Format : Score
SKU: PR.114423620
ISBN 9781491137321. UPC: 680160690053.
MAYKA (Serbian for “motherâ€) is a fascinating collection of 10 short recital pieces, each inspired by Serbian folk-music traditions, enriched through a broad variety of non-traditional techniques. Serbian-born flutist Jovana Damnjanović created these teaching etudes in conjunction with her doctoral thesis introducing Eastern European traditions to Western flutists. Along with its 10 fresh and dazzling concert works, this publication includes a thorough preface on performance techniques and instructions for each etude.MAYKA attempts to represent the sounds of traditional Serbian music and also make them more familiar and accessible to flute players around the world. The overarching inspiration for the sound is one of the most popular instruments in Serbian traditional music: the frula. Inspirations from the tone colors of other instruments such as duduk, cevara, dvojnice, and kaval are also present. To read more about these instruments, refer to Chapter 1: Introduction (pg. 13-16) in the online dissertation.My intention was to create an original work exclusively for flute that holds characteristics of Serbian traditional music. An imitation of one of the Serbian traditional song forms can be found in “ČоÄek;†irregular time signatures can be found in “Igra,†“ČоÄek,†and “Vez.†The style is mostly present through trills, ornaments, and tonality, which are ubiquitous characteristics of Serbian traditional music.Each of the concert etudes has a narrative. The reason for narrative is to bring the style closer to the performer, and to help with understanding each etude’s expressive significance. Some etudes were inspired by people and events, some by specific dances, music, and literature from Serbia. As the etudes are of programmatic nature, they are a great choice for themed recitals. The idea was to write pieces short enough to be good program-fillers, not too hard to put together yet effective, and also suitable for short performances in venues that do not have a piano. To read more about each etude’s narrative, refer to Chapter 3: Performance Guide (pg. 24-75) in the dissertation.The book is titled MAYKA, Serbian for mother, to honor my mother, my mother’s mother, and my Motherland, Serbia. Motherland is represented through the style and tonal language of all of the concert etudes, and my mother and grandmother have been the biggest inspiration for the narrative of “Svila,†“Nana,†and “Uspavanka.â€.
SKU: FJ.B1344S
English.
This thrilling medieval adventure follows the Black Knight, guided by a code of chivalry and an unwavering commitment to courage, justice, and loyalty. A dark opening moves quickly into an energetic and adventurous theme with plenty of percussion to add to the texture. An optional advanced snare drum part is perfect for your talented percussionist. Easy music that sounds advanced!
About FJH Starter Series
Introduction to Beginning Band - Ideal for the first several months of instruction. These pieces are a comfortable length for students (about a half page of music) and are playable with as few as five instruments. All instruments are limited to a 6-note diatonic range. Several supplemental exercises are included to help teach different elements of each piece. Grade .5
SKU: KN.8181
UPC: 822795081817.
Grade 1 string players will absolutely love the vocalized cat sounds (meow and hissss!) that punctuate this highly imaginative original! Educational features here include playing F-naturals in a minor key, negotiating transitions between pizzicato and arco passages, and observing dynamic changes. Each set includes three copies of the 3rd Violin/Viola T.C. part and an optional part for piano. Duration 1:40.
SKU: M7.ART-80784
ISBN 9783936807844. German.
Endlich! Die neuesten Steve Baker-Songs für den angehenden Blues-Harp-Profi. Das abwechslungsreichste Buch aus der Steve Baker-Serie. Von der Soul-Ballade über eine Afrofunk-Nummer bis hin zu punkigen Sounds und Reggae-Anleihen ist alles dabei. Boogie, Swing, Rockabilly und der Blues sind natürlich auch vertreten.
SKU: AP.42111S
ISBN 9781470656058. UPC: 038081470627. English.
The Rolling Stones are still going strong! Here is one of their biggest hits in a driving new arrangement by veteran writer Roland Barrett. This is in your face writing that will rock the stands!
SKU: M7.DOHR-95276
ISBN 9790202002766.
SKU: KN.08181S
Young string players will absolutely love the vocalized cat sounds (meow and hissss!) that punctuate this highly imaginative original! Educational features here include playing F-naturals in a minor key, negotiating transitions between pizzicato and arco passages, and observing dynamic changes. Duration 1:40.
SKU: SU.50600520
Published by Seesaw Music Includes CD recording of Electonic Sounds.
SKU: HL.1117965
UPC: 847986001696. 8.0x10.25x4.5 inches.
Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Studio quality recordings made easy. The LCT 240 PRO sounds fantastic on all sources commonly used in a project studio situation like vocals, acoustic instruments, amplifiers, piano, etc. Whatever you record, you will accomplish great sounding results; fast and uncomplicated. Always on the safe side. No source is too loud or too subtle for the LCT 240 PRO. It can handle ear-shattering sound pressure levels up to 142 dBSPL. With its high sensitivity capsule it is able to reproduce every sound source in a clear and precise way at any volume. Used in high-end studios around the world. LEWITT microphones are being used for recording in countless studios around the world, like Atlantic Records in NYC, Echobar Studios in North Hollywood, Black Bird Studios in Nashville, Metropolis Studios in London, the list goes on and on. What's in the box? The 240 PRO comes with a mic mount, a transport bag, and a windscreen that you can use to reduce plosives.
SKU: PR.411411930
UPC: 680160687589.
This rebooted triptych of short operas is family friendly and full of fun, while paying tribute to the African tradition of storytelling for all ages. Sister Sparrow, Sister Robin and Madame Partridge retell the antics of Bre'r Rabbit and his nemesis Bre'r Fox in Briar Patch, The Pot of Sense, and Madame Partridge and her Eggs. Okoye's music blends African American musical styles of jazz, blues, and gospel with contemporary concert music sounds. Combined with Moore's libretto, the result brings to mind a meeting Langston Hughes and Gilbert and Sullivan on steroids, en route to the Black church. A concert version of Briar Patch will be available for full orchestra with five soloists. Libretto by Carman Moore. The music blends African American musical styles of jazz, blues, and gospel with contemporary concert music sounds. Intended for all audiences. NOTE: Each story from the Tales from the Briar Patch is derived from African folk tales. The character Bre'r Rabbit is actually the trickster, Anansi the Spider, of ancient Ghanaian folklore. While many people associate him and his friends with Joel Chandler Harris' Uncle Remus stories, the stories predate Harris and hist stories. The creators updated the language, using all animals to portray the story, with the trio of spirited birds narrating. Producers find that the works rate well with all audiences and are especially useful for community discussions and engagement.This rebooted triptych of short operas is family friendly and full of fun, while paying tribute to the African tradition of storytelling for all ages. Sister Sparrow, Sister Robin and Madame Partridge retell the antics of Bre’r Rabbit and his nemesis Bre’r Fox in “Briar Patch,†“The Pot of Sense,†and “Madame Partridge and her Eggs.†Okoye’s music blends African American musical styles of jazz, blues, and gospel with contemporary concert music sounds. Combined with Moore’s libretto, the result brings to mind a meeting Langston Hughes and Gilbert and Sullivan on steroids, en route to the Black church. A concert version of “Briar Patch†will be available for full orchestra with five soloists. Libretto by Carman Moore. The music blends African American musical styles of jazz, blues, and gospel with contemporary concert music sounds. Intended for all audiences.NOTE: Each story from the Tales from the Briar Patch is derived from African folk tales. The character “Bre’r Rabbit†is actually the trickster, “Anansi the Spider,†of ancient Ghanaian folklore. While many people associate him and his friends with Joel Chandler Harris’ Uncle Remus stories, the stories predate Harris and hist stories. The creators updated the language, using all animals to portray the story, with the trio of spirited birds narrating. Producers find that the works rate well with all audiences and are especially useful for community discussions and engagement.
