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Johannis Cantabrigiense-Nico Muhly's Third Service (Magnificat & Nunc Dimittis) is a work for SATB Choir and Organ Accompaniment. Commissioned by the Master and Fellows of St John's College Cambridge it was first performed by St John's College Choir on 29th May 2016. A full performance lasts around 7.5 minutes. 'The American composer Nico Muhly has often spoken of his love of the early English church music which he sang as a choirboy and his recent choral works include a Third Service composed for St John's College Cambridge. (Given his love of music by Thomas Weelkes we can perhaps hope for at least six more.) This setting though has nothing to do with the early English repertoire and is in a bold modern idiom more akin to Tippett's famous setting for St. John's. The Organ plays a varied and independent role throughout sometimes with dynamics that are quite different to those in the voice parts. The Organ part is sometimes written on two staves without further comment and it's not entirely clear what is required between pages 3 and 4 where three staves become two. The vocal parts include some modest vocal effects and there are Soprano and Alto solos in the Nunc dmittis. The Gloria of the Nunc is a varied repeat of the Magnificat Gloria together with a subtly reworked conclusion to match the general mood of the movement. - Geoffrey Webber Choir & Organ Magazine 

Nico Muhly's Dominus Regnavit for SATB choir and Organ.This work was commissioned by the Master and Fellows of St John's College Cambridge supported by a generous donation from Paul and Joanna Lindsell. It was first performed on 24 May 2014 by the Choir of St John’s College Cambridge Andrew Nethsingha (conductor) and Edward Picton-Turbervill (organist).The Lord is King and hath put on glorious apparel : the Lord hath put on his apparel andgirded himself with strength.He hath made the round world so sure : that it cannot be moved.Ever since the world began hath thy seat been prepared : thou art from everlasting.The floods are risen O Lord the floods have lift up their voice : the floods lift up their waves.The waves of the sea are mighty and rage horribly : but yet the Lord who dwelleth on high ismightier.Thy testimonies O Lord are very sure : holiness becometh thine house for ever. - Dominus Regnavit Psalm 93 Book of Common Prayer

Soprano/Piano-The world premiere was given by Jessica Rivera and Maryann Kim in Weill Recital Hall Carnegie Hall New York City on 13 March 2009. The text is taken from Psalms 63 and 56 and from The Gospel according to St. John.

Par MUHLY NICO. Muhly's organ concerto co-commissioned by the Los Angeles Philharmonic Association, Gustavo Dudamel, Artistic and Music Director, The Philadelphia Orchestra and Southbank Centre. Premiered on 23 February 2018 by James McVinnie (organ) and the Los Angeles Philharmonic, conducted by James Conlon, at Walt Disney Concert Hall, Los Angeles. / Date parution : 2023-10-31/ Répertoire / Orgue

This exclusive collection brings together 12 of Nico Muhly?s sacred works for mixed-voice choir. These vivacious fresh and dramatic pieces will make an impact whether in the church or in the concert hall and range from the intimate Lord keep us modest when we claim to the effervescent Bright Star Carol alongside service music such as Muhly?s Third Service. All are accessible to learn and offer choirs a new slant on contemporary choral music at its very best.  'Choral music has always been at the emotional core of my musical output. Even when I?m writing large-scale orchestral works (or indeed chamber music) I alwaysfind myself returning to techniques and textures I?ve greedily stolen from centuries of music from Tye to Howells early and recent. I try to design my own choral music primarily for use in worship where the measure of the success of the piece is if it helps guide the listeners? ears upwards and elsewhere as sacred architecture and the various rituals of the church themselves are meant to do. The specificity of music heard only in certain seasons is for me an important and thrilling element of the choral tradition: a Beethoven Symphony is welcome at any point in the year but an anthem for Candlemas works only then at a certain time of day and on a certain day of the year. With this functional spirit at the heart of the compositional process I hope that the music collected here makes equal sense in a concert setting. These works range from ordinaries of the mass to hymns to motets and represent a decade and a half of output.' - Nico Muhly

Written for cello harp and celeste.Clear Music (after John Taverner) was written at the request of the cellist Wendy Law during the summer of 2002. Clear Music is an extended exploration of a single measure in John Taverner’s (1490 1545) motet Mater Christi Sanctissima. What I attempted to do in Clear Music was to suspend this measure for as long as I could imagine in a single texture: the bright clarity of the celeste and harp. As in the Taverner I have structured Clear Music into a series of peaks featuring the highest registers of the treble voice—here the cello. I remember very vividly performing this piece and being struck by how distant the treble was fromthe other voices - sometimes there are spaces of over an octave between the treble and the alto - and I attempted to recreate the somewhat terrifying and exposed contours of these lines. The end result is I hope a prolonged and transparent recollection of the Taverner which exposes not only my appreciation for the music itself but also my response to performing it.Nico Muhly.

POD-Nico Muhly's Stabat Mater Dolorosa for Soprano Baritone and Ensemble. Full score. My Stabat Mater is a very simply-constructed piece of music. I knew I wanted to write a duet a piece of religious music and something to go along with a bit of Birtwistle. My initial instinct was to base the piece on drones as Birtwistle's music has so very many notes but then I decided that an austere but ecstatic approach was the best to fill a coherent evening. I asked my friend Craig Lucas to paraphrase the Stabat Mater text - which describes the Virgin Mary weeping at the foot of the cross on which her son is crucified. The piece is organised byseparating each phrase of the text with a moment of silence with the exception of the last three which are joined with a frenzied chorale with improvised dynamics from the Harp Wind and Strings. - Nico Muhly Instrumentation: Soprano and Baritone voice Flute Clarinet in Bb Harp Violin Viola and Violoncello.

POD-Nico Muhly's Stabat Mater Dolorosa for Soprano Baritone and Ensemble. Parts. My Stabat Mater is a very simply-constructed piece of music. I knew I wanted to write a duet a piece of religious music and something to go along with a bit of Birtwistle. My initial instinct was to base the piece on drones as Birtwistle's music has so very many notes but then I decided that an austere but ecstatic approach was the best to fill a coherent evening. I asked my friend Craig Lucas to paraphrase the Stabat Mater text - which describes the Virgin Mary weeping at the foot of the cross on which her son is crucified. The piece is organised byseparating each phrase of the text with a moment of silence with the exception of the last three which are joined with a frenzied chorale with improvised dynamics from the Harp Wind and Strings. - Nico Muhly Instrumentation: Soprano and Baritone voice Flute Clarinet in Bb Harp Violin Viola and Violoncello. 

This Drones Variations Ornaments sheet music is the full score for this innovative and dramatic piece by Nico Muhly. According to Muhly this piece is 'music in constant transformation' featuring steadily evolving melodies from a number of instruments punctuated with hugely original percussive parts with instructions to fill the Cymbal with chain coins and other metal objects in order to make it sound like glass shattering. It is this inspired composition that makes Drones Variations Ornaments the interesting and acclaimed piece that it is.With this piece Muhly has attempted torecreate the sound and motion of a machine through music. String chords begin the piece with a light and soothing opening before the 'machine' (made up of Winds Guitar Percussion and Piano) awakens.This truly unusual piece is a joy to listen to and perform and we are pleased to offer this full score to you.

Nico Muhly's Marrow composed for SATB choir unaccompanied with texts from Psalm 63 vv.1–3 6–8 Book of Common Prayer (1662). Commissioned by the Netherlands Chamber Choir for the project 150 Psalms to be premiered by the Tallis Scholars during Utrecht Early Music Festival September 1st 2017. Duration: c. 3 minutes. 'Last September in one weekend in Utrecht settings were sung of all 150 Psalms by 150 different composers covering 1000 years of choral music. The Tallis Scholars were one of the four choirs taking part and among their contributions was this new piece by Nico Muhly. The words are from the Book ofCommon Prayer version of Psalm 63 with the title teasingly taking one word from ‘My soul shall be satisfied even as it were with marrow and fatness.’ Cries of ‘O God’ provide a fluid background to an almost plainchant-like proclamation of the text at start and finish with other voices gradually joining the psalm text in the central section until all unite on ‘when my mouth praiseth thee with joyful lips’. For a choir happy to subdivide into 4S 2A 2T and 2B it is a setting of imagination and beauty.' - Sunday by Sunday

Whispered And Revealed is a setting of H. W. Longfellow's 'Snow-Flakes' by composer Nico Muhly. It is arranged for SATB Choir and Harp and this is the full score. The piece lasts approximately 3 and a half minutes. Nico Muhly himself states that the music of Whispered And Revealed reflects the delicacy of winter weather while the text and music hint at a certain anxiety. The piece was commissioned by Essential Voices USA and is dedicated to their conductor Judy Clurman and was composed in 2014.

Nico Muhly's My Days for ATTB choir and five Viola Da Gambas. Parts for five Viols.This 16 minute piece of sheet music was commissioned by Wigmore Hall and the world première was performed by Fretwork and Hilliard Ensemble at Wigmore Hall October 2 2012.'My Days is a ritualised memory piece about Orlando Gibbons (1583-1625) written for two ensembles whose recordings informed so much of my musical development. I feel like I spend half of my life trying to trick string players to play like Fretwork and vocalists to singlike the Hilliard Ensemble so it was with enormous pleasure that I composed this piece. The text isderived from Psalm 39 which Gibbons himself set as well as an account of Gibbons's own autopsy which is a poignant 17th century semi-anonymous text. One of the most thrilling things about the sound of five violas da gamba playing together is the sense of their phrasing being derived from vocal music but made somehow electric and ecstatic through ornamentation and the friction of the strings. The piece has an idée fixe based on a minor scale with two possible resolutions and many ornaments. In between iterations the voices in rhythmic unison intone the psalm. It isn't until the autopsy text arrives that the voices begin to split into more elaborate ?Gibbonsy? verses and responses. A series of semiimprovisedfragments on the text 'Take thy plague away from me' introduces the third section of the piece where plucked strings create a halo around the text 'hear my prayer OLord.' The piece ends with the ornaments wildly exploded over the voices singing two words endlessly repeated.' - Nico Muhly

The sheet music of Nico Muhly's work Recordare Domine for unaccompanied SATB (Soprano/Alto/Tenor/Bass) Chorus. Originally commissioned by The Tallis Scholars from the Lincoln Center of the Performing Arts and Lafayette College the composition had its world premiere on the 15th November 2013. The piece is a unique setting of a Bible verse from Lamentations and is as haunting as it is beautiful. Nico Muhly is a world-renowned contemporary composer who works in a dizzying number of genres. He has composed works for popular cinema Piano small ensemble Orchestra andChorus. This piece is for an unaccompanied four-part chorus consisting of a Soprano Alto Tenor and Bass and lasts about 5 minutes. Our Recordare Domine sheet music is the most accurate transcription available of this contemporary choral piece by versatile and virtuouso composer Nico Muhly.

Nico Muhly is an American contemporary classical music composer and arranger writing fresh new and beautifully arranged pieces for the classical music scene.Short Stuff a toccata like work  was composed for Jeffrey Kahane in 2010.

Three Études for Piano by Nico Muhly. “In preparation for writing a large (uncompleted) work for piano I decided to write three short pieces to get certain musical tics out of my system. Each of these three études addresses a specific rhythmic and harmonic gesture: the first Ostinati focuses on a gently lilting left hand contrasted with angular outbursts in the right hand usually in octaves. The second étude “Quiet Music ” concerns itself with drones and chant-like music and the third “Running ” explores slowly shifting harmonies pitted against very fast cross-hand playing.” –Nico Muhly 2003 These three études were written from January to March 2003 and were composed partially for performance in the VisionIntoArt/RockHotelPianoFest in New York City. Étude #3 (“Running”) was premiered by Eric Huebner and is dedicated to him.