Format : Score
SKU: TM.08195SC
Full score and parts typeset 2019.
SKU: CF.CPS276
ISBN 9781491163757. UPC: 680160922543.
Written by John Philip Sousa in appreciation of an honor given to him by the Board of Directors of the 1893 St. Louis Exposition, The Directorate was one of the first pieces that he composed for his newly formed Sousa Band. Featuring lively wind parts, contrasting dynamics, interesting harmonic twists in the trio, and a rousing final strain, this march is ideal for teaching the classic march style.Re-scored for the contemporary concert band's instrumentation from Sousa's original Carl Fischer composition, this march is now ready to be discovered by a new generation of performers.
SKU: TM.08195SET
SKU: PR.125400220
UPC: 680160021741. Key: F major.
SKU: PR.12540022C
UPC: 680160021758. Key: F major.
SKU: CF.FPS139
ISBN 9781491147238. UPC: 680160904730. 9 x 12 inches.
March of the Royals is a concert march for developing concert bands. Although familiar, with all the ingredients found in a typical march, this piece is written in a more regal and elegant style that is characteristic of English style marches. The piece is written for younger musicians but directors will find that it is carefully scored to help ensembles sound older than their years.
SKU: CF.FPS139F
ISBN 9781491147931. UPC: 680160905430. 9 x 12 inches.
SKU: CF.SPS78
ISBN 9781491152553. UPC: 680160910052. Key: Bb major.
Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.Festival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  .
SKU: CF.SPS78F
ISBN 9781491153239. UPC: 680160910731.
Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.About the CompositionFestival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  .
SKU: FJ.B1839S
English.
Now even the youngest of bands can play a great traditional march without excessive demands on chops or technique. Complete with opening strain, dog-fight section, and final strain, this musical march lets directors focus on teaching march style and phrasing. An excellent and welcome addition for very young bands!
SKU: CL.012-2557-75
An outstanding arrangement of the famous Strauss march which retains all of the charm of the original. Arranged by Alfred Reed, this march provides an opportunity for directors to program a European style march in a version that takes advantage of all of a concert band's capabilities!
About C.L. Barnhouse Classics Series
Under the editorial supervision of Dr. Alfred Reed, these classics from master composers have been adapted and arranged for concert band. A perfect way to acquaint concert band performers and audiences with some of the greatest classical music of all time!
SKU: FJ.B1839
UPC: 241444430040. English.
SKU: KJ.WB207F
The Newest Grade 3 March By Alfred Reed, The Big East March, Was Commissioned By The Big East Band Directors Association And Dedicated To The Bands Of The Big East Football Conference. This Rich, Buoyant March Is As Show-Stopper On The Marching Field & In The Concert Hall!
SKU: CF.FPS68F
ISBN 9780825868153. UPC: 798408068158. 9 X 12 inches. Key: Eb major - ab major.
Another classic Harold Bennett (pseudonym for Henry Fillmore) march, first presented as part of the Bennett Band Book series. Every year, more and more band directors choose these little march gems, arranged by Larry Clark, for contest warm-up. They are tuneful, easy to play, and simply sound great!
SKU: KN.08264S
UPC: 822795082647.
This original by one of the industry's top writers begins as a leisurely chorale that tunefully moves into a march. Extensive doubling of the 2nd Violin and viola parts allows directors to move more players to the 1st violin part. Along similar lines, the bass and cello parts are identical. The optional percussion part (2 copies included) for snare drum, bass drum and crash cymbals complements the march style nicely. Duration 2:40 (without optional repeat). Available in SmartMusic.
SKU: KN.8264
SKU: KN.8815
This lively march theme introduces beginning players to percussive col legno bowing techniques; rests before and after the col legno section allow sufficient time for players to adjust their bow grip. The piano part in each set is optional, but Caponegro says that use of the percussion part for snare drum, bass drum, and cymbals is mandatory for establishing a convincing march style. If directors do incorporate percussion instruments as he suggests, however, they must play at a dynamic level that doesn't overwhelm the strings.