Die Sonatine Band 4

SKU: BT.1684-11-400-M

ISBN 9789043134613. 9x12 inches. German.

Ein zauberhafter Einstieg ins Klavierspiel!

Das ist Tastenzauberei:
• für Kinder ab dem Vor- und Grundschulalter
• sowohl für den Einzel- als auch für den Gruppenunterricht
• Quereinstieg in die Arbeit mit jedem der Bände ist möglich
• kindgerechtes Lerntempo
• Motivation der Schüler durch die ansprechende Gestaltung und Smiley-Aufkleber als Bonbon“
• viele Spielstücke (oft vierhändig für Schüler und Lehrer oder zwei Schüler) machen Tastenzauberei von Anfang an zu einem klangvollen Erlebnis
• professionelle Mitspiel- und Demo-CDs, eingespielt von der Autorin selbst

Der neueste und letzte Band 4 enthält etwas anspruchsvolleres Material sowie Anregungen zum Improvisieren, Lieder begleiten oder vierhändigen Musizieren. Die Stücke bilden die Grundlage für die Erweiterung der musiktheoretischen Kenntnisse, wozu u.a. Begriffe wie Konsonanz, Dissonanz, Funktionen, Kadenz oder Modulation zählen.

SKU: BT.ZMRL22490

French-English-German.

SKU: CA.2914009

ISBN 9790007039103. Language: all languages.

Movements: I. Einleitung / Kleiner Marsch, II. Hirtenruf, III. Rondo. Score and parts available separately - see item CA.2914000.

SKU: HL.49005094

ISBN 9790001054492.

Die Auswahl dieser Sammlung ist so getroffen, dass sie der Eigenart des Instruments weit entgegenkommt. Die gutklingenden, abwechslungsreichen Satze sind leicht lesbar und auch spielbar, und es sind nur die leichtesten Tonarten ausgewahlt worden. Der Band ist fur den Unterricht bestens geeignet.

SKU: M7.VOGG-816

ISBN 9783802408168. German.

Für Gitarristen der Mittelstufe Über 60 der bekanntesten und wichtigsten Stücke für die Konzertgitarre (Solo und Duo) aus drei Jahrhunderten in traditioneller Notation - die unentbehrliche Stückesammlung, die in keinem gutsortierten Notenregal fehlen darf! Endlich alle Stücke, die man sich bisher in Einzelausgaben anschaffen oder aus Dutzenden von Sammlungen zusammenstellen musste, in einem einzigen Band! Von Aguado und Bach bis zu Sor und Tárrega, hier findet sich für jeden Gitarristengeschmack das Richtige. Alle Stücke spielfertig eingerichtet mit Fingersätzen und Lagenangaben. Die beiden aufwendig produzierten Begleit-CDs sind nicht nur ein idealer Begleiter beim Üben, sondern auch ein absoluter Hörgenuss für jeden Liebhaber klassischer Gitarrenmusik.

SKU: DB.01-00022

Die reichhaltige, auf vier Hefte veranschlagte Sammlung, sorgfaltig und dabei unaufdringlich in Fingersatz und Vortragsbezeichnung ist eine fur Lehrende und Lernende gleich willkommene Gabe. Osterr. Musikzeitschrift, Empfohlen vom VdM und dem Wettbewe.

SKU: BT.CFSCH4693

SKU: HL.49005080

ISBN 9790001054355. UPC: 073999654660. 9.0x12.0x0.242 inches.

German language collection of sonatinas.

SKU: PR.11540204F

UPC: 680160591237. Key: G major.

Already a popular recital work for piccolo and piano, and winner of the 2009 International Piccolo Symposium biennial composition competition, Flash! is now available for solo piccolo with band accompaniment - fresh from the NFA premiere, featuring piccolo legend Walfrid Kujala. The East Coast premiere is scheduled for 11/18/10, featuring Boston Symphony piccoloist Linda Toote with the Boston University wind ensemble.
By 2008, Sonatine de Giverny was being performed so frequently that I decided to write another piccolo piece as soon as an opportunity arose. Since Giverny is a study in French style, I knew the new piece must be in my own authentic American voice. That summer, Giverny was performed six times at the NFA convention as a mandatory competition piece, and I returned from the August 2008 convention all charged up to write something different for piccolo. In September, Kate Prestia-Schaub wrote to tell me about the International Piccolo Symposium's new composer competition. She proposed that if I write a new piccolo/piano piece, she would record a demo for me to submit to the competition, and she would submit applications to perform it at the 2009 IPS convention and NFA convention. What amazing timing! I set out to compose a flashy showpiece with a jazzy snap, lots of idiomatic scales and arpeggios, and a scary middle section, and by mid-October FLASH! was complete. Kate followed suit and all 3 wishes came true - FLASH! won first prize in the IPS composer competition, and she performed it both there and at NFA. In the meantime many other piccoloists have added the work to their repertoire, Cynthia Ellis wrote an article about it for Flute Talk magazine, and Walfrid Kujala commissioned a band accompaniment to premiere at NFA in 2010. More recently, Sarah Jackson has commissioned an orchestra version, premiered at the 2014 NFA convention.
By 2008, Sonatine de Giverny was being performed so frequently that I decided to write another piccolo piece as soon as an opportunity arose. Since Giverny is a study in French style, I knew the new piece must be in my own authentic American voice. That summer, Giverny was performed six times at the NFA convention as a mandatory competition piece, and I returned from the August 2008 convention all charged up to write something different for piccolo.In September, Kate Prestia-Schaub wrote to tell me about the International Piccolo Symposium's new composer competition. She proposed that if I write a new piccolo/piano piece, she would record a demo for me to submit to the competition, and she would submit applications to perform it at the 2009 IPS convention and NFA convention. What amazing timing! I set out to compose a flashy showpiece with a jazzy snap, lots of idiomatic scales and arpeggios, and a scary middle section, and by mid-October FLASH! was complete.Kate followed suit and all 3 wishes came true - FLASH! won first prize in the IPS composer competition, and she performed it both there and at NFA. In the meantime many other piccoloists have added the work to their repertoire, Cynthia Ellis wrote an article about it for Flute Talk magazine, and Walfrid Kujala commissioned a band accompaniment to premiere at NFA in 2010.More recently, Sarah Jackson has commissioned an orchestra version, premiered at the 2014 NFA convention.

SKU: PR.11640385S

UPC: 680160682898. Key: G major.

By 2008, Sonatine de Giverny was being performed so frequently that I decided to write another piccolo piece as soon as an opportunity arose. Since Giverny is a study in French style, I knew the new piece must be in my own authentic American voice. That summer, Giverny was performed six times at the NFA convention as a mandatory competition piece, and I returned from the August 2008 convention all charged up to write something different for piccolo. In September, Kate Prestia-Schaub wrote to tell me about the International Piccolo Symposium's new composer competition. She proposed that if I write a new piccolo/piano piece, she would record a demo for me to submit to the competition, and she would submit applications to perform it at the 2009 IPS convention and NFA convention. What amazing timing! I set out to compose a flashy showpiece with a jazzy snap, lots of idiomatic scales and arpeggios, and a scary middle section, and by mid-October FLASH! was complete. Kate followed suit and all 3 wishes came true - FLASH! won first prize in the IPS composer competition, and she performed it both there and at NFA. In the meantime many other piccoloists have added the work to their repertoire, Cynthia Ellis wrote an article about it for Flute Talk magazine, and Walfrid Kujala commissioned a band accompaniment to premiere at NFA in 2010. More recently, Sarah Jackson has commissioned an orchestra version, premiered at the 2014 NFA convention.
By 2008, Sonatine de Giverny was being performed so frequently that I decided to write another piccolo piece as soon as an opportunity arose. Since Giverny is a study in French style, I knew the new piece must be in my own authentic American voice. That summer, Giverny was performed six times at the NFA convention as a mandatory competition piece, and I returned from the August 2008 convention all charged up to write something different for piccolo.In September, Kate Prestia-Schaub wrote to tell me about the International Piccolo Symposium's new composer competition. She proposed that if I write a new piccolo/piano piece, she would record a demo for me to submit to the competition, and she would submit applications to perform it at the 2009 IPS convention and NFA convention. What amazing timing! I set out to compose a flashy showpiece with a jazzy snap, lots of idiomatic scales and arpeggios, and a scary middle section, and by mid-October FLASH! was complete.Kate followed suit and all 3 wishes came true - FLASH! won first prize in the IPS composer competition, and she performed it both there and at NFA. In the meantime many other piccoloists have added the work to their repertoire, Cynthia Ellis wrote an article about it for Flute Talk magazine, and Walfrid Kujala commissioned a band accompaniment to premiere at NFA in 2010.More recently, Sarah Jackson has commissioned an orchestra version, premiered at the 2014 NFA convention.