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We Are The World Conductor Score
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12
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Vous avez sélectionné:
We Are The World Conductor Score
Partitions à imprimer
40 partitions trouvées
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We Are The World - Conductor Score (Full Score)
We Are The World - Conductor Score (Full Score)
#
Fanfare
#
Pop musique
#
USA For Africa
#
John Higgins
#
We Are The World - Conductor S
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By USA For Africa. By Michael Jackson and Lionel Richie. Arranged by John Higgins. Pop. Conductor Score (Full Score). 8 pages. Published by Hal Leonard - Digita...
(+)
By USA For Africa. By Michael Jackson and Lionel Richie. Arranged by John Higgins. Pop. Conductor Score (Full Score). 8 pages. Published by Hal Leonard - Digital Sheet Music (HX.144322). - Conductor Score (Full Score) - Pop - Hal Leonard - Digital Sheet Music
$5.00 ≈
4.64€
We Are The World - Conductor Score (Full Score)
We Are The World - Conductor Score (Full Score)
#
Fanfare
#
Pop musique
#
USA For Africa
#
Paul Lavender
#
We Are The World - Conductor S
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By USA For Africa. By Michael Jackson and Lionel Richie. Arranged by Paul Lavender. Pop. Conductor Score (Full Score). 8 pages. Published by Hal Leonard - Digit...
(+)
By USA For Africa. By Michael Jackson and Lionel Richie. Arranged by Paul Lavender. Pop. Conductor Score (Full Score). 8 pages. Published by Hal Leonard - Digital Sheet Music (HX.144321). - Conductor Score (Full Score) - Pop - Hal Leonard - Digital Sheet Music
$5.00 ≈
4.64€
We Are The World (23-Piece Digital Pack)
We Are The World (23-Piece Digital Pack)
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Fanfare
#
FACILE
#
Pop musique
#
USA For Africa
#
Paul Lavender
#
We Are The World
#
Hal Leonard - Digital
#
SheetMusicPlus
Marching band Aux Percussion - Level 2 - SKU: HX.144346 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Paul Lavender. Pop. Individ...
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Marching band Aux Percussion - Level 2 - SKU: HX.144346 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Paul Lavender. Pop. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.144346).
Digital Pack includes
:
We Are The World - Conductor Score (Full Score)
We Are The World - Flute/Piccolo
We Are The World - Bb Clarinet
We Are The World - Eb Alto Sax
We Are The World - Bb Tenor Sax/Baritone TC
We Are The World - Eb Baritone Sax
We Are The World - 1st Bb Trumpet
We Are The World - 2nd Bb Trumpet
We Are The World - 3rd Bb Trumpet
We Are The World - F Horn
We Are The World - Bb Horn/Flugelhorn
We Are The World - Trombone 1
We Are The World - Trombone 2
We Are The World - Baritone B.C.
We Are The World - Tuba
We Are The World - Electric Bass
We Are The World - Bells/Vibes
We Are The World - Xylophone/Marimba
We Are The World - Snare Drum
We Are The World - Cymbals
We Are The World - Triple Toms
We Are The World - Multiple Bass Drums
We Are The World - Aux Percussion
$55.00 ≈
51.06€
We Are The World (23-Piece Digital Pack)
We Are The World (23-Piece Digital Pack)
#
Fanfare
#
INTERMÉDIAIRE
#
Pop musique
#
USA For Africa
#
John Higgins
#
We Are The World
#
Hal Leonard - Digital
#
SheetMusicPlus
Marching band Aux Percussion - Level 3 - SKU: HX.144368 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by John Higgins. Pop. Individu...
(+)
Marching band Aux Percussion - Level 3 - SKU: HX.144368 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by John Higgins. Pop. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.144368).
Digital Pack includes
:
We Are The World - Conductor Score (Full Score)
We Are The World - Flute/Piccolo
We Are The World - Bb Clarinet
We Are The World - Eb Alto Sax
We Are The World - Bb Tenor Sax/Baritone TC
We Are The World - Eb Baritone Sax
We Are The World - 1st Bb Trumpet
We Are The World - 2nd Bb Trumpet
We Are The World - 3rd Bb Trumpet
We Are The World - F Horn
We Are The World - Bb Horn/Flugelhorn
We Are The World - 1st Trombone
We Are The World - 2nd Trombone
We Are The World - Baritone B.C.
We Are The World - Tuba
We Are The World - Electric Bass
We Are The World - Bells/Vibes
We Are The World - Xylophone/Marimba
We Are The World - Snare Drum
We Are The World - Cymbals
We Are The World - Triple Toms
We Are The World - Multiple Bass Drums
We Are The World - Aux Percussion
$60.00 ≈
55.70€
Oneness in This World (clarinet, cello, piano)
Oneness in This World (clarinet, cello, piano)
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Jeffrey Hoover
#
Oneness in This World
#
Musicart Publications
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritua...
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 47 pages. Musicart Publications #5719085. Published by Musicart Publications (A0.971656). Set in two movements, the music of Oneness in This World represents two things necessary for humanity to move together: Unity and Joy.In the first movement, the music evolves from tension and musical discord to unity and harmony. While much of the drama is heard through the interaction of the clarinet and cello, the piano provides a key factor throughout the second part of the first movement through foundational chaconne variations. As the harmonic progression repeats, the clarinet and cello become more aligned in their music yet maintaining a sense of individuality. Without unity and informed agreement, a society cannot truly benefit its people. Unity is strongest within diversity, contributing to growth, and moving towards a common goal to benefit all.In the second movement, all three musicians share equally in the production of the state of joy. The varied tone colors of the instruments, shifting meters, and dancing music all provide energy and emotions suggesting joy. Joy is a certainty of the goodness of life, in spite of sorrows or pain or even tragedy. Joy gives us wings to transcend our situation, opens us to our potential, and helps us become who we are to be. Joy comes from faith and belief of value and purpose for our life and its beauty.As with other musical compositions of mine, there are two paintings– a diptych –titled Unity and Joy which I created to visually interpret the music. –Jeffrey HooverThis edition is set to print correct page turns, back-to-back.Jeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, the SMP/Universal Edition composition award for contemporary music, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, the L. Russolo competition, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer.One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.For questions about this music, how he combines his music with his paintings or other inquiries, please visit his website or contact the composer directly:jeffreyhooverart@gmail.comhttps://jeffreyhooverart.wixsite.com/mysite
$21.95 ≈
20.38€
We Are The World
We Are The World
#
USA For Africa
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David Maddux
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We Are The World
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David Maddux
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SheetMusicPlus
Small Ensemble Drum Set,Electric Bass Guitar,Electric Guitar,Piano,Synthesizer - Level 3 - SKU: A0.586516 By USA For Africa. By Lionel Richie and Michae...
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Small Ensemble Drum Set,Electric Bass Guitar,Electric Guitar,Piano,Synthesizer - Level 3 - SKU: A0.586516 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by David Maddux. Contemporary,Pop. Score and parts. 48 pages. David Maddux #195812. Published by David Maddux (A0.586516). NOTE: This PDF file contains the conductor’s score, individual instrumental parts, and vocal-only part. The piano-vocal is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$50.00 ≈
46.42€
We Are The World - Conductor Score (Full Score)
We Are The World - Conductor Score (Full Score)
#
Orchestre d'harmonie
#
Pop musique
#
We Are The World - Conductor S
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Pop. Conductor Score (Full Score). 11 pages. Duration 2:45. Published by Hal Leonard - Digital Sheet Music (HX.144324). - Conductor Score (Full Score) - Pop - H...
(+)
Pop. Conductor Score (Full Score). 11 pages. Duration 2:45. Published by Hal Leonard - Digital Sheet Music (HX.144324). - Conductor Score (Full Score) - Pop - Hal Leonard - Digital Sheet Music
$5.00 ≈
4.64€
We Are The World - Conductor Score (Full Score)
We Are The World - Conductor Score (Full Score)
#
Orchestre d'harmonie
#
Pop musique
#
USA For Africa
#
John Higgins
#
We Are The World - Conductor S
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By USA For Africa. By Michael Jackson and Lionel Richie. Arranged by John Higgins. Pop. Conductor Score (Full Score). 15 pages. Duration 200. Published by Hal L...
(+)
By USA For Africa. By Michael Jackson and Lionel Richie. Arranged by John Higgins. Pop. Conductor Score (Full Score). 15 pages. Duration 200. Published by Hal Leonard - Digital Sheet Music (HX.144323). - Conductor Score (Full Score) - Pop - Hal Leonard - Digital Sheet Music
$8.00 ≈
7.43€
We Are the Children of Promise
We Are the Children of Promise
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Chorale Unison
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Joel Raney
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We Are the Children of Promise
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Hope Publishing - Digital
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SheetMusicPlus
Flute, Percussion, Various Instruments, Violin - SKU: H1.C5676PDP Composed by Joel Raney. Piano with Optional Unison Choir (or Solo). General Worship, C...
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Flute, Percussion, Various Instruments, Violin - SKU: H1.C5676PDP Composed by Joel Raney. Piano with Optional Unison Choir (or Solo). General Worship, Children, Creation, Hope, Joy, Love, Trust & Unity. Instrumental Parts. 33 pages. Hope Publishing - Digital #C5676PDP. Published by Hope Publishing - Digital (H1.C5676PDP). Original Anthem Combining adult and children's choirs in a call and response format, Joel Raney has effectively written a multigenerational anthem that answers the question Who are we? with the heartfelt statement We are the children of promise; we are the keepers of the flame. This stirring ballad filled with hope and promise, compels the community of believers to pass on the love of God to the next generation and to see the world with child-like eyes. The Instrumental packet includes a Conductor's Score and parts for: Flute, Violin, Synth, Electric Bass and Percussio.
$59.95 ≈
55.65€
We Are the Children of Promise
We Are the Children of Promise
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Chorale Unison
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Joel Raney
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We Are the Children of Promise
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Hope Publishing - Digital
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SheetMusicPlus
Choral Children's Voices, Flute, Percussion, Various Instruments, Violin - SKU: H1.C5676DP Composed by Joel Raney. Piano with Optional Unison Choir (or ...
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Choral Children's Voices, Flute, Percussion, Various Instruments, Violin - SKU: H1.C5676DP Composed by Joel Raney. Piano with Optional Unison Choir (or Solo). General Worship, Children, Creation, Hope, Joy, Love, Trust & Unity. Octavo. 14 pages. Hope Publishing - Digital #C5676DP. Published by Hope Publishing - Digital (H1.C5676DP). Original Anthem Combining adult and children's choirs in a call and response format, Joel Raney has effectively written a multigenerational anthem that answers the question Who are we? with the heartfelt statement We are the children of promise; we are the keepers of the flame. This stirring ballad filled with hope and promise, compels the community of believers to pass on the love of God to the next generation and to see the world with child-like eyes. The Instrumental packet includes a Conductor's Score and parts for: Flute, Violin, Synth, Electric Bass and Percussio.
$3.45 ≈
3.20€
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Full Score Only
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Full Score Only
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Contemporain
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Classique
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Dmitry Klevansky
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Stefan Kristinkov
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Проводн
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Heemrec
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SheetMusicPlus
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - SKU: A0.1420554 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. Classic...
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - SKU: A0.1420554 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. Classical,Contemporary. 14 pages. Heemrec #1001987. Published by Heemrec (A0.1420554). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$130.00 ≈
120.68€
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Score And Parts
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Score And Parts
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Dmitry Klevansky
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Stefan Kristinkov
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Проводн
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Heemrec
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SheetMusicPlus
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - SKU: A0.1420561 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Ce...
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - SKU: A0.1420561 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1001994. Published by Heemrec (A0.1420561). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$140.00 ≈
129.97€
The Messenger (Romance for Voice And Orchestra) - Full Score Only - Score Only
The Messenger (Romance for Voice And Orchestra) - Full Score Only - Score Only
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Dmitry Klevansky
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Stefan Kristinkov
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The Messenger
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Heemrec
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SheetMusicPlus
Level 5 - SKU: A0.1420570 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 14 pages. Hee...
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Level 5 - SKU: A0.1420570 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 14 pages. Heemrec #1002003. Published by Heemrec (A0.1420570). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$130.00 ≈
120.68€
The Messenger (Romance for Voice And Orchestra) - Score And Parts
The Messenger (Romance for Voice And Orchestra) - Score And Parts
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Dmitry Klevansky
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Stefan Kristinkov
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The Messenger
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Heemrec
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SheetMusicPlus
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - SKU: A0.1420568 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Ce...
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - SKU: A0.1420568 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1002001. Published by Heemrec (A0.1420568). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$140.00 ≈
129.97€
Fifteen Safari Duets for Tubas
Fifteen Safari Duets for Tubas
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2 Tubas (duo)
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FACILE
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Jazz
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.
In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc ?Tuba Safari? (Troy 1173) on Albany Records.
1. Elephants at Stave
This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.
2. Gallop ? Thompson Gazelle at Amboseli
This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo ? a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.
3. Rhinos at Nairobi Game Park
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.
4. Giraffes at Nairobi Twiga Park
This is in a ?rock? style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.
5. Warthogs at Ngulia
Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.
6. Baboons at Kiliguni
This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists? tables. They will work together where one causes a diversion while the others steal.
7. Pastoral ? Cape Buffalo at Samburu
The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.
8. Song - Hippos at Mzima Springs
This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.
9. Leopards at Kimana Lodge
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.
10. Colobus Monkeys at the Ark
This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.
11. Zebra Migration at Masai Mara
This duet is in a ?Medium Swing? jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.
12. Ostrich at Samburu
This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.
13. Cheetah at Voi
This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.
14. Gallop ? Gerenuk at Buffalo Springs
This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.
15. Lions at Mara Sopa
This duet is in the style of a fanfare. The lion is considered the king of the savanna.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.57€
We Are The World (31-Piece Digital Pack)
We Are The World (31-Piece Digital Pack)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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USA For Africa
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John Higgins
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We Are The World
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Hal Leonard - Digital
#
SheetMusicPlus
Concert band Timpani - Level 4 - SKU: HX.144398 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by John Higgins. Pop. Individual instr...
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Concert band Timpani - Level 4 - SKU: HX.144398 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by John Higgins. Pop. Individual instrument part. 1 pages. Duration 200. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.144398).
Digital Pack includes
:
We Are The World - Conductor Score (Full Score)
We Are The World - Piccolo
We Are The World - Flute 1
We Are The World - Flute 2
We Are The World - Oboe
We Are The World - Bassoon
We Are The World - Bb Clarinet 1
We Are The World - Bb Clarinet 2
We Are The World - Bb Clarinet 3
We Are The World - Eb Alto Clarinet
We Are The World - Bb Bass Clarinet
We Are The World - Eb Alto Saxophone 1
We Are The World - Eb Alto Saxophone 2
We Are The World - Bb Tenor Saxophone
We Are The World - Eb Baritone Saxophone
We Are The World - Bb Trumpet 1
We Are The World - Bb Trumpet 2
We Are The World - Bb Trumpet 3
We Are The World - F Horn 1 & 2
We Are The World - F Horn 3 & 4
We Are The World - Trombone 1
We Are The World - Trombone 2
We Are The World - Trombone 3
We Are The World - Baritone B.C.
We Are The World - Baritone T.C.
We Are The World - Tuba
We Are The World - String Bass
We Are The World - Percussion 1
We Are The World - Percussion 2
We Are The World - Mallet Percussion
We Are The World - Timpani
$70.00 ≈
64.98€
Do You Hear How Many You Are?
Do You Hear How Many You Are?
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Orchestre d'harmonie
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FACILE
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Contemporain
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spin...
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Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00 ≈
78.91€
We Are The World (24-Piece Digital Pack)
We Are The World (24-Piece Digital Pack)
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Orchestre d'harmonie
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FACILE
#
Pop musique
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USA For Africa
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Larry Norred
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We Are The World
#
Hal Leonard - Digital
#
SheetMusicPlus
Concert band Timpani - Level 2 - SKU: HX.144421 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Larry Norred. Pop. Individual instr...
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Concert band Timpani - Level 2 - SKU: HX.144421 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Larry Norred. Pop. Individual instrument part. 1 pages. Duration 165. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.144421).
Digital Pack includes
:
We Are The World - Conductor Score (Full Score)
We Are The World - Flute
We Are The World - Oboe
We Are The World - Bassoon
We Are The World - Bb Clarinet 1
We Are The World - Bb Clarinet 2
We Are The World - Bb Clarinet 3
We Are The World - Eb Alto Clarinet
We Are The World - Bb Bass Clarinet
We Are The World - Alto Saxophone
We Are The World - Bb Tenor Saxophone
We Are The World - Eb Baritone Saxophone
We Are The World - Bb Trumpet 1
We Are The World - Bb Trumpet 2
We Are The World - F Horn
We Are The World - Trombone
We Are The World - Baritone B.C.
We Are The World - Baritone T.C.
We Are The World - Tuba
We Are The World - Convertible Bass Line
We Are The World - Percussion 1
We Are The World - Percussion 2
We Are The World - Mallet Percussion
We Are The World - Timpani
$55.00 ≈
51.06€
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661...
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Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00 ≈
18.57€
Rhythms of the Spirit
Rhythms of the Spirit
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Orchestre d'harmonie
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Contemporain
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James M
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Rhythms of the Spirit
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Jim Stephenson Music, Inc.
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SheetMusicPlus
Concert Band - SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published b...
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Concert Band - SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published by Jim Stephenson Music, Inc. (A0.1030888). Written by internationally renowned, Chicago-based composer, James M. Stephenson stephensonmusic.com Jim@Stephensonmusic.com Product info: http://stephensonmusic.com/product/rhythms-of-the-spirit Facebook: https://www.facebook.com/jim.stephenson.946 Twitter: https://twitter.com/ComposerJim YouTube: https://www.youtube.com/user/JimmyThird/featured Duration: 9' Commissioned by and dedicated to the Grand Symphonc Winds; Matthew George, Music Director. Premiered May 2, 2013. Notes about the Music: In the spring of 2012, I was in Minnesota attending some performances, and had the fortunate opportunity of catching up with Matthew George, conductor of the Grand Symphonic Winds. Matt had given the world premiere performance of my Concerto for Brass Quintet (Dodecafecta), and has always had a major presence in the formation of new works for winds, so I was very delighted when he brought up the idea of a new work for his group. The Grand Symphonic Winds, in honor of their 25th anniversary, were looking to celebrate the influx of many international cultures which had become a significant part of the landscape in Minnesota. This immediately called out to me in musical terms, namely in the forms of rhythms and spirituality (hence the title!) The piece opens and closes with heroic and beautiful music, signifying (to me) what most cultures seem to all be saying, but in different languages: we all just want peace, harmony and love. The entire middle section is very rhythmic, using many percussion instruments found in different cultures, also represented in Minnesota: Latin America (claves, bongos), Africa (Djembe) and if possible, Southeast Asia (Dholak). And just for fun, I even spelled out Minnesota in Morse code, but this was merely for my own enjoyment! I wish to thank Matt George, for all he has done for the field of music in Wind Ensembles, and specifically to him and the Grand Symphonic Winds for entrusting to me the responsibility of composing this new work, which I truly hope finds its home in the literature. Jim Stephenson March, 2013 Instrumentation: Wind Ensemble – one per part, except: 2 tubas recommended, French Horns doubled Recommended: Rhythm percussion sit in the middle of the ensemble, or immediately in front of the conductor, where visible to audience. Percussion instruments needed: Snare Drum, Bass Drum, Cymb. a2 Claves, Djembe, Marimba, Triangle, Vibes, Bongos (or Dholak) Xylophone, Glock., Tambourine, Sus. Cymb. (if desired, the Dholak could replace the Bongos, using high/low sounds).
$140.00 ≈
129.97€
20 Hymns for the Holidays for Guitar Ensemble
20 Hymns for the Holidays for Guitar Ensemble
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Noël
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Various
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Donald Miller
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20 Hymns for the Holidays for
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Donald Miller Music
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1288692 Composed by Various. Arranged by Donald Miller. Advent,Christmas,Holiday. 103 pages. Donald Miller Music #879587. Pub...
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Guitar - Level 2 - SKU: A0.1288692 Composed by Various. Arranged by Donald Miller. Advent,Christmas,Holiday. 103 pages. Donald Miller Music #879587. Published by Donald Miller Music (A0.1288692). 20 Hymns for the Holidays may be played as special music or used with congregational singing. These musical selections of Thanksgiving, Advent, and Christmas will provide guitar players of all levels an opportunity to develop sight-reading skills and ensemble playing and are edited to include both pick and finger-style (classical) guitar.  Because of the great popularity of the guitar, young guitarists will become enthusiastic with their participation in your church service and older members of the congregation will appreciate the beauty of the ensemble playing the great hymns of the holiday season.Contents include:Hymns for ThanksgivingAll People that on Earth Do DwellCome Ye Thankful People, ComeFor the Beauty of the EarthFrom All that Dwell Below the SkiesNow Thank We All Our GodPraise to the Lord, the AlmightyThis is My Father’s World Hymns for AdventCome, Thou Long-Expected JesusHail to the Lord’s AnointedLove Divine, all Love’s ExcellingO Come, O Come EmmanuelO Word of God Incarnate  Hymns for ChristmasAngels We Have Heard on HighGod Rest Ye Merry GentlemenHark the Herald Angels SingIt Came Upon the Midnight ClearJoy to the WorldO Come All Ye FaithfulO Little Town of BethlehemThe First NoelIncluded are conductor scores with optional keyboard accompaniment, and separate parts which may be copied as needed.
$25.00 ≈
23.21€
We Know The Way
We Know The Way
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Trio à Cordes: 2 violons, alto
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FACILE
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Opetaia Foa'i & Lin-manuel Mir
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Katharine Parton
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We Know The Way
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Katharine Parton
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SheetMusicPlus
String Ensemble Viola,Violin - Level 2 - SKU: A0.597745 By Opetaia Foa'i & Lin-manuel Miranda. By Lin-Manuel Miranda and Opetaia Foa'i. Arranged by Kath...
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String Ensemble Viola,Violin - Level 2 - SKU: A0.597745 By Opetaia Foa'i & Lin-manuel Miranda. By Lin-Manuel Miranda and Opetaia Foa'i. Arranged by Katharine Parton. Children,Film/TV,Instructional,Multicultural,World. Score and parts. 18 pages. Katharine Parton #206984. Published by Katharine Parton (A0.597745). Arranged for violin and viola ensemble with piano accompaniment. 5 parts (viola doubling 3rd violin) from advanced to beginner players. Designed for violin/viola studios or programmes with a wide variety of skills levels looking for a joyful piece which can involve all players. A definite parent pleaser! This arrangement syncs with the commercial soundtrack recording so that students can easily practice individually as well as in rehearsal. The parts/score also have text printed so that students can follow the music more easily making this arrangement suitable for those who learn predominantly by ear. The 1st, 2nd and 3rd/Viola parts provide a genuine ensemble experience, and the 4th and 5th parts are the perfect introduction for beginners into learning to listen and watch a leader or conductor for their entries. 1st Violin (optional solo) Suzuki Book 4-5 or more advanced especially if used as a solo showcase opportunity. 2nd and 3rd Violin are suitable for players in Suzuki Books 2-3. Viola part doubles 3rd Violin but is written out on a separate line in the score and has its own part in alto clef. Any ensemble with plentiful violists would not require the 3rd violin part to be played on violin. 4th Violin is on open string A so is also suitable for beginner violists. The rhythm is based on Suzuki Twinkle rhythms (Variation B). 5th Violin is on open string E and uses Suzuki Twinkle rhythm Variation C. This arrangement was made for SuzukiSpace Cambridge in 2017.
$12.99 ≈
12.06€
Sonata Hymnica No. 6
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00 ≈
9.28€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
51.98€
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