SKU: HL.50561392
6.75x10.5 inches.
SKU: HL.48182025
UPC: 888680847029. 8.0x11.5x0.232 inches.
French organist and composer, Marcel Dupre (1886-1971) is also remembered as a significant pedagogue. His Complete Course in Organ Improvisation is for beginners of Organ improvisation, who have previously acquired some Organ technique. The first volume gives focus to harmonisation of scales and chorales, phrases, cadences, modulation, and form and structure, among other musical aspects. Dupre studied at the Paris Conservatoire with Louis Vierne and Charles-Marie Widor, where he won prizes for Piano, Organ and fugue, as well as the Grand Prix de Rome. He was a famous Organ virtuoso and was able to perform the entire works composed for the instrument by J. S. Bach from memory. Dupre's compositions and didactic works remain important to organists today and his Complete Course in Organ Improvisation is no exception. .
SKU: HL.50562196
SKU: HL.50562914
SKU: HL.50560824
SKU: BT.VOLMB21
ISBN 9788863880199. French.
Grade Three is a strategic point in the study of the piano. Having reached this point, after having overcome the elementary difficulties, the pupil gains a very different perspective on music.
• Unpublishedpieces have been collected with studies by Heller, Burgmuller, Czerny and classical compositions.
SKU: BT.VOLMB20
ISBN 9788863880182. French.
Suite progressive de la première partie. Elle apporte tous les éléments dune technique s re.On y traite de la pédale, des gammes, de la mélodie au moyen de compositions originales et de la classiques simplifiés, des accords brisés, du staccato, du contre-chant, etc.
SKU: HL.48025146
UPC: 196288096276.
Jacques Offenbach was not only one of the most successful composers of his time, but also an incomparable virtuoso on the cello - his ravishing playing in the salons of Paris caused many a swoon among the (female) audience. Under the opus numbers 49 to 54, he also presented a cello method in the form of duets of progressive difficulty. Offenbach would not be himself if the work did not meet the very highest standards both from an educational and a musical-compositional point of view, with an always typical naturalness and originality of style. All six volumes are equally suitable as a method of cello technique, duet playing, for enjoyable music-making at home as well as forconcert performances. The new edition in the Offenbach Edition Keck OEK complements the modernly edited music material by adding online links to audios ofthe individual parts as well as the duets in harmony.
SKU: DZ.DZ-4311
ISBN 9782898522284.
Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer, her potential as a composer was recognized quite early on. Women were not permitted to enroll in conventional composition classes at the Conservatoire de Paris at the time, but, she did receive private lessons from Anton Reicha, the professor of composition there. Years later she would receive a permanent appointment as Professor of Piano at the same institution, a position she held for thirty years. She was the only woman during the 19th century to bear that title. Her piano etudes possess pedagogical value as well as great beauty and character. These works lend themselves quite well to the guitar duo setting. While I have rendered all of FarrencâÂÂs melodies quite faithfully, I have taken liberties with the accompaniments in order to make them more idiomatic to the guitar. Likewise, many of the effects of which the guitar is capable have been brought to bear in ways that deviate from the original intent of the etude. Alternatively, the challenges that some of these etudes were meant to address for the piano student are amplified by this adaptation. For example, etude 5 is intended to enable the piano student to improve the coordination between their left and right hands. It certainly presents a challenge in that regard to the guitar duo!These selections are entirely suitable for guitarists with limited experience, though they could, of course, be beautifully realized by players with a great deal more experience as well.Louise Farrenc était une compositrice, interprète, professeur et auteure française profondément influente. Même si elle deviendra finalement une interprète très recherchée, son potentiel en tant que compositrice est reconnu très tôt. Les femmes n'étaient pas autorisées às'inscrire aux cours de composition conventionnels au Conservatoire de Paris àl'époque, mais elle recevait des cours particuliers d'Anton Reicha, le professeur de composition du Conservatoire de Paris. Des années plus tard, elle recevra un poste permanent de professeur de piano dans la même institution, poste qu'elle occupera pendant trente ans. Elle était la seule femme au XIXe siècle àporter ce titre.Ses études pour piano possèdent une valeur pédagogique ainsi qu'une grande beauté et un grand caractère. Ces à Âuvres se prêtent assez bien au montage en duo de guitares. Même si jâÂÂai rendu assez fidèlement toutes les mélodies de Farrenc, jâÂÂai pris des libertés avec les accompagnements afin de les rendre plus idiomatiques àla guitare. De même, de nombreux effets dont la guitare est capable ont été mis en à Âuvre dâÂÂune manière qui sâÂÂécarte de lâÂÂintention originale de lâÂÂétude. Alternativement, les défis que certaines de ces études étaient censées relever pour l'étudiant en piano sont amplifiés par cette adaptation. Par exemple, l'étude 5 est destinée àpermettre àl'élève de piano d'améliorer la coordination entre ses mains gauche et droite. Cela représente certainement un défi àcet égard pour le duo de guitares !Ces sélections conviennent parfaitement aux guitaristes ayant une expérience limitée, même si elles pourraient bien sûr également être magnifiquement réalisées par des musiciens beaucoup plus expérimentés.
