Format : Score
SKU: AP.29687S
UPC: 038081321820. English.
A beautifully fluid ballad encouraging your young band's highest musical attributes. Distinctive dissonances will bring out a most musical performance reinforcing balance, blend, and tone color. An awe inspiring sound, Contemplation has a place on every program. (2:00).
SKU: BT.DHP-1175741-140
English-German-French-Dutch.
Contemplation is the first movement from the Clarinet Concerto by Jan Van der Roost, which was commissioned by Musica Reservata VOF, Belgium, and is dedicated to the famous clarinet soloist Eddy Vanoosthuyse. A slightly mysterious intro leads to an orchestral climax with ascending melodies and the entrance of the soloist. This occurs at first with fragmentary musical ideas, and then with longer melodic lines. The orchestra delivers the dialogue withthe soloist, and creates a fitting musical frame with a delicate and colourful instrumentation. Towards the end of the music, the atmosphere from the beginning is restored, and the soloist finishes on the same note that he started the piece on. The concerto is also available as a piano reduction. Contemplation is het eerste deel uit het Clarinet Concerto van Jan Van der Roost. Het werd geschreven in opdracht van Musica Reservata VOF (B) en is opgedragen aan Eddy Vanoosthuyse. Een ietwat mysterieuze intro leidt via stijgende melodieën tot een eerste orkestrale climax, waarna de solist zijn intrede doet, eerst met vooral fragmentarische muzikale gegevens, dan met langere melodische lijnen. Het orkest voert een muzikaledialoog met de solist en creëert een gepaste omkadering door middel van een ragfijne en kleurrijke instrumentatie. Naar het slot toe wordt de beginsfeer weer opgezocht, en de solist eindigt helemaal alleen met dezelfde noot als die waarmeehij begon. Het concert is tevens als pianoreductie beschikbaar. Contemplation ist der 1. Satz aus Jan van der Roosts Clarinet Concerto, das von Musica Reservata VOF aus Belgien in Auftrag gegeben wurde und dem berühmten Klarinettisten Eddy Vanoosthuyse gewidmet ist. Eine etwas geheimnisvolle Einleitung führt über aufsteigende Passagen zu einem musikalischen Höhepunkt des Orchesters; darauf folgt der Einsatz des Solisten, anfangs überwiegend mit fragmentarischen musikalischen Ideen, dann mit längerenMelodielinien. Das Orchester führt einen Dialog mit dem Solisten und schafft mit einer zarten und lebendigen Instrumentation einen passenden musikalischen Rahmen. Gegen Ende wird die Anfangsstimmung wieder aufgegriffen und das Solo endet mitderselben Note, mit der das Stück begonnen hat. Es ist auch ein Klavierauszug des Konzertes erhältlich. Contemplation est le premier mouvement du Clarinet Concerto de Jan Van der Roost. Commandé par Musica Reservata VOF de Belgique, il est dédié au célèbre soliste clarinettiste Eddy Vanoosthuyse. Une introduction orchestrale mystérieuse conduit avec les mélodies ascendantes l’entrée du soliste. Les idées musicales fragmentaires du début cèdent petit petit la place des lignes mélodiques plus longues et l’orchestre entre en dialogueavec le soliste avec une instrumentation délicate et colorée. L’atmosphère mystérieuse du début revient et le soliste conclut l’œuvre par la même note avec laquelle il l’avait commencé. Le concerto est également disponible en réduction pour piano.
SKU: KJ.SO340F
UPC: 084027041772.
Mr. McBrien's riveting musical postcard is guaranteed to cast a spell! Inspired by Washington Irving's classic story, the selection presents a set of vibrant, richly textured, evocative portraits of this ancient and mysterious fortress. Students will be swept up by exotic, Spanish-influenced harmonies and rhythms. A singularly captivating piece, Tales of the Alhambra has it all, from pensive contemplation to raucous celebration (and everything in between). Unforgettable. 8:01.
SKU: HL.44012841
UPC: 888680643607. English-German-French-Dutch.
Guernica, a peaceful town in the Basque region of Spain, was reduced to ruins on the 26th of April 1937 by Nazi bombers. It was a totally unexpected attack that happened while the crowded open-air market was in progress. Over 1600 innocent citizens were killed.This was one of the most senseless and abhorrent war crimes in history. In this new work by Jan Hadermann the music of the Basque region can clearly be heard, with street musicians adding lustre to the open-air market with dance music. Spring is in the air when suddenly from behind the mountaintops, the death squad appears and all hell breaks loose. The work ends with an intense plea to never let anything like this happenagain. A moving and contemplative new work for concert band. Guernica, een vredig stadje in het Spaanse Baskenland, werd op 26 april 1937 door nazi bommenwerpers volledig in puin gelegd. Die aanval vond totaal onverwacht plaats terwijl de drukbezochte openluchtmarkt volop aan de gang was. Meerdan 1600 onschuldige burgers werden gedood. Dit is een van de meest zinloze en weerzinwekkende oorlogsmisdaden uit de geschiedenis. In het stuk Guernica van Jan Haderman horen we hoe de Baskische muziek klinkt: straatmuzikantenluisteren de openluchtmarkt op met dansmuziek. Het is lente. Dan duikt plotseling vanachter de bergtoppen het doodseskader op en barst de hel los. Het werk eindigt met een intense smeekbede zoiets nooit meer te laten gebeuren. Eenontroerend nieuw werk voor harmonieorkest.Guernica, eine friedliche, strategisch eher bedeutungslose Stadt im Baskenland in Spanien, ist durch einen furchtbaren Blitzangriff von Nazibombern im Jahr 1937 zum Symbol fur die Sinnlosigkeit und Grausamkeit von Kriegsverbrechen und Terror geworden. Im Stuck Guernica ist die frohliche Musik der Basken herauszuhoren, bevor die Holle des Angriffs losbricht. Das Werk endet mit der eindringlichen Bitte, so etwas nie wieder geschehen zu lassen. Ein eindrucksvolles Werk mit einer nach wie vor aktuellen Botschaft.Le 26 avril 1937, la paisible ville de Guernica dans le Pays basque espagnol est aneantie par les bombardiers de l'aviation nazie. Plus de mille six cents civils sont tues. La ville brule pendant trois jours. Guernica de Jan Hadermann se developpe aux sons de la musique basque. La place du marche est pleine de monde. L'atmosphere est douce, le printemps s'eveille sur un air de danse joue par des musiciens de rue quand surgit par dessus les montagnes, l'escadron de la mort. L'enfer commence a Guernica. L'œuvre se conclut dans une intense expression de supplication pour qu'une telle folie ne se reproduise plus.
SKU: BT.SCHBB5100142
SKU: BT.GOB-000264-120
Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Autumn of 1999 for their performance at the World Music Contest, Kerkrade. The commission was the result of a collaboration between the composer and the thenmusical director, Marten van der Wal. The exact meaning of the word Hymnus is not known but it is taken in this presentation to mean hymn or hymn-like. The melodic material is organic and grows from an initial unison tone. Thisinterval is gradually expanded to form the cell F E C F, a semitone, third, fifth. The only other melodic motif is the ascending three-note pattern spanning a major third. This is the second of his compositions to use this ascending motif, theother being Fanfare for a Bright New Age for Brass Band and Organ, also of 2000. These characteristic intervals appear in many contrasting moods and guises throughout the piece. The opening unison notes are intended to convey as sense ofpower and magnificence, like the first sounds at the dawning of the universe. After the immense power, a period of stunned silence and reverence. The evolution of the hymn melody incorporates a variety of moods and atmospheres, sometimes expressing much joy and celebration whilst also suggesting periods of intense savagery or prayerful contemplation. The hymn builds as the piece progresses and is finally stated in its complete form at letter W. The official worldpremiere of the work was given by Wilhelmina Easterein at the World Music Contest 2001. Whilst the composer was unable to attend in person, he was able to enjoy the premier simultaneously transmitted via a mobile phone from the audience! Conductors Note The tempo indications are to be viewed as a guide rather than a literal instruction. Within the music there is an innate sense of pulse and metre, lending itself to considerable rubato. Melody is king, and all else is mere support and decoration, careful attention must therefore be given to balance.
SKU: FJ.B1336S
English.
All of us are taught to have big dreams and to pursue those dreams. In the spirit of this ideal, Roland Barrett salutes all great dreamers by examining the connection between thought and deed, contemplation and action. Divided into six main sections, each dream passage leads to an ensuing proclamation. Powerful, emotional, and energetic, the work moves to a fantastic close. Breathtaking!
About FJH Symphonic Band
Appropriate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5
SKU: BT.GOB-000738-120
Is there something to be celebrated? Then let's play 'Let's Celebrate'! This four-part suite has been based on two birthday songs: the world-famous 'Happy Birthday to you' (which is also sung in many other languages), and the Dutch song 'Lang zal hij/zij leven'. The Fanfare opens in grand style with the motif of 'Lang zal hij leven' and is followed by a cheerful March in which the motifs of both songs can be heard. The third part, Song, forms a moment of contemplation, and the birthday presents are unwrapped by the percussion section in the fourth part, Surprise Party. The yell may be adapted to the occasion. (the sleigh bells caused the composer to note down this somewhat peculiar yell). Of course everybody is expected to join in. Valt er wat te vieren? dan spelen we ‘Let’s Celebrate’! Deze vier delige suite is gebaseerd op twee verjaardagsliedjes. het wereldbekende (en in vele talen gezongen) ‘Happy Birthday to you’ , en het Nederlandse ‘Lang zal hij/zijleven’. De Fanfare opent groots met het ‘Lang zal hij leven’-motief, gevolgd door een vrolijke March waarin beide liederen zijn verwerkt. Het derde deel, Song, vormt het moment van bezinning en de pakjes worden in het vierde deel,Surprise Party, uitgepakt door het slagwerk. De yell kan aangepast worden aan de gelegenheid. (de sleighbells waren de aanleiding voor de componist om deze wat vreemde yell te noteren). Het is natuurlijk wel de bedoeling datiedereen meedoet.
SKU: BT.GOB-000737-140
SKU: BT.GOB-000739-130
SKU: CN.S11260
Geoffrey Brand's arrangement of Berlioz's Shepherds' Farewell form L'Enfance du Christ is restrained, delicate, and contemplative. In this arrangement for small wind orchestra, the instruments are called upon to display their softer persuasive sounds in order to retain the sensitive nature of this tender music.L'Enfance du Christ (The Childhood of Christ), written between 1850 and 1854, is the nearest that Berlioz got to writing an oratorio. It is in three parts; he called it a 'sacred trilogy.' Throughout, the music is restrained, delicate, and contemplative. In its original version, The Shepherds' Farewell is scored for chorus accompanied by two oboes, two clarinets, and strings. With these selected colors, Berlioz achieves a masterpiece of delicacy and serenity. In this arrangement for small wind orchestra without chorus, the wind instruments are called upon to display their softer persuasive sounds in order to retain the sensitive nature of this tender music. This arrangement may be used with chorus utilizing the original chorus parts. The key is one half tone lower than the original setting.
SKU: FG.55011-792-1
ISBN 9790550117921.
Žibuoklė Martinaitytė's Sielunmaisema (2019) for cello and string orchestra contemplates the cycle of the year in its movements, which are named Winter, Spring, Summer, and Autumn. Sielunmaisema translated from Finnish means a “soul-landscape, a particular place that a person carries deep in the heart and returns to often in memory. It can be described as a landscape that “hits you in the center of your chest, the one you that immediately feels like home. The composer tells: Soul-landscape is related to questions of identity and place which resonate with two parallel cultural identities that I carry within - my native Lithuanian and later acquired American. My physical home keeps changing and the only thing that remains is music. In this case, the piece itself becomes an ideal soul-landscape reflecting a native environment as seen through the prism of four seasons. BBC Music Magazine (7/2022) praises the CD with Sielunmaisema: Her scores similarly appeal to something beyond the immeadately cerebral, creating a vast shimmering landscapes that lead the mind somewhere dream-like and seem to speak directly to the body’s senses in arresting and unexpected ways. This product includes the solo cello part and the study score (A4 sized). Duration: 32-34' Orchestration (minimum): 6 Violins I 6 Violins II 4 Violas 4 Violoncellos 1 Double bass The performance material is available for hire from the publisher.
SKU: BT.DHP-1165711-140
The name Cambrinus, a corrupted variation on ‘Jan Primus’ (John the First), refers to the flamboyant John I of Brabant, who was the Duke of the Dutch provinces Brabant and Limburg, in the second half of the 13th century. This piece of music tells the story of this notable man, starting with the Battle of Worringen in 1288, where he scored a glorious victory, followed by an exuberant celebration in which he also contemplates about the suffering he and his men have caused. The works offers exciting energetic musical scenes with lots of action, as well as beautiful romantic and heroic themes offering plenty of opportunities for your band to unfold all its qualities.Met de naam Cambrinus, een verbastering van ‘Jan Primus’, wordt de flamboyante Jan I van Brabant bedoeld, die in de tweede helft van de 13e eeuw hertog van Brabant en Limburg was. Dit muziekstuk vertelt het verhaal van deze bijzondere man, te beginnen met de Slag bij Woeringen in het jaar 1288, waar hij een glorieuze overwinning behaalde, gevolgd door een weelderig feest, maar ook een moment van contemplatie waarin hij het leed overdenkt dat hij en zijn mannen hebben aangericht. Het werk omvat energieke muzikale taferelen met veel actie, evenals prachtige romantische en hero sche thema’s die uw orkest ruim de mogelijkheid bieden om te schitteren.Der Name Cambrinus, eine Verballhornung von Jan Primus“ (Johann I.), bezieht sich auf den extravaganten Johann I. von Brabant, der in der zweiten Hälfte des 13. Jahrhunderts Herzog der holländischen Provinzen Brabant und Limburg war. Das Musikstück erzählt die Geschichte dieses bedeutenden Mannes und beginnt mit der Schlacht von Worringen im Jahr 1288, bei der er einen glorreichen Sieg davontrug. Bei dem rauschenden Fest nach diesem Triumph soll er aber auch über das Leid nachgedacht haben, das seine Soldaten und er verursacht haben. Dieses Werk bietet spannende und energiegeladene musikalische Szenen mit großer Wirkung, aber auch wunderschöne romantische und heroischeThemen, bei denen das Orchester all seine Qualitäten entfalten kann. Le titre Cambrinus, une variante de « Jan Primus » (Jean le Premier), fait référence Jean Ier de Brabant, qui était Duc des provinces néerlandaises de Brabant et de Limbourg dans la deuxième moitié du XIIIe siècle. Cette œuvre raconte l’histoire de cet homme éminent, en commençant par la bataille de Worringen en 1288, où il obtint une victoire glorieuse, qu’il célébra avec une grande fête durant laquelle il réfléchit sur les souffrances que lui-même et ses hommes avaient causées. L’œuvre offre des scènes de musique palpitantes et énergiques pleines d’action, ainsi que de magnifiques thèmes romantiques et héro ques qui offrent de nombreuses occasions votre orchestrede révéler toutes ses qualités.
SKU: BT.AMP-479-130
Sanctuary was commissioned by Eastern Bay of Plenty Brass from New Zealand and was performed as an own choice piece at the 2018 New Zealand National Brass Band Championships. It opens with an expressive cornet solo, hymn-like in mood. A slightly faster central section builds to a change of key and an expansive return of the opening melody, this time scored for full band. After an emotional climax the mood subsides, leading to a quiet close. Sanctuary werd geschreven in opdracht van Eastern Bay of Plenty Brass uit Nieuw-Zeeland en werd uitgevoerd als zelfgekozen werk tijdens de New Zealand National Brass Band Championships van 2018. Het werk opent met een expressieve kornetsolo, die qua atmosfeer veel weg heeft van een hymne. Een iets sneller middengedeelte werkt toe naar een verandering van toonsoort en een grootse terugkeer van de openingsmelodie, deze keer getoonzet voor de complete band. Na een emotioneel hoogtepunt wordt de muziek kalmer van sfeer en mondt ze uit in een rustig slot.Sanctuary wurde von der Eastern Bay of Plenty Brass aus Neuseeland in Auftrag gegeben und als Selbstwahlstück bei den New Zealand National Brass Band Championships 2018 aufgeführt. Das Stück beginnt mit einem ausdrucksvollen Kornett-Solo in der Art eines Kirchenliedes. Ein etwas schnellerer Mittelteil führt zu einem Tonartwechsel und einer ausführlichen Rückkehr der Anfangsmelodie, die nun von der gesamten Brass Band gespielt wird. Nach einem emotionalen Höhepunkt beruhigt sich die Stimmung und mündet in einen ruhigen Schluss.Sanctuary est une commande de l’ensemble néo-zélandais Eastern Bay of Plenty Brass, qui l’a interprétée en tant qu’œuvre libre « contemplative » au Championnat national de brass bands de Nouvelle-Zélande 2018. La pièce s’ouvre avec un solo de cornet expressif évoquant un hymne. Un passage central un peu plus rapide mène un changement de tonalité avant un retour majestueux la mélodie du début, cette fois faisant appel l’orchestre entier. Après un climax chargé d’émotion, la musique s’apaise pour aboutir une conclusion sereine.
SKU: MN.55-9850A
UPC: 688670004513.
Written for Unison/Solo Voice(s), Keyboard, and opt. Descants and Instruments in Taize style. Simple, meditative songs proclaiming basic statements of faith. Especially effective in small group settings. Improvisational in nature. Optional descants (vocal and instrumental). Full Score (55-9850) contains melody and keyboard accompaniment, reproducible optional descants (vocal and instrumental), reproducible songsheets for participants. Choir Score contains melody and keyboard accompaniment only. Designed for situations when melody and accompaniment only are needed or desired. Instrumental parts may be performed on any instrument but are only provided in C.
SKU: FJ.B1539S
Based on Abraham Lincoln's famous speech in 1858 about slavery, this contemplative work weaves original material with America to depict the tension in the House of Representatives. Often, the melody to America is altered melodically and harmonically as moments of anger, rage and fear dissolve into quirky moments of patriotism. The end of the work is magical, as the words let freedom ring are sung by the ensemble to leave the audience speechless.
About FJH Concert Band
Designed for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5
SKU: CN.S11209
Experience the thrill of skydiving with this adventurous Grade 4 piece - from the anticipation of the jump, to the contemplative mood of the aerial view, to the excitement of the 'freefall' itself. The piece features a rare euphonium solo during the middle lyrical section. Jump!My intention was to begin this piece with the feeling of anticipation and excitement which might be experienced when setting out on a free fall adventure. This gives way to the more contemplative mood of the aerial panorama before returning to the excitement of the jump. Freefall was commissioned in 1998 with the aid of funds provided by Gower Music International. Having organized tours for bands for many years, Gower wished to provide bands planning a tour with an added dimension to their touring projects.
SKU: BT.DHP-1064073-130
9x12 inches. English-German-French-Dutch.
Adagio for Brass is full of beautiful lyrical melodies and the warm harmony and full orchestration give the audience and the band the chance to give their thoughts free reign in a contemplative atmosphere. A wonderfully uplifting work suitable for concerts on all occasions and certainly not one to be missed. Das ruhige und feierliche Adagio zeichnet sich durch melodische Weite und Ausdruckskraft aus. Lyrische Melodien, eine warme Harmonik und die volle Orchestrierung bieten Publikum und Musikern die Gelegenheit, ihren Gedanken in einer besinnlichen Atmosphäre freien Lauf zu lassen. Ein wunderbar aufbauendes Werk, das sich für viele Anlässe eignet. Adagio for Winds est une ?uvre de commande pour la Fanfare Royale Ridder Jans Zonen de Dadizele en Belgique. Elle a été composée en mémoire de Walther Bekaert (1933-2002) et dédiée An Bekaert. Jan Van der Roost en a réalisé cette sublime orchestration pour Brass Band publiée sous le titre : Adagio for Brass.Le discours musical est serein et profond lâ??instar du célèbre Canterbury Chorale - une ?uvre antérieure de Jan Van der Roost - sans jamais tomber dans un mélodrame exagéré. La structure mélodique est fluide, ample et dâ??une grande puissance expressive. Aucune nuance de tristesse, de ranc?ur ou de révolte sourde nâ??est perceptible. Lamusique est porteuse dâ??espoir mais aussi dâ??une certaine résignation dâ??où lâ??utilisation dâ??un environnement presquâ??exclusivement centré sur la tierce Majeure. Une interprétation en hommage un être cher disparu accentue le souvenir des belles choses. Une interprétation dans un contexte neutre permet de souligner la mélodie lyrique, les harmonies chatoyantes et la richesse de lâ??orchestration. Les musiciens et le public ont ainsi la possibilité de laisser sâ??épanouir leur imagination dans une atmosphère contemplative. Lâ??accord final élargi symbolise dâ??une certaine manière la finitude et lâ??infinitude de la vie. La mort marque la fin de lâ??existence dâ??un être mais ne détruit ni les liens dâ??amour, ni la vie en général.
SKU: HL.50606721
UPC: 196288169680.
“Oryx and Crake†tells the story of the only human survivor on Earth. In flashbacks, revealing only bit by bit, we must ourselves puttogether the pieces of the drama that lead to the apocalypse. The opera unfolds within 24 hours, beginning at dawn and finishing thenext morning. Atwood's love-triangle offers plenty of classic music drama, her dystopia is painted in complex, industrial soundscapes and the post-armageddon solitude in contemporary-contemplative open spaces. Electronics extend and augment the orchestral colors and help achieving the unreal “haunted†atmosphere and the different reality levels of the protagonist's memory.
SKU: HL.50606722
UPC: 196288169697.
SKU: FJ.B1642S
This tranquil offering brings to mind the feeling of floating on a calm sea, contemplating the starry skies above. Playable by young bands, this will bring a moment of lyricism to your next concert. (Correlates with Measures of Success Book 1, Opus 5).
SKU: FJ.B1478S
This dramatic work is sure to be a big hit with students, especially when they realize it was written by one of their peers! A mysterious chant gives way to an energetic theme as the music moves into the powerful ritual characterized by intense percussion. The haunting nightfall returns to the contemplative sounds of the opening before the final section slowly builds into a powerful statement signifying the Last Rite. Intense!
About FJH Developing Band
Slightly more advanced than beginning band. Clarinet 1 begins to play over the break. Rhythms and ranges are expanded to accommodate the end of first-year as well as second-year instruction. Grade 1.5
SKU: HL.49018058
ISBN 9790001168724. UPC: 842819110231. German.
Since an invitation to the Emerald Isle, Harald Genzmer (1909-2007) has been fascinated with the local tradition and culture. Therefore, after the songs 'Irische Harfe', he wrote another cycle for mixed choir at a ripe old age: 'Lieder einer Insel'. In three parts with ten choral settings altogether, the composer tells stories from the mythology of the Emerald Isle in the Irish poems, in the texts of old and modern lyricists, describes emotions, desires, laments: from 'Weissagung Cathbads' to 'Lobgesang der Gerechten', from the bright 'Monch und seinem Lieblingskater' to the sad lament 'Das Lied in einem Madchenherzen', from the tender 'Anrufung des Friedens' to the contemplate 'Abendgebet'. The freely tonal settings range from simple, chordal-homophonic via declamatory to expressive. Of intermediate difficulty, these choral miniatures are suitable not only for professional ensembles but also for ambitious amateur choirs.
SKU: FJ.B1586S
This powerful and contemplative lyrical work explores a wealth of emotions. Beginning in a very subdued manner, the music slowly and steadily builds, becoming more and more uplifting throughout. Deceptive key changes lead into actual ones, shattering the perception of the listener and leaving nothing but raw emotion.
SKU: FJ.B1787S
This beautiful lyrical work portrays the vivid imagery and yearning emotions described in John Keats' poem Bright Star, which captures the longing for stability amidst a world in constant flux. A lonely theme evolves through several reharmonizations, key changes, and contrapuntal settings before ending contemplatively, as if appearing in the night sky among millions of celestial bodies.
SKU: FJ.ST6278S
This emotional expression of loss and grief will bring out the true musicianship and maturity of your ensemble. The amazing harmonic vocabulary effortlessly supports the contemplative melodies as the work slowly and effectively develops. Simply stunning, and worth every second of rehearsal. *Recorded by the strings of the London Symphony Orchestra with the composer conducting.
About FJH String Orchestra
More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up
SKU: FJ.B1781S
Rivers have often served as a metaphor for life's journey - starting in one place and traveling to somewhere unknown. This metaphor is depicted in a serene and contemplative work that uses a variety of colors and harmonies unique to young bands. Opulent mallet parts interact with optional piano to depict water gracefully cascading downwards. Gorgeous!
About FJH Young Band
Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5
