Also hat Gott die Welt geliebt

Par SCHUTZ H.. Published in 1648, Heinrich Schutz's ; Geistliche Chor-Music is still regarded as one of his seminal works. A two-volume performance edition based on Werner Breig's revised new text is available (BA 5901/BA 5902). ; Also hat Gott die Welt geliebt & one of the most well-known motets (SWV380) from Heinrich Schutz‘ ; Geistliche Chor-Music is now appearing in a revised separate edition. With the Christian message of salvation based on the words of St. John's Gospel, this motet is suitable for many occasions and is liturgically connected with Whit Monday as well as Advent and Christmascelebrations. Based on our new Urtext publication of the Geistliche Chor-Music SWV 369-380 (BA 5901), this new octavo presents the motet SWV 380 at original pitch with an integrated basso continuo. The edition is newly engraved and offers a clear and modern layout. Instrumental parts are available separately and can be used to support or replace the vocal parts. - Also hat Gott die Welt geliebt SWV 380 No. 12 from Geistliche Chor-Music - Cantus, Quintus, Countertenor, Tenor, Bassus, Basso continuo ad lib./ Répertoire / Choeur

Aus: Also Hat Gott Die Welt Geliebt. Par BACH JOHANN SEBASTIAN. Tonalité : d-Moll - Bornefeld, Helmut (Arr. ) - BWV 68 #1/ Répertoire / 4 Saxophones ou Quatuor à Cordes et Orgue

Aus: Also Hat Gott Die Welt Geliebt. Par BACH JOHANN SEBASTIAN. Tonalité : d-Moll - Bornefeld, Helmut (Arr. ) - BWV 68 #1/ Répertoire / 4 Saxophones ou Quatuor à Cordes et Orgue

Kantate. Par BUXTEHUDE DIETRICH. Buxtehude's numerous vocal compositions which was written for performance in the Lübeck Marienkirche, are stylistically quite varied. The cantata 'Also hat Gott die Welt geliebet' is a concerto for solo soprano, with a text taken from the Gospel of St. John. The text employs the principle of dialog as a musical competition between individual instruments or between instruments and the voice, with the inclusion of virtuoso passages. / Date parution : 2006-01-01/ Répertoire / Solo S, 2 Violons, Viole de Gambe et Basse Continu

Kantate. Par BUXTEHUDE DIETRICH. Buxtehude's numerous vocal compositions which was written for performance in the Lübeck Marienkirche, are stylistically quite varied. The cantata 'Also hat Gott die Welt geliebet' is a concerto for solo soprano, with a text taken from the Gospel of St. John. The text employs the principle of dialog as a musical competition between individual instruments or between instruments and the voice, with the inclusion of virtuoso passages. / Date parution : 2006-01-01/ Répertoire / Solo S, 2 Violons, Viole de Gambe et Basse Continu

Kantate. Par BUXTEHUDE DIETRICH. Buxtehude's numerous vocal compositions which was written for performance in the Lübeck Marienkirche, are stylistically quite varied. The cantata 'Also hat Gott die Welt geliebet' is a concerto for solo soprano, with a text taken from the Gospel of St. John. The text employs the principle of dialog as a musical competition between individual instruments or between instruments and the voice, with the inclusion of virtuoso passages. / Date parution : 2006-01-01/ Répertoire / Solo S, 2 Violons, Viole de Gambe et Basse Continu

In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled 'Geistliche Chor-Music? (Sacred Choir Music). Here, the term 'Chor? (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally. This practice, common in Schütz's time, has been incorporated into Bärenreiter's new publication. The edition includes the twelve five-part motets at original pitch with basso continuo. In addition, instrumental parts for string and wind instruments can be purchased. These parts, which include the text, serve to support and complement the choral sound 'colla parte?. To enable varying tone-colour possibilities, instrumental parts are available in different transpositions.Of great significance is the detailed foreword on performance practice by Manfred Cordes.- Reflects the latest in musicological research based on the 'New Schütz Edition?- Includes a detailed foreword (Eng/Ger) on performance practice by a Schütz expert- Instrumental parts (strings, winds) available in transpositionsManfred Cordes is a specialist for the music of the 16th and early 17th centuries. He works as professor for music theory, counterpoint and ensemble and is also rector of the 'Hochschule für Künste Bremen?. He performs internationally as the director of the ensemble 'Weser-Renaissance Bremen?. / Choeur Mixte Et Basse Continue

Aus: Also Hat Gott Die Welt Geliebt. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Jutta (Trad. ) - BWV 68 #5/ Répertoire / Choeur SATB et Basse Continue

Das Erbe Deutscher Musik, Sonderreihe 7. Par VIERDANCK JOHANN. / Répertoire / Voix, InstrumentS Basse Continue

Weihnachtskantate. Par JACOBI CHRISTIAN AUGUST. Tonalité : F-Dur - Winkworth, Catherine / Scandrett, Robert (Trad.) -/ Répertoire / Solo SATB, Choeur SATB, 2 Violons, Violoncelle ou

Kantate Zum 2. Pfingsttag. Par BACH JOHANN SEBASTIAN. Tonalité : d-Moll - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - BWV 68/ Répertoire / Solistes SB, Choeur SATB, 2 Hautbois, Taille (Cor