Celebration, No. 4 Communion, Choral Bwv 721

Another masterful work by Robert Powell try this one when celebrating Communion or during any period of renewal.

from Song of the Shadows New Edition-Uses: Communion Maundy Thursday Holy Week GeneralScripture: Luke 22:19The upper room is the scene for this tender song for communion or Maundy Thursday. A winsome solo creates intimacy and the richchoral response is an emotional call to purpose for the banquet of grace. Available for the first time with its orchestration and individual track this pull-out from the celebrated cantata Song of the Shadows is essentialrepertoire for the sanctuary choir.

Another wonderful sacred composition by the gifted choral composer Tarik O'Regan. A complete original nmusical setting of the Corpus Christi Service and the Celebration of Holy Communion as laid out in Order One of Common Worship: Services and Prayers for the Church of England. As liturgical flexibility is one of the key issues of Common Worship O’Regan has attempted to provide as many and as varied permutations as possible and that the Minister might choose the most appropriate. This item is the Service Score and features Vocal Score Organ accompaniment and is also available as a Congregation Part (10 Pack) NOV200321-1.

Medley-Celebrate Hollywood's recent past with this 16-minute retrospective of movie magic in three flexible sections. Featuring songs featured in Shrek Twilight Enchanted Slum Dog Millionaire Sister Act and more you'll lovethe memories the romance and the adventure as the cinema comes alive. Songs include: Accidentally in Love Bella's Lullaby (Everything I Do) I Do It for You Happy Working Song I Am a Man of Constant Sorrow I Will AlwaysLove You I Will Follow Him (I Will Follow You) I'm a Believer Jai Ho Let the River Run Let's Go to the Movies My Heart Will Go On Nine to Five. Available separately: SATB SAB 2-Part ShowTrax CD. Combo parts (tpt 1-2 tsx tbn bsx syn gtr b dm) available as a digital download. Duration: ca. 16:30.

Common Worship for the celebration of Holy Communion introduces a Gospel Acclamation to be sung before the reading of the Gospel. In this collection of Acclamations there is a common Alleluia setting (or Praise to YouO Christ from Ash Wednesday to Maundy Thursday) followed by the proper text for singing by the choir.

This anthem for celebration of the eEcharist is based on the hymn tune Penitentia (found in many hymnals). Set to a text by Horatius Bonar and based on Revelation 19 Howard Helvey scores the work for SATB mixed chorus (with divisi) and organ. Try it on world communion Sunday.

The Benedictus and Agnus Dei in B flat is published as part of an ongoing policy to reissue works by Charles Villiers Stanford in the Autograph Edition in new engravings but as the composer wrote and approved them with no editing from another hand. Simple in texture but highly effective in performance these two short movements are a useful addition to the repertoire of music available for a traditional celebration of Holy Communion and would suit a small church choir with two or three voices per part.

Patricia Mock composes melodies and words that flow easily with passion and truth. This anthem celebrates Christ's sacrifice and love for us with that same flowing quality. Faye López has set it beautifully with a well-crafted piano part alternating melodies between the vocal parts and smart modulations. Excellent for Communion or Lent. Easy to Medium.

Uses: Communion Scripture: Luke 22:19 I Corinthians 11:20-34 The music of grace flows through this sacred song. Tender lines weave a spirit of contemplation and quiet worship. The text celebrates the remembrance of Jesus and His redemptive work. Well-crafted part writing gives the choir a ministerial roll in sharing this reflective message of hope and comfort.

A hymn text that reflects the redemptive heart of God for His people is lovingly set to new music. Using words that have been celebrated even outside the sanctuary, this melodic variation is a compelling new way to present the promise found in the treasured lyric. Set in minor, the melody expresses a depth of emotion that makes the anthem ideal for communion or moments of reflection and repentance. The surprising turn of the theme to major mode paints a powerful sonic picture of salvation and assurance.

From 'A Season to Celebrate' this piece is easily learned and is suitable for communion.

Uses: Lent Holy Week Eastertide Ascension communionScripture: John 13:1; Romans 8:35Drawing from scripture the writer takes us on a journey through the passion of Christ and beyond. The sadness ofthe opening surrenders to the joy of the final verse that celebrates the resurrection hope we have in the risen Christ. The text references Christ's final words of assurance and makes this a beautiful choice for Eastertide Ascension and other post-Easter worship experiences. Moving! Available separately: SATB SAB; Duration: ca. 3:47.

No. 3 from Four Prayers from the High Holyday Liturgy-Four Prayers from the High Holyday Liturgy.I. Hayom Harat Olam (11908)II. Ayl Melech Yoshayv (11909)III. Uv'shofar Gadol (11910)IV. Avinu Malkaynu Chanayno (11911)Hinay Yom Hadin (Behold The Day Of Judgement) is a suite of four choruses comprising settings of some of the most important prayers of the Jewish High Holyday Liturgy. These may be performed together or seperately in concert or if desired at the appropriate Service in a Temple or Synagogue.The holy season of the Jewish religious calender is unique because it does not celebrate a historical event nor any particular famous personage but is set aside as a period ofself-examination and re-evaluation for each individual believer. Legend tells on Rosh Hashana (the New Year) God opens the books which record all men's deeds and for ten days examines the course of every man's life during the past year. On Yom Kippur (the Day of Atonement) the books are closed and each man's fate is sealed until the next year. This allegorical vision should inspire every individual to scrutinize his life and resolve to better himself. The Jew firmly believes that God wants the repentance of the sinner so that he may live; therefore he believes that by penitence prayer and good deeds God's judgement can be swayed in his favour and he be inscribed in 'the book of life.'The four prayers were commissioned by Hazzan Samuel Rosenbaum and the Sisterhood of Temple Beth El Rochester New York.Uv'shofar Gadol is for SATB choir a cappella with Tenor soloist.

Behold the Day of Judgment-Four Prayers from the High Holyday Liturgy.I. Hayom Harat Olam (11908)II. Ayl Melech Yoshayv (11909)III. Uv'shofar Gadol (11910)IV. Avinu Malkaynu Chanayno (11911)Hinay Yom Hadin (Behold The Day Of Judgement) is a suite of four choruses comprising settings of some of the most important prayers of the Jewish High Holyday Liturgy. These may be performed together or seperately in concert or if desired at the appropriate Service in a Temple or Synagogue.The holy season of the Jewish religious calender is unique because it does not celebrate a historical event nor any particular famous personage but is set aside as a period ofself-examination and re-evaluation for each individual believer. Legend tells on Rosh Hashana (the New Year) God opens the books which record all men's deeds and for ten days examines the course of every man's life during the past year. On Yom Kippur (the Day of Atonement) the books are closed and each man's fate is sealed until the next year. This allegorical vision should inspire every individual to scrutinize his life and resolve to better himself. The Jew firmly believes that God wants the repentance of the sinner so that he may live; therefore he believes that by penitence prayer and good deeds God's judgement can be swayed in his favour and he be inscribed in 'the book of life.'The four prayers were commissioned by Hazzan Samuel Rosenbaum and the Sisterhood of Temple Beth El Rochester New York.Ayl Melech Yoshayv is for SATB choir a cappella with Tenor soloist.

The Oxford Book of Organ Music by Women Composers presents a comprehensive survey of historical organ pieces by women composers alongside six newly commissioned works. The music is stylistically varied and encompasses secular and sacred repertoire from a range of periods. In addition to original organ repertoire, the collection also contains several organ transcriptions in new arrangements for the instrument. ? 42 pieces for manuals and pedals, in a variety of musical forms, suitable for use at church services or as recital repertoire ? Original music for the instrument, spanning the sixteenth century to the present day, including compositions by Amy Beach, Clementine de Bourges, Nadia Boulanger, Jeanne Demessieux, Cecilia McDowall, Clara Schumann, and Ethyl Smyth, plus commissions from Kristina Arakelyan, Miriam Carpinetti, Ghislaine Reece-Trapp, Isabelle Ryder, Amy Summers, and Rebecca Groom te Velde ? Standalone miniatures, movements from organ sonatas and symphonies, transcriptions of piano, harpsichord, and flute pieces, and an orchestral opera overture ? A variety of difficulty levels, from ABRSM Grades 2-3 through to Diploma standard, with a graded index provided