlasting connection with the abstraction.
Evocation X ? The Island of the Hydrangeas.
A paradise on earth, smooth rain, narrow and sinuous roads. Walking, then biking, then driving around. An adventure in one of the most beautiful places in the world.
Evocation XI ? The Near
When you're here everything will be beautiful. I can see it already in my head, the endless, passionate love, a tender sweet kiss that will last forever. Your lips on mine, while holding hands, in the bench, in the garden, under the tree. You are the one.
Evocation XII ?Saffron rice
The rice is golden like your hair and your class. The sweet taste of nobility, the craft ofwisdom, the delicacy of experience. Maturity is what time brings, it is not a curse, it is a gift that we should embrace and respect.
$25.99 ≈
23.84€
Will the Circle be Unbroken - solo and piano
Will the Circle be Unbroken - solo and piano
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Piano, Voix et Guitare
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FACILE
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and by Oh by and by
Is
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Ada R Habershon and Charles H
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Connie Boss
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Will the Circle be Unbroken -
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Connie Boss
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801626 Composed by Ada R Habershon and Charles H Gabriel. Arranged by Connie Boss. Christian,Contemporary,C...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801626 Composed by Ada R Habershon and Charles H Gabriel. Arranged by Connie Boss. Christian,Contemporary,Country,Folk,Sacred. Score. 4 pages. Connie Boss #6322263. Published by Connie Boss (A0.801626). This arrangement is for solo and piano. It has a different piano accompaniment and the melody is changed just a touch. It is a song for a funeral or for bluegrass piece. cdboss@cvalley.netWill the Circle Be Unbroken Ada R Habershon and Charles H Gabriel Arranged by Connie Boss Refrain: Will the circle be unbroken By and by Oh by and by Is a better home awaiting In the sky Oh in the sky Verses: There are loved ones in the glory Whose dear forms you often miss When you close your earthly story Will you join them in their bliss? In the joyous days of childhood Oh they told us of His Love Pointed to the dying Saviour Now they dwell with Him above you can picture happy gath’rings round the fireside long ago and you think of tearful partings when they left you here below one by one their seats were emptied one by one they went away now the family is parted will it be complete one day?
$5.00 ≈
4.59€
Even For His Prodigal One, a sacred hymn
Even For His Prodigal One, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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broken rocks can be strong
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Even For His Prodigal One, a s
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1464196 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religiou...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1464196 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1042917. Published by Kevin G. Pace (A0.1464196). A beautiful, sacred hymn referencing the Parable of the Prodigal Son. Music by Kevin G. Pace. Text by Mary Ann W. Snowball.Text:During a drought there’s faithful hope of a rescuing rain.A distant cloud may seem afar, but God our life sustains.All temples built must show great strength when erecting to God.The earth’s great gift of severed stones shows a final façade.Arid ground can be made whole; broken rocks can be strong.God’s love is a Father’s love . . . even for the prodigal one. Abraham’s age, and Sarah’s too, halted one promised heirUntil, with time, a miracle brought forth Isaac so fair.Witnesses from within a crowd, begged a stoning one day,But Jesus stooped and said with love, “Sin no more, go thy way.”Waiting long can claim God’s will; He can bless to belong.God’s love is a Father’s love . . . even for the prodigal one. A prodigal left home too soon . . . riches squandered, abused,Until at last all pride was gone; father’s kiss showing truth.Some sin may come, or mortal pain; earthly choices are made.Temptations soar, but Father, God, loves with grandeur displayed.Coming home to Father’s love brings a brand-new song.God’s love is a Father’s love . . . even for his prodigal one. God’s pure love means coming home . . . especially for His prodigal one.
$1.99 ≈
1.83€
Waiting For The Ghost Train
Waiting For The Ghost Train
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Chorale SATB
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FACILE
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Madness
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Andrea Figallo
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Waiting For The Ghost Train
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Andrea Figallo
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1292182 By Madness. By Graham McPherson. Arranged by Andrea Figallo. 20th Century,A Cappella,Pop. 11 page...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1292182 By Madness. By Graham McPherson. Arranged by Andrea Figallo. 20th Century,A Cappella,Pop. 11 pages. Andrea Figallo #882769. Published by Andrea Figallo (A0.1292182). Germany, Munich. The Don Camillo Chor commissioned me this arrangement during corona. And they made a beautiful video out of it! Enjoy! Â Â
$1.99 ≈
1.83€
I'll Be Waiting
I'll Be Waiting
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Chorale TTBB
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FACILE
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Cian Ducrot
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Dustin S
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I'll Be Waiting
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Dustin S Cates
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1475739 By Cian Ducrot. By Cian Ducrot and Lauren Frawley. Arranged by Dustin S. Cates. Pop,Rock,Sin...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1475739 By Cian Ducrot. By Cian Ducrot and Lauren Frawley. Arranged by Dustin S. Cates. Pop,Rock,Singer/Songwriter. 15 pages. Dustin S Cates #1053296. Published by Dustin S Cates (A0.1475739). I’ll Be Waiting was released as a single in 2022 by Irish singer-songwriter Cian Ducrot. Despite its catchy chorus, the piece addresses the often complex nature of human relationships. The contrasting themes of loss, regret, hope and love are all part of the story of the song. A story that the singer describes as the emotions involved in, “waiting for someone you love to show up.” Ducrot, who also studied flute performance at the Royal Academy of Music in London, is one of a growing number of musicians gaining popularity through leveraging the power of social media, in particular TikTok, to share their music with the world. I’ll Be Waiting went viral as Ducrot posted videos of flash mob performances of the song taking place in subway trains, shopping malls and even on NBC’s Today Show.
$2.50 ≈
2.29€
Waiting For A Train
Waiting For A Train
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Piano, Voix et Guitare
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Pop musique
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Flash And The Pan
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Waiting For A Train
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Hal Leonard Europe
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SheetMusicPlus
Interactive Download SKU: HX.339688 By Flash And The Pan. This edition: Interactive Download. Pop. Piano/Vocal/Guitar (Piano Accompaniment). 6 pages. Pub...
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Interactive Download SKU: HX.339688 By Flash And The Pan. This edition: Interactive Download. Pop. Piano/Vocal/Guitar (Piano Accompaniment). 6 pages. Published by Hal Leonard Europe (HX.339688).
$4.99 ≈
4.58€
Elegy for a Raindrop, Op. 25
Elegy for a Raindrop, Op. 25
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Piano seul
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AVANCÉ
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Contemporain
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TJHoltMusic
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Elegy for a Raindrop, Op. 25
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TJHoltMusic
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1021632 Composed by TJHoltMusic. Contemporary. Score. 9 pages. TJHoltMusic #6138243. Published by TJHoltMusic (A0.1021632...
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Piano Solo - Level 5 - SKU: A0.1021632 Composed by TJHoltMusic. Contemporary. Score. 9 pages. TJHoltMusic #6138243. Published by TJHoltMusic (A0.1021632). Elegy for a Raindrop, Op. 25 was composed for solo piano. To capture the true atmosphere of this piece, think of your stereotypical rainy day movie scene. You look out of the window and while you are waiting for the sun to return, you ponder on the existence of a single raindrop, whose sole purpose is falling from the grey sky, in mass with its brethren, to kiss the green earth below. Never rising, always falling while giving (or taking) life. This is its elegy. An elegy for a raindrop.Composed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer
$10.00 ≈
9.17€
Waiting at the Station
Waiting at the Station
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Piano seul
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FACILE
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Sharon Wilson
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Sharon Wilson
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Waiting at the Station
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1079006 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Children,Contest,Festival,Instruction...
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Piano Solo - Level 2 - SKU: A0.1079006 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Children,Contest,Festival,Instructional. Score. 2 pages. Sharon Wilson #683205. Published by Sharon Wilson (A0.1079006). Does this song seem to begin a little too slowly? The first section of this song is mimicking how it feels to be anxiously waiting for the train to come so the journey can begin. The middle section of the song picks up a bit, simulating the entertainment one might find in the train depot to pass the minutes away, but then it's back to wait, wait, wait. The slow section presents the ideal opportunity for perfecting expression in tone and touch. This arrangement is one of the five songs in the collection Railroad Days. Other titles in the collection include: All Aboard, Full Steam Ahead, Chugging Along, and Caboose on the Loose. Duration: 1:50 Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusicKeywords: recital pieces, supplemental piano instruction materials, student repertoire, elementary teacher curriculum, train music, train travel, the good old days, toot toot, choo choo, chug-a chug chug
$3.99 ≈
3.66€
Waiting Upon the Lord, a sacred hymn
Waiting Upon the Lord, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Waiting Upon the Lord, a sacre
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1333944 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1333944 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #920223. Published by Kevin G. Pace (A0.1333944). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Like a ground is cared for ere a crop is grown, As our seeds are planted deep in fertile loam, As we tend young saplings 'til the real growth starts, God can nurture promise in a swelling heart. Like a seed needs moisture from a rain to pour, As we bask in sunshine, always wanting more, As a thriving seed needs ample space to grow, God can give assurance He loves to bestow.Like the waiting needed 'til it's time to reap, As we pray when nature harms the crop we seek. As we pause for produce finally to appear, God can grant His blessings as we persevere.Chorus:God is He who gives the greatest yield,Pruning each one's soul 'til all are healed. He will strengthen us from His own roots,Then with patience we can reap the perfect fruit.
$1.99 ≈
1.83€
Remember. Ballad and Refrain
Remember. Ballad and Refrain
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Piano, Voix
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Max
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Remember. Ballad and Refrain
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.18871 Composed by Max. L Hermann. Railroad tracks, Railroad stations, Families, Mothers & children, Good-byes, Travel, Homecom...
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Piano and voice - SKU: LV.18871 Composed by Max. L Hermann. Railroad tracks, Railroad stations, Families, Mothers & children, Good-byes, Travel, Homecomings. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18871). Remember. Ballad and Refrain. With Quartette Arrangement. Composed by Max. L Hermann. Published 1905 by Old Dominion Music Co. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Railroad tracks, Railroad stations, Families, Mothers & children, Good-byes, Travel, Homecomings. First line reads Waiting at a railraod station, In a little Southern town, Stood a mother and her only daughter Nell.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.49€
His Footstep at the Door. Song & Chorus
His Footstep at the Door. Song & Chorus
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Piano, Voix
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Horace E
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His Footstep at the Door. Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.4252 Composed by Horace E. Kimball. Waterfronts, Sunrises & sunsets, Windows, Gardens, Sadness, Courtship, Love, Absences, Pra...
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Piano and voice - SKU: LV.4252 Composed by Horace E. Kimball. Waterfronts, Sunrises & sunsets, Windows, Gardens, Sadness, Courtship, Love, Absences, Prayer. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4252). His Footstep at the Door. Song & Chorus. Words by Mary E. Kail. Music by Horace E. Kimball. Published 1872 by S. Brainard's Sons in Cleveland. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Waterfronts, Sunrises & sunsets, Windows, Gardens, Sadness, Courtship, Love, Absences, Prayer. First line reads I am waiting, I am waiting, fondly waiting for my sweet.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.49€
Waiting For Rain, Solo Lap Harp (from 50 Progressive Short Solos)
Waiting For Rain, Solo Lap Harp (from 50 Progressive Short Solos)
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Harpe
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Cindy Blevins
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Waiting For Rain, Solo Lap Har
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Cindy Blevins
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SheetMusicPlus
Harp - SKU: A0.1058942 Composed by Cindy Blevins. Contemporary,Instructional,New Age. Full Performance. Duration 69. Cindy Blevins #3124995. Published b...
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Harp - SKU: A0.1058942 Composed by Cindy Blevins. Contemporary,Instructional,New Age. Full Performance. Duration 69. Cindy Blevins #3124995. Published by Cindy Blevins (A0.1058942). This mp3 was recorded playing my Blevins harp. This song is from my book 50 Progressive Short Solos (for lap harp). You can purchase the eBook here on Sheet Music Plus, Item # S0.246593. If you have a larger harp, the version of the book for larger harp is S0.246505. The 50 songs are not available separately as sheet music, just as recordings.My website: https://www.blevinsmusic.comMy YouTube Channel: https://www.youtube.com/channel/UCuTv5LTRQW-uI_pIxg94IkQ?
$1.99 ≈
1.83€
Waiting For Rain, Solo Harp (from 50 Progressive Short Solos)
Waiting For Rain, Solo Harp (from 50 Progressive Short Solos)
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Harpe
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Cindy Blevins
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Waiting For Rain, Solo Harp
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Cindy Blevins
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SheetMusicPlus
Harp - SKU: A0.1058892 Composed by Cindy Blevins. Contemporary,Instructional,New Age. Full Performance. Duration 68. Cindy Blevins #3124785. Published b...
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Harp - SKU: A0.1058892 Composed by Cindy Blevins. Contemporary,Instructional,New Age. Full Performance. Duration 68. Cindy Blevins #3124785. Published by Cindy Blevins (A0.1058892). This mp3 was recorded playing my Blevins harp. This song is from my book 50 Progressive Short Solos (for lever or pedal harp). You can purchase the eBook here on Sheet Music Plus, Item No. S0.246505. The 50 songs are not available separately as sheet music, just as recordings.
$1.99 ≈
1.83€
Waiting
Waiting
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Isadar
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Waiting
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Early Intermediate - Digital Download Composed by Isadar. Contemporary Classical, Neo- Classical, Spiritual, Recital, New Age. Sheet Musi...
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Piano Solo - Early Intermediate - Digital Download Composed by Isadar. Contemporary Classical, Neo- Classical, Spiritual, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing (BMI)
Contains:
"Waiting"
- taken from the Isadar solo piano collections, "Active Imagination / Reconstructed" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Note: A slightly different version of this composition is also heard on the Isadar album, "Reconstructed" (Produced by Will Ackerman)
Album & Songbook Review by: Kathy Parsons
I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially) successful within this broad genre. I would say that Active Imagination definitely belongs near the top of the heap. Isadar?s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own.
The first three tracks are lively and upbeat (?Active Imagination?, ?Throwing the Dice?, and ?Where the Wild Things Are?) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on ?Wild Things? is infectious.
From there, the mood seems to gradually darken and become more introspective. ?Waiting? is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar?s cover of Liz Story?s ?Wedding Rain? is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar?s interpretation of the piece seems right without being a carbon-copy of Liz?s recording.
?Feu Follet (the ?spook? light?)? has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. ?Uncertainty? is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. ?Love Chaconne? is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a ?chaconne?). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama.
Active Imagination is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo!
Active Imagination Sheet Music Collection is the companion songbook to Isadar?s 1999 CD release, Active Imagination. The CD was one of my favorites for the year when I reviewed it for the print version of ?Wind and Wire? magazine, so I was really looking forward to the sheet music! Transcribed note-for-note by David Shenton of ShentonMusic.com (I proofed about half of the book, so I can attest to how accurate it is!), it is up to you to make the music sound as close to the CD as you want or to interpret the music and make your own statements with it.
One thing that really stands out about this collection is how much FUN it is to play. The rhythms are interesting and catchy, and the mood in several of the songs is playful and upbeat. This is especially true with the title song, ?Throwing the Dice,? ?Where the Wild Things Are,? and ?Feu Follet (the ?spook? light).? ?Waiting,? ?Love Chaconne,? and ?Uncertainty? are slower, more introspective, and a bit moody, making this a sheet music collection that contains a variety of moods and styles. The only piece missing from the book is Liz Story?s ?Wedding Rain,? but the sheet music for that song is available in some of Ms. Story?s own collections.
Early-advanced players should have no trouble with this music. The timing on some of the songs is a little bit tricky, but if you count it as you are learning it, it will fall into place.
If you haven?t heard the CD, check it out, too! This book is available here from SMP, isadar.com and amazon.com. Highly recommended!
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$6.99 ≈
6.41€
Another One
Another One
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Elevation Worship Feat
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Dale Nichols
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Another One
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Soul Surfer Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1494070 By Elevation Worship Feat. Chris Brown. By Brandon Lake, Chris Davenport, Patrick Barrett, and Steven Furt...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1494070 By Elevation Worship Feat. Chris Brown. By Brandon Lake, Chris Davenport, Patrick Barrett, and Steven Furtick. Arranged by Dale Nichols. 21st Century,Christian,Praise & Worship,Rock,Sacred. Score. 19 pages. Soul Surfer Publishing #1070680. Published by Soul Surfer Publishing (A0.1494070). Another One by Elevation Worship featuring Chris Brown, was officially released on February 9, 2024. The track is part of their upcoming album, When Wind Meets Fire, and was co-written by notable figures in contemporary Christian music, including Steven Furtick, Brandon Lake, Pat Barrett, and Chris Davenport. The song is described as prophetic, aimed at individuals who have been sowing, praying, and waiting on God. Chris Brown emphasizes that the song is meant to inspire listeners to believe in the miracles that God can bring into their lives, reinforcing the idea that God has numerous ways to meet our needs and fulfill His promises. The lyrics echo a message of hope and anticipation for future blessings, encapsulated in the repeated refrain that another one is on the way—a reminder of God's faithfulness and the miracles He has performed in the pastThis sheet music has been carefully transcribed from the live performance in the linked YouTube video. Whether for personal practice, worship leading, or performance, this arrangement aims to bring the spirit of the song directly to your fingertips and voice at the piano.
$7.99 ≈
7.33€
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