Bryce Canyon

Des Canyons aux etoiles ? Part 2 is the second part of this twelve-movement orchestral work by Olivier Messiaen. It features the movements VI and VII. This score was commissioned by Alice Tully for the celebration of the bicentenary of the USA Declaration of Independence, and the whole piece lasts between 90 and 100 minutes. Messiaen got inspiration from sounds and colours and his travel to America, highlighted by the Bryce Canyon, very colourful, really influenced his composition. Olivier Messiaen (1908-1992) was a French organist and composer who was passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the Bird Catalogue in 7 volumes and the Treatise on rhythm, colour and ornithology in 7 volumes.

(22 Full Band Arrangements Correlated to Accent on Achievement (Oboe)). Composed by John O'Reilly and Mark Williams. Concert Band. For Oboe. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Baritone Bass Clef)). By John O'Reilly and Mark Williams. Concert Band. For Baritone Bass Clef. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Trombone)). By John O'Reilly and Mark Williams. Concert Band. For Trombone. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Clarinet 2)). By John O'Reilly and Mark Williams. Concert Band. For Clarinet 2. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Bassoon)). Composed by John O'Reilly and Mark Williams. Concert Band. For Bassoon. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Tenor Saxophone)). By John O'Reilly and Mark Williams. Concert Band. For Tenor Saxophone. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Flute)). By John O'Reilly and Mark Williams. Concert Band. For Flute. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Tuba)). By John O'Reilly and Mark Williams. Concert Band. For Tuba. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Percussion 1)). By John O'Reilly and Mark Williams. Concert Band. For Percussion 1. Band Supplement; Book. Accent on Performance. 32 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Bass Clarinet)). By John O'Reilly and Mark Williams. Concert Band. For Bass Clarinet. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

By Mark Williams. Music by Mark Williams. For Concert Band. Concert Band. Accent on Achievement. Level: 1 (Very Easy) (grade 1). Conductor Score. 8 pages. Published by Alfred Publishing.

By Jerry Williams. Concert band. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR317). Overture. Grade 2.5. Score and set of parts. Composed 2001. Duration 5 minutes, 25 seconds. Published by C.L. Barnhouse

SSAA/SSAA, a cappella

SKU: SU.80300179

For SSAA/SSAA, a cappella. Composed by Maggi Payne. Vocal/Choral, Secular Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300179. Published by Treble Clef Music Press (SU.80300179).

This is that special piece for your special choir: a tonal, a cappella, double chorus tour de force of minimalist techniques that sounds like...the desert! This piece repays careful study: the conductor who helps the singers identify repeated patterns, and the relation of each part to its counterpart in the other chorus, will accelerate the learning process. Your reward is four sections of differing programmatic effects, to be performed as one long movement. 1. Pyramid Lake (SSAA/SSAA a cappella; duration: 1’30; range: g-e; difficulty: medium-difficult). 2. Death Valley (SSAA/SSAA a cappella; duration: 1’50; range: b flat - f; difficulty: medium-difficult). 3. Bryce Canyon (SSAA/SSAA a cappella; duration: 2’40; range: a-d; difficulty: medium-difficult). 4. Devil’s Playground (SSAA/SSAA a cappella; duration: 2’20; range: f-a; difficulty: medium-difficult). SSAA/SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.