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ORGAN - ORGAO SHEET MUSIC ⮞

Concerti Per Fl , Archi E B C : In Sol Rv 438

$18.95 - See more - Buy online

Lead time before shipment : 2 to 3 weeks

Format : Score

Flute, String Ensemble, Organ

SKU: HL.50496162

F.Vi-6 - Tomo 138. Composed by Antonio Vivaldi. MGB. Solo & Concerto. Score Only. Composed 1984. Ricordi #PR588. Published by Ricordi (HL.50496162).

8.0x10.75x0.125 inches.

F.VI/6 - TOMO 138.

Instrumentation :

Organ

Publisher :

Ricordi

Seller information: Sheetmusicplus
Place : USA
Shipping : World wide shipping (except EU countries!, As of July 1, 2021 Sheet Music Plus does not ship physical goods to EU countries)

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Details Details	Recorder Concerto In C Minor RV 441 Ricordi An ABRSM syllabus title.The source of the present edition of the Recorder Concer...(+) An ABRSM syllabus title.The source of the present edition of the Recorder Concerto in C minor by Antonio Vivaldi is the Collected Works of Vivaldi edited by Malipiero, published by Ricordi 1953. The title of the original score is Concerto in Do minore per flauto, archi e cembalo the original setting: Flauto, Violini I-II, Viole, Violoncelli, Contrabassi and Cembalo. The arrangement for recorder and piano is kept in accurate conformity with the musical text of the score the continuo part, however, has been more freely adapted (of course within the possibilities of baroque style). In contrast to previous arrangements, the piano part contains the entire orchestral material in theTuttis, thus the soloist is not obliged to play all the Tutti parts. However, in Movement I and III the first and last Tutti may never be omitted by the performer. Die Grundlage dieser Ausgabe des BlockflÃ¶tenkonzertes in c-Moll von Antonio Vivaldi ist die von Malipiero redigierte Gesamtausgabe (Ricordi, 1953). Der Titel der Originalpartitur lautet: Concerto in Do minore per flauto, archi e cembalo: die Besetzung ist folgende: Flauto, Violini I-II, Viole, Violoncelli, Contrabassi, Cembalo. Die Ausgabe fÃ¼r BlockflÃ¶te und Klavier folgt getreu dem Urtext der Partitur, doch ist die Ausarbeitung des Continuos schon etwas freier behandelt (natÃ¼rlich im Rahmen der vom Stil der Barockmusik gebotenen MÃ¶glichkeit). Zum Unterschied von den bisherigen Bearbeitungen enthÃ¤lt die Klavierstimme an den Tuttistellen das Stimmaterial des ganzen Orchesters: derSolist ist daher nicht verpflichtet, sÃ¤mtliche Tutti mitzuspielen. (Im I. und III. Satz dÃ¼rfen jedoch die ersten und letzten Tutti vom Vortragenden nicht weggelassen werden $13.95 - See more - Buy online Pre-shipment lead time: 2 to 3 weeks Similar items

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