Dancing

SKU: CF.YPS221F

ISBN 9781491156612. UPC: 680160915156. 9 x 12 inches.

Here is a clarinet feature that will reinforce the young student's early use of the upper register. The second clarinet part is in the lower register, but all students should be encouraged to learn the first upper part. Show off your clarinet section with Dancing Clarinets. Performance Time: 110.
Here is a clarinet feature that will reinforce the young student's early use of the upper register. The second clarinet part is in the lower register, but all students should be encouraged to learn the first upper part. Show off your clarinet section with Dancing Clarinets. Performance Time: 110.
Here is a clarinet feature that will reinforce the young student's early use of the upper register. The second clarinet part is in the lower register, but all students should be encouraged to learn the first upper part. Show off your clarinet section with Dancing Clarinets. Performance Time: 110.
Here is a clarinet feature that will reinforce the young student’s early use of the upper register. The second clarinet part is in the lower register, but all students should be encouraged to learn the first upper part. Show off your clarinet section with Dancing Clarinets.Performance Time: 110.
Here is a clarinet feature that will reinforce the young student’s early use of the upper register. The second clarinet part is in the lower register, but all students should be encouraged to learn the first upper part. Show off your clarinet section with Dancing Clarinets.Performance Time: 110.
Here is a clarinet feature that will reinforce the young student’s early use of the upper register. The second clarinet part is in the lower register, but all students should be encouraged to learn the first upper part. Show off your clarinet section with Dancing Clarinets.Performance Time: 110.
Here is a clarinet feature that will reinforce the young student’s early use of the upper register. The second clarinet part is in the lower register, but all students should be encouraged to learn the first upper part. Show off your clarinet section with Dancing Clarinets.Performance Time: 110.
Here is a clarinet feature that will reinforce the young student’s early use of the upper register. The second clarinet part is in the lower register, but all students should be encouraged to learn the first upper part. Show off your clarinet section with Dancing Clarinets.Performance Time: 110.
Here is a clarinet feature that will reinforce the young student’s early use of the upper register. The second clarinet part is in the lower register, but all students should be encouraged to learn the first upper part. Show off your clarinet section with Dancing Clarinets.Performance Time: 110.
Here is a clarinet feature that will reinforce the young student’s early use of the upper register. The second clarinet part is in the lower register, but all students should be encouraged to learn the first upper part. Show off your clarinet section with Dancing Clarinets.Performance Time: 110.

SKU: BT.GOB-000866-010

Dancing Ebony is a challenging work for solo clarinet, showcasing a virtuoso soloist in an expressive Celtic style. The piece opens with the lyrical sound of the clarinet telling a beautiful tale, before the entire concert band joins in to provide spirited support!The Clarinet Solo is grade 5.

Lyrische klanken van de klarinet. Alsof ze een spannende legende wil vertellen... Het orkest zorgt voor een opzwepende ondersteuning! Dancing Ebony is een uitdagend solowerk in Keltische stijl. Voor klarinet in graad 5 en harmonieorkestin graad 3.The Clarinet Solo is grade 5.

Die lyrischen Klänge der Klarinette scheinen eine spannende Geschichte zu erzählen... bis sie plötzlich schwungvolle Unterstützung des gesamten Blasorchesters erhält! Dancing Ebony ist ein anspruchsvolles Solowerk im keltischen Stil, das eine virtuose, ausdruckstarke Soloklarinette ins Rampenlicht rückt.Zur Information: Das Klarinettensolo hat den Schwierigkeitsgrad 5

La trame lyrique interprétée la clarinette semble raconter une histoire captivante... jusqu’ obtenir une vive implication de l’orchestre tout entier. Dancing Ebony (La danse de l’ébonite) est une pièce au caractère celtique, qui permettra votre talentueux soliste d’exprimer toute sa maestria.Le solo est difficulté 5

I timbri lirici del clarinetto sembra vogliano raccontarci una storia…quando all’improvviso si unisce allo strumento solista l’intera banda. Dancing Ebonyè un brano esigente nello stile della musica celtica, perfetto per sottolineare la virtuosit del clarinetto.Il solo è difficolt 5.

SKU: BT.DHP-0880105-015

The bubbly rhythms in Jan Haderman’s Dancing on the Seashore will wow and amaze musicians and audiences alike. The percussionist, as well as brass players, have ample opportunity to prove they can hold their own as they step into the spotlight.

Wat is er mooier dan dansen op het strand? Neem uw publiek en muzikanten mee naar zee met de sprankelende ritmes van Dancing on the Seashore! Het perfecte werk om uw slagwerk en koper hun solistische kwaliteiten te laten tonen.

Die spritzigen Rhythmen in Jan Hadermans Tanz am Strand“ werden Ihre Musiker gleichermaßen wie das Publikum begeistern. Schlagzeuger und Blechbläser können in verschiedenen Passagen von Dancing on the Seashore ihre solistischen Qualitäten unter Beweis stellen.

Cette oeuvre rythmée et dynamique du compositeur belge Jan Hadermannn se caractérise par l’usage d’un motif mélodique unique développé plusieurs reprises par les différents pupitres de la formation. La partie rythmique, très accentuée, constitue une dynamique fluide qui lie et coordonne les entrées de chaque section instrumentale. Le mouvement est constant et le tempo rock ne laissera personne de marbre.

Ritmi incandescenti sono i protagonisti di questo brano che entusiasmer il pubblico. Dancing on the Seashore è un brano ritmato e dinamico che si caratterizza per l’utilizzo di un unico motivo melodico sviluppato a più riprese dalle diverse sezioni della banda. I motivi ritmici, molto accentuati, costituiscono un elemento fluido che unisce le varie parti dell’organico.

SKU: CL.011-4739-00

Remember how you felt as a child when you ran outside to play in the rain? That joy and childlike abandon is the spirit of this African-influenced work, Dancing In The Rain. A percussion groove complete with rain stick gives a foundation for the simple dancing song that is played by every instrument at some time during the piece. Tuneful countermelodies and rhythmic clapping by the winds joining with the percussion groove make this very fun to play and perform! Your students will feel like they are truly Dancing in the Rain!.

SKU: AP.49054

ISBN 9781470645663. UPC: 038081564142. English.

English country dancing has been popular for over 300 years, and The Dancing Master features two delightful folk tunes in that timeless style arranged by Andrew H. Dabczynski. The first lively tune, Jamaica, has been used in the theme to the British TV comedy, Upstart Crow, and the second, The Goddesses, offers a charming contrast. Attributed to John Playford, these melodies fall under the fingers of beginning string students with interesting, rhythmic parts for all players. An optional hand-drum part adds to the upbeat 17th century dance atmosphere. (2:10).

SKU: CY.CC2769

As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two.

The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one's life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio.

Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth.

I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone iProfessor at the Eastman School of Music.