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150 des plus célébres standards de jazz, speciallement arrangés pour piano, chant et guitare (accords) / Variétés Internationale / Partition /

17 jazz standards arranged for accordion including: Alice in Wonderland · Autumn Leaves · Embraceable You · Fly Me to the Moon (In Other Words) · Georgia on My Mind · Honeysuckle Rose · My Foolish Heart · The Nearness of You · Satin Doll · Someone to Watch over Me · Song for My Father · When I Fall in Love · and more.

Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue

Contemporary American composer Nico Muhly is a prolific writer and arranger who at 32 is the youngest composer ever to have been commissioned by the Metropolitan Opera in New York. His oeuvre includes two operas and many solo pieces and works for small ensemble Orchestra and Chorus and he has collaborated widely. A Good Understanding displays Muhly’s early Choral influences from his years as a boy chorister alternating thrilling Organ passages with contemplative sections that demand quite a lot of all the performers. This piece for Treble Semi-Chorus SATB Percussion and Organ incorporates words from psalms 99 and111.

Une collection de 51 des standards de la musique les plus populaires. Partitions pour piano, voix, guitare (grilles d'accords). / Variétés Internationales / Partition /

Budget Books, the sensational value for money series presents Jazz Standards, arranged for PVG. 88 Songs, including Besame Mucho, Caravan, Georgia on My Mind, I'm beginning to See the Light, It Might as Well Be Spring, My Favourite Things, That Old Black Magic, You're Nobody 'til Somebody Loves You. / Jazz / Partition /

Jazz / Partition CD inclus / Include Backing Tracks CD 25 titles from `100 Standards`.

Jazz / Partition CD inclus / Include Backing Tracks CD 25 titles from `100 Standards`.

Retrouvez des standards de Jazz spécialement arrangés par Pam Wedgwood pour piano. Niveau intermédiaire. Inclus un CD avec pistes démos et playbacks. / Jazz / Partition CD /

14 much-loved jazz songsEasy arrangements for saxophoneCD of play-along tracksThis edition brings together 14 of the best-loved jazz standards, arranged for alto saxophone by Dirko Juchem. Great for lessons, performance or simply playing at home for fun with the backing tracks on the accompanying CD. / Saxophone Alto