Format : Score and Parts
SKU: SU.27060390
2 Violin, 2 Viola & Violoncello Duration: 20 Composed: 1997 Published by: Pacific Serenades.
SKU: CY.CC2845
Cornet solos are an important part of the American Brass tradition. The Southern Cross is one of Clarke's most well known Cornet solos and was written in 1911, dedicated to the Australians and first recorded by the composer with Orchestra the next year for Victor Records.During 1911, Clarke was the solo Cornetist of the Sousa Band while the band was on a world tour that included visits to South Africa, Tazmania and Australia from March through to August.Below is a photo of the Sousa band from their 1911 tour. Clarke is sitting in the front row 5th in from the right with his moustache and his Cornet on his lap. He assuredly composed this solo to perform on that tour. The Southern Cross is a constellation that is only seen from the southern hemisphere and features the five stars of the Cross from the 1901 design of the Australian flag.This 5-minute virtuosic arrangement by Geoffrey Bergler features not only the Cornet, but a bit of all the other four members of the Brass Quintet.Instrumentation is for:2 Trumpets in B-flat (Trumpet 1 solo, Trumpet 2 also plays Piccolo)Horn,TromboneTuba/Bass TromboneThe sound track below features Mr. Bergler from his student days as Cornet soloist
SKU: CY.CC3056
ISBN 9790530110317. 8.5 x 11 in inches.
Bernard Scherr has arranged six lovely Portuguese Folksongs for Brass Quintet entitled: 1. Mourisca do Santo Joao de Braga (Moorish architechture of Saint John of Braga) as a march 2. A Pastorinha (The Shepherdess) - a lovely andantino 3. O Xi-Xi (Wee-wee) - a silly song 4. O ai, o linda! (Oh, the beauty!) - a lyrical romance 5. Coradinha (The blushing one) - a dance-like jaunt 6. Carro amaricano (American Car) - driving around in the auto These Portuguese folksongs contain many words and phrases that are associated with certain regions of Portugal. These folksongs come from northern Portugal and were collected during the first half of the 20th century. They represent, though, an earlier tradition stretching back into the 19th century and earlier. Some of these titles are terms of endearment (A Pastorinha, O Xi-Xi, and O ai, o linda), of something new and exciting (Carro amaricano), of dance (Coradinha), or of something that is not easily translated (Mourisca-referring either to architecture, a dance, or a local folk deity). These arrangements capture the charming melodies, woven throughout the group, and contain inventive harmonies and imitations. Instrumentation is for 2 Trumpets in B-flat, Horn, Trombone & Tuba. For advanced performers.
SKU: CY.CC2917
Henry Wolking's sparkling Jazz Overture for Brass Quintet includes three important Jazz styles within its 6-minute length: the Blues, Ballad and Samba. This makes it a perfect vehicle for less experienced performers of intermediate/advanced levels to explore the genre.Parts included are: 2 Trumpets in B-flat, Horn, Trombone (bass clef) and Tuba or Bass Trombone.
SKU: CY.CC2914
Eubie Blake composed the Charleston Rag in 1899 for Piano under the title Sounds of Africa while working at Aggie Shelton's Bawdy House in Baltimore as a precocious 12 year old. Geoffrey Bergler has arranged Eubie's Ragtime classic of about 4 minutes in length for Brass Quintet of advanced performers.Trumpet parts are in B-flat.
SKU: CY.CC2882
The ever-popular jazz standard That's A Plenty, composed by Lew Pollack in 1914 is a ragtime composition most often performed in the Dixieland style.Keith Terrett has artfully arranged this 3-minute jazz favorite for Brass Quintet of advanced performers.