Format : Score
SKU: HL.49018927
ISBN 9790001174268.
Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percussion. Hummel's music is so colourful, vivid and powerful that the listener can immediately imagine how the curtain rises upon a play while this music is played.The differentiated score, with its chamber music layout, can be mastered by good amateur ensembles and music students.
SKU: HL.127015
UPC: 073999270150. 9.0x12.0x0.135 inches.
Donald Hunsberger's classic edition of this Shostakovich masterpiece has already established itself as a staple in the repertoire for wind bands. This exciting and masterful work is a wonderful way to showcase a mature band. Recorded by the United States Marine Band – Jack T. Kline, conductor. Interlochen Bowl, National Music Camp 1978.
SKU: CA.5022500
ISBN 9790007090739.
Rheinberger's concert overtures are completely beholden to the tradition of the genre established at least since the 1820s. The spread of this genre was favored in equal measure by the growth of bourgeois musical culture and the overwhelming model of Beethoven's nine symphonies, which sowed a certain perplexity and discouragement among composers of the next generation and led them to turn increasingly to the smaller single-movement genre in their orchestral music. Soon a generic distinction arose between two types of overture. One was the autonomous overture, whose character results from its specific introductory function. Rheinberger's Academic Overture follows in this same line of tradition. The other type was the overture with subject-matter, in which the romantic inclination to recreate extra-musical material in music found an expecially fruitful field of exploration. Having originated as the opening item of an opera or play, the overture had, after all, long been accustomed to accommodating the contents of the work that followed. The concert overture on an extra-musical subject is in turn associated in particular with the works of Felix Mendelssohn Bartholdy. Rheinberger too, closely modeled his opp. 11 and 110 on Mendelssohn's overtures.
SKU: CN.R10004
A slow introduction gives way to the chirpy theme which is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. Restlessness leads to a tranquillo presented by the flute and clarinet, weaving a flowing counterpoint around the melody until the original slow introduction returns. A triumphant recapitulation of the main theme brings this wonderful piece to an end.Originally composed for Brass Band in 1934 Comedy Overture is, despite its name, a serious piece of writing. The term Overture does not imply that there is anything else to follow; it is used in the 19th century sense of Concert Overture (like Mendelssohn's Fingal's Cave - in other words, a miniature Tone Poem). The 1930's was a period of Ireland's mature writing - yielding the Piano Concerto (1930), the Legend for piano and orchestra (1933), and the choral work These Things Shall Be (1936-1937). We are fortunate therefore to have both Comedy Overture and A Downland Suite (1932) written for band medium at this time. As with Maritime Overture (written in 1944 for military band) Ireland approaches his material symphonically. The opening three notes state immediately the two seminal intervals of a semitone and a third. These are brooding and dark in Bb minor. It is these intervals which make up much of the thematic content of Comedy, sometimes appearing in inverted form, and sometimes in major forms as well. The concept that some musical intervals are consonant , some dissonant, and some perfect is perhaps useful in understanding the nature of the tension and resolution of this work. The third is inherently unstable, and by bar 4, the interval is expanded to a fourth - with an ascending sem-quaver triplet - and then expanded to a fifth. The instability of the third pushes it towards a perfect resolution in the fourth or the fifth. The slow introduction is built entirely around these intervals in Bb minor and leads through an oboe cadenza, to an Allegro moderato brillante in Bb major. Once again, the semi-tone (inverted) and a third (major) comprise the main, chirpy, theme-inspired by a London bus-conductor's cry of Piccadilly. (Much of the material in Comedy was re-conceived by Ireland for orchestra and published two years later under the title A London Overture.) The expansion of the interval of a third through a fourth, fifth, sixth, and seventh now takes place quickly before our very ears at the outset of this quicker section. Immediately the theme is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. But this restlessness leads to a tranquillo built around an arpeggio figure and presented by flute and clarinet. Ireland weaves his flowing counterpoint around this melody until the original slow introduction returns leading to a stretto effect as the rising bass motifs become more urgent, requesting a resolution of the tension of that original semitone and minor third. Yet resolution is withheld at this point as the music becomes almost becalmed in a further, unrelated tranquillo section marked pianissimo. It is almost as if another side of Ireland's nature is briefly allowed to shine through the stern counterpoint and disciplined structure. This leads to virtually a full recapitulation of the chirpy brilliante, with small additional touches of counterpoint, followed by the first tranquillo section-this time in the tonic of Bb major. But the instability of the third re-asserts itself, this time demanding a resolution. And a triumphant resolution it receives, for it finally becomes fully fledged and reiterates the octave in a closing vivace. The opening tension has at last resolved itself into the most perfect interval of all.
SKU: AP.41373
ISBN 9780739098165. UPC: 038081462660. English.
Over the course of ten years, legendary young-band composers John O'Reilly and Mark Williams composed and arranged over 100 creative works that correlate with specific pages in their highly successful band method, Accent on Achievement. Alfred Music is now proud to make these arrangements available in a book format that includes 22 full arrangements in each collection. The Concert Favorites Collection features all original compositions composed in a variety of contemporary styles. Titles: Centurian * The Lost Kingdom * Cardiff Castle * Windstar Overture * Attack of the Cyclops * Knights Kingdom * and 16 others.
SKU: AP.44965S
UPC: 038081519357. English.
This original concert overture is manageable by young musicians, yet it has elements that are relevant to much more challenging literature. Written in a standard overture form, the catchy melodies and rhythms will be sure to delight audiences while keeping the players fully engaged. A brief lyrical interlude adds variety and a moment of repose before returning to the more energized main theme. This is an outstanding choice for a spring concert or a first band festival/contest experience. (2:40).
SKU: AP.44965
UPC: 038081519340. English.
This original concert overture is manageable by young musicians, yet it has elements that are relevant to much more challenging literature. Written in a standard overture form, the catchy melodies and rhythms will be sure to delight audiences while keeping the players fully engaged. A brief lyrical interlude adds variety and a moment of repose before returning to the more energized main theme. This is an outstanding choice for a spring concert or a first band festival/contest experience.(2:40).
SKU: HL.4003859
UPC: 888680005788. 9.0x12.0x0.079 inches.
Combining a district-wide extravaganza for players of all levels creates an exciting spectacle for parents, while providing much needed incentives for the younger players. Shorewood Overture is specifically designed to be performed by multi-level bands and, rather than the typical massed band number where everyone plays at once, this ingenious overture allows each level to be featured briefly by itself, along with sections where everyone plays together. In addition, the “Level 3†parts include cues (also in the Level 3 score), which allows the piece to be performed by a single ensemble. Dur: 4:20 Note: Level 2/Level 1 versions are not playable separately.
SKU: HL.4003861
UPC: 888680005818. 9.0x12.0x0.021 inches.
Combining a district-wide extravaganza for players of all levels creates an exciting spectacle for parents, while providing much needed incentives for the younger players. Shorewood Overture is specifically designed to be performed by multi-level bands and, rather than the typical massed band number where everyone plays at once, this ingenious overture allows each level to be featured briefly by itself, along with sections where everyone plays together. In addition, the “Level 3†parts include cues (also in the Level 3 score) allowing this to be performed by a single ensemble. Dur: 4:20.
SKU: HL.4003860
UPC: 888680005795. 9.0x12.0x0.051 inches.