SKU: CA.9109613
ISBN 9790007232030. Key: C major. Language: Latin.
Score available separately - see item CA.9109600.
SKU: CA.4044512
ISBN 9790007218577. Language: Latin.
Score available separately - see item CA.4044500.
SKU: CA.4044511
ISBN 9790007218560. Language: Latin.
SKU: CA.9109611
ISBN 9790007232016. Key: C major. Language: Latin.
SKU: OU.9780193554337
ISBN 9780193554337. 10 x 7 inches.
For SSSA unaccompanied. Palestrina's setting of the Marian motet Alma Redemptoris Mater seamlessly interweaves each of the four independent voices based on the solemn tone of the corresponding chant.
SKU: CA.4044513
ISBN 9790007218584. Language: Latin.
SKU: CA.9109600
ISBN 9790007115241. Key: C major. Language: Latin.
SKU: CA.4044503
ISBN 9790007105808. Language: Latin.
SKU: GH.GE-10335
ISBN 9790070103350. 185 x 262 mm inches.
SKU: ST.Y96
ISBN 9790220212222.
SATB SATB and organ. Transposed version of a motet found in Musica Britannica Volume 61. . Edited by John Steele.
SKU: HL.49003818
ISBN 9790001038232. 12.0x8.75x0.43 inches.
SKU: GH.CG-7099
ISBN 9790070041522. 185 x 262 mm inches. Text: Gudrun Zethelius (Swedish).
SKU: C4.9790902260312
ISBN 9790902260312. 8.27 x 11.7 inches.
Michael Leighton Jones has created a brilliant sequence of six Marian works that take their lead from their plainsong counterparts. These wonderfully reflective and carefully-crafted motets take the practice of fauxbourdon in new directions, with free harmonic invention linking old to new in a beautifully warm soundworld. Motets may be performed individually on feast days or within the appropriate liturgical season, or the whole sequence can make an effective frame for a concert programme.
SKU: CA.2103100
ISBN 9790007247553. Latin.
In the extensive output of French composer Marc-Antoine Charpentier, best-known for his Te Deum (Carus 21.032), the Marian antiphons occupy a special place among his smaller church music works. He devoted himself to these over a period of almost 25 years while working in the Italian-influenced circle of the Duchess Marie de Lorraine (known as Mademoiselle de Guise), and later in the service of the Parisian Jesuits firstly at the Collège Louis-le-Grand, then at the Church of Saint Louis. This volume contains settings of the Alma redemptoris mater, Ave regina coelorum, and two Regina coeli for two high voices and basso continuo.