Composers on Composing for Band

Aide Mémoire ? 18 Tangos Spécial Bando Solo.
Partitions Pour Bandonéon Et Accords.

Dans Ce Recueil De Grands Tango Typiques, Spécial `Bando Solo`, La Plupart Des Titres Continuent Et Continueront A Rester Dans Les Répertoires Des Bandonéonistes. /

Le oeuvre musicale qui a pour soutenir une Partition un titre pour hommage À Irving Berlin (bande de concert). C'est une partition musicale composée par Irving Berlin et qui est destinée aux joueurs de Harmonie. Le détail de l'instrumentation D'Harmonie de l'Orchestre vous permettra de savoir partition de This TR correspondent bien à ce que vous cherchez. Fils style Jazz and Blues vous permettra de découvrir ô combien la musique Jazz and Blues est belle et enrichissante. / Orchestre D'Harmonie

Le génie unique et l'originalité de Charles Mingus n'est nulle part plus apparent que dans ce chef-d'oeuvre symphonique adapté pour big band par Sy Johnson. Impliquant aucune improvisation mais plutôt une série de couleurs à travers-composé et changements d'humeur, le Mingus Big Band a été incroyables auditoires ans avec ce morceau de concert impressionnant. Incroyablement efficace et différents ! / Scores

For Trumpet and Band. Par SCHAFFER HEINRICH. Chanteur et pédagogue émérite, Heinrich Schäffer (1808-1874) a acquis une reconnaissance et une notoriété de son vivant. Il fut également chef de choeur du Hamburger Liedertafel, un choeur d’hommes hambourgeois. Ses oeuvres pour voix d’hommes ont fait de lui un homme très influent en Allemagne du Nord. Aujourd’hui, il ne reste que très peu de traces de sa notoriété. Seule la chanson Die Post im Walde (Le Postillon dans les bois), composée sur un texte d’Otto Friedrich Gruppe - est parvenue à résister aux vicissitudes du temps. Nombreux sont les choeurs d’hommes qui la chantent encore. L’attrait de cette chanson réside dans son caractère narratif. DiePost im Walde raconte l’histoire d’un postillon (cocher) qui la nuit, traverse la forêt au galop, sonne du cor et pense à ceux qu’il aime. / Niveau : 3 / Transcription / Répertoire / Trompette et Concert Band ou Harmonie

(Vocal Score). Par HALLATT CRAIG. This medley features three well-known songs from World War I: Pack Up Your Troubles; Keep the Home Fires Burning and It's A Long Way to Tipperary. This gives a quick-slow-quick feeling to the arrangement which is through-composed and linked by transitional passages. The work ends with a section from Holst's 'The Planets' - Mars and I Vow To Thee My Country. 8 minutes / Date parution : 2022-10-12/ Répertoire / Brass Band ou Vents et SATB

Par BRIDGE FRANK. Frank Bridge was one of the finest English composers of the first half of the 20th century. The Pageant of London is his only work for wind band, comprising of two marches, one scored from Bridge’s best known organ piece and including the chimes ofBig Ben, plus three short renaissance pastiche items, one arranged from Playford (later used by Peter Warlock in Capriol Suite). The music is tuneful, approachable and, in the words of wind band ‘legend’ Timothy Reynish makes a fine alternative toHolst’s two suites, which were composed around the same time. Reynish has introduced this work to concert bands right across the world. It has been performed in USA and the Far East, recorded by the celebrated Kosei Wind Orchestra of Japan and alsoby the BBC National Orchestra of Wales in the Chandos edition of Bridge Orchestral Music./ Répertoire / Orchestre D'Harmonie

Par SADELER GEORGES. Schola Vitae, dedicated to the former director of UGDA Music School in Luxembourg, Paul Scholer, describes in an 8-minute piece that learning and playing music is a school for life. Starting with popular scales that ascend and descend through various keys, an essential tool familiar to every musician appears: the metronome. It sets the tempo, and musicians practice their themes together or against each other, register by register. In music, however, it's not just about technique and precision, but also about emotions. Music connects people, fosters friendships, and accompanies them through the highs and lows of life. The sense of togetherness in music becomes increasingly audible. Everyone works together and pulls in the same direction to ultimately achieve something great. Georges Sadeler, born in 1988 is a Luxembourgish composer and saxophonist with the Grand Ducal Military Band of Luxembourg. His father kindled his interest in composing and arranging at an early age, a study he later continued under his two teachers Marco Pütz and Claude Lenners, both of whom taught at the Conservatoire of Music, Luxembourg. He gradually began to establish his own style, combining the enormous range of possibilities of contemporary music and classical music and, in the years that followed, he won six first prizes at various national and international composition competitions. His works have since been performed all over Europe. / Date parution : 2023-10-31/ Répertoire / Concert Band / Harmonie

Par SPARKE PHILIP. Parallèlement à ses activités de directeur d’ensembles à vent et d’enseignant, Yutaka Nishida présente une émission hebdomadaire consacrée exclusivement à la musique pour Orchestre d’Harmonie et Brass Band sur une chaîne de la Radio nationale japonaise. The Bandwagon est le titre de son émission. Aussi, lorsque la station de radio demande à Philip Sparke de composer une marche pouvant être utilisée comme indicatif, le titre était tout trouvé. The Bandwagon est une marche pétillante de forme ABA. / Niveau : 3 / Ouverture / Répertoire / Concert Band ou Harmonie

Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

Arr. Roland Kernen. Par MORRICONE ENNIO. Né en 1928 à Rome, Ennio Morricone a donné à la musique de film ses lettres de noblesse. Il collabore dans les années 60 avec Sergio Leone et ses compositions pour les westerns italiens feront sa gloire. De très grands chefs-d?oeuvre comme Il était une fois dans l?Ouest ou Il était une fois la révolution lui ont permis de se faire connaître auprès d?un large public et de composer les bandes sonores de films de grands réalisateurs tels que Pasolini, Bertolucci, Brian de Palma (Les incorruptibles, Mission to Mars) et Roland Joffe (Mission, Vatel). Ennio Morricone est l?auteur de plus de 200 musiques de film. A Morricone Portrait rassemble trois mélodies de ce grandcompositeur italien : My name is nobody (Mon nom est personne) - Metello et Here?s to you (La ballade de Sacco et Vanzetti). / Niveau : 3 / Répertoire / Concert Band ou Harmonie

Par SPARKE PHILIP. Parallèlement à ses activités de directeur d’ensembles à vent et d’enseignant, Yutaka Nishida présente une émission hebdomadaire consacrée exclusivement à la musique pour Orchestre d’Harmonie et Brass Band sur une chaîne de la Radio nationale japonaise. The Bandwagon est le titre de son émission. Aussi, lorsque la station de radio demande à Philip Sparke de composer une marche pouvant être utilisée comme indicatif, le titre était tout trouvé. The Bandwagon est une marche pétillante de forme ABA. / Niveau : 3 / Ouverture / Répertoire / Fanfare