Concerto Grosso in d for Two Violin and Cello Soli, Op. 3 No. 11, F. IV: 11

Antonio Vivaldi's Concerto Grosso in D minor Op.3 No.11 for two Violins Cello and Strings. Edition for two Violins and Piano. Edited by Klengel.

Paul Paradise has selected eight of Arcangelo Corelli's twelve Concerti Grossi and combined the concertino parts with the concerto grosso parts, edited the bowings, and added fingerings. Now these masterful works are playable by string orchestra or string quartet. The Concerto Grossi included are: No. 4 in D Major * No. 7 in D Major * No. 10 in C Major * No. 11 in B-flat Major * No. 12 in in F Major * No. 3 in C Minor * No. 8 in G Minor (Christmas) * No. 2 in F Major.

Version For String Quartet And String Orchestra (Score)-Endorphin - Concerto  Grosso - Version for String Quartet and String Orchestra by Søren Nils Eichberg (2011/2016). Originally written for String Quartet and Chamber Orchestra.

Christmas Concerto Edition : score Instrumentation : 2 violins, cello, string orchestra and harpsichord Duration : 14' Date of Publications : 24/02/1984 Number of Pages : 30 Arranger : May, Helmut W. Series : Concertino

Violin Violoncello and Orchestra-Handel's Concerto Grosso In G major Op.6/1 HWV 319 is scored for 2 solo Violins solo Cello 2 Oboes Bassoon Strings and Basso continuo. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-part string orchestra and Cembalo continuo. Originally published in 1739 they were written to be played during performances of Handel's oratorios and odes and are amongst the finest examples in the genre of Baroque Concerto Grosso.

Violin 2 Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-part string orchestra and Cembalo continuo. Originally published in 1739 they were written to be played during performances of Handel's oratorios and odes and are amongst the finest examples in the genre of Baroque Concerto Grosso.

Cello and Double Bass PartGeorg Friedrich Händel's Concerto Grosso Op. 6/7 HWV 325 for Violin Cello and String Orchestra.

Harpsichord/Cembalo Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-part string orchestra and Cembalo conintuo. Originally published in 1739 they were written to be played during performances of Handel's oratorios and odes and are amongst the finest examples in the genre of Baroque concerto Grosso.

Harpsichord PartGeorg Friedrich Händel's Concerto Grosso Op. 6/7 HWV 325 for Violin Cello and String Orchestra.

Violino piccolo pitch notation - notated the way it sounds-Violin solo part sounds at pitch (F major).Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F major BWV 1046.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach’s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even along side the version known today.In the earlier version of Concerto No.1 (BWV 1046a) which according to the editor of the edition Heinrich Besseler seems to have been Bach’s favorite among the six there is no violino piccolo part to be found and the violin concerto-like 3rd movement as well as the Polonaise movement are also absent.In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing in the later score the oboe slurs and trills in m.12 are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.