Choeur Final

SKU: TM.14416SET

Final Fugue. Starts 3 measures of orchestra before singing begins; ends at end of opera.

SKU: TM.03830SC

Pgs. 240-262 in complete opera, #8: Beginning of Finale to Act II. To perform complete Finale Act II, add #14162 (No. 9) and #14045 (No. 10).

SKU: TM.02142SC

Act V No. 19, 20 (in vs; No. 30 & 31 in sc), and Finale Alerte Alerte, through end of opera. Key in C. Also contains #03500: Angel Chorus - Christ est ressuscite, Finale to opera. Sung by Margarite, Faust, Mephistaphele, and Angel Chorus.

SKU: TM.03830SET

Pgs. 240-262 in complete opera, #8: Beginning of Finale to Act II. To perform complete Finale Act II, add #14162 (No. 9) and #14045 (No. 10).

SKU: TM.03664SET

Half of Trio Finale Act I. Must be played with #03662 for full Finale.

SKU: TM.14565SC

No. 28 + the first 26 measures of No. 29. See #12342 for Swan Lake No. 29 Complete (Scene Finale). Use with #06921 Swan Lake Suite movements 1-5 to equal the 6 movement version Suite (1900). Use #06921 Swan Lake in its entirety for the 8 movement Suite (1954).

SKU: TM.14118SET

Egyptian trumpets in banda sets. Includes: Finale & Chorus (Gloria all ‘Egitto ad Iside); Egyptian March; Complete Ballet Music; Chorus of Victory (Vieni, o guerriero vindice); Scene Ensemble & Chorus (Salvator della patria). Banda parts separate: not written into related orch. parts. Banda parts in set.

SKU: CA.2380192

Text language: German. Text: Schiller, Friedrich.

It's about 200 years since Beethoven scribbled down a theme in D minor in his sketch book, which he later used, slightly altered, in the 2nd movement of his 9th Symphony. Beethoven had thought of setting Schiller's Ode to Joy much earlier. As early as 1803 Ferdinand Ries mentioned a complete setting of the text by Beethoven which no longer survives. The vocal score of the finale of the 9th Symphony is based on the vocal score made by Carl Reinecke around the end of the 19th century. The version by Reinecke, popular worldwide, closely reflects the sound of the orchestral writing, yet at the same time is remains playable. Stefan Schuck has revised this historic vocal score, in the process taking into account recent research findings. The new Carus vocal score contains rehearsal letters from all current versions of the orchestral material, and is thus compatible with all available music editions. In the presentation of this edition, particular attention has been paid to the practical needs of (choral) singers and repetiteurs.