6 Etudes (saxophone Solo)

Jazz Saxophone Etudes, Volume 3 features twelve melodic etudes for the advancing jazz saxophonist. These etudes focus primarily on medium tempos and demonstrate a melodic approach to soloing with authentic jazz vocabulary. The etudes are catchy, fun to play, and written idiomatically for the saxophone. Like all of Greg Fishman's books, all saxophonists (soprano/alto/tenor/bari) read the same written part, ensuring that the pieces lay perfectly on the horn, while the rhythm section transposes the accompaniment to accommodate the saxophonist's range. This book is the perfect follow-up for students who have completed Fishman's Jazz Phrasing for Beginners.

Considered by Gramophone magazine as 'one of the most astounding players of the day?, saxophonist Theodore Kerkezos divides his time between a brilliant soloist career and educational activities that include teaching at the Athens Conservatoire and providing master classes around the globe. Drawing on his long experience, the Greek musician is publishing his Etudes for high and low notes on the Saxophone to help students overcome one of the major learning difficulties: mastering the upper registers. Organised according to a step-by-step plan, the Etudes provide a variety of learning options in terms of melodics, rhythm and dynamics, some of which offer a valuable bonus: the choice between several fingerings. The problem of different attacks, often related to repertoire type, is given particular attention. Recommended by masters like Jean-Marie Londeix and Christian Lauba, this 'extraordinary? collection will delight saxophonists who dream of achieving precise intonation and roundness of tone in both the high and low ranges. / Saxophone

Par HAIGHT RUSSELL. This collection of ten jazz etudes with accompanying audio provides intermediate to advanced alto sax students with a fun and effective way to learn to play in the specific odd meters: 3/4, 5/4, 7/4, and 9/4. Each etude is based on the chord progression of a different jazz standard, and includes an in-depth analysis of the melodic, harmonic, and rhythmic devices used. The addition of the odd-time ingredient, along with completely original melodies and improv lines, converts what would be mere academic etudes to a delightful jazz listening and playing experience.If you want to improve your fluency in reading, performing, and improvising in odd time signatures, this is the book for you! A generous number of preparatory exercises gradually introduce the student to not only reading music, but also 'hearing how phrases land within a measure” of odd time.Play-along audio tracks featuring a professional rhythm section (piano, bass, and drums) minus the sax track allow you to play as the soloist. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Jazz / Date parution : 2019-05-27/ Etude / Saxophone Alto

Volume I. Par NAULAIS JEROME. Comme leur titre l'indique ces études ont chacune leur caractère bien particulier - Jerome NAULAIS - Etudes adaptées dès la deuxième année de Cycle I. - Formation : Musique de Chambre, Solo - Instrumentation : 1 Saxophone Alto Solo - Niveau de Difficulté : 2/6 - Facile - Durée : 15 mn 20 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Jerome NAULAIS - / Niveau : Facile / Classique, Pédagogique / Etude / Saxophone Alto Solo

for solo saxophone. Par RAE JAMES. James Rae has composed these 18 études for the higher-grade/ college-level saxophonist. Technique and musicianship are the key issues and they are also ideal as workouts, even for the professional player. Equally, these characterful pieces can be effectively included in concert programmes. They are suitable for soprano, alto, tenor or baritone saxophone. Find videos, recorded by Mark Walton, with short explanations from James Rae himself on the Universal Edition website: www.universaledition.com/ue21705 • Etudes for higher-grade and college-level saxophonists - also helpful as workouts for Professionals • Musical styles vary from Baroque to Funk and cover many aspects of technique and musicianship • Ideal for both the concert platform and the conservatorium • Suitable for soprano, alto, tenor or baritone saxophone/ Etude / Saxophone

Voici une occasion fantastique pour développer certains phrasé Jazz et les techniques qui enrichiront toutes les zones de votre jeu réel authentique. Etudes efficace pour Jazz offre 18 études performance stimulante et divertissant fondées sur les changements et les progressions dans les normes de Jazz traditionnels. Chaque solo est présenté avec la ligne mélodique complet et les symboles de corde de Jazz, vous permettant d'être accompagné de toutes sortes d'instruments et de groupes. Il n'y a même un tableau de référence de corde pour chaque chanson, fournissant la base harmonique pour votre improvisations que votre confiance se développe. Tous les 18 pièces figurent également sur le CD audio ci-joints qui bénéficie d'une démonstration complète et de soutien suivre pour chaque chanson. Cela aidera non seulement vous capturer l'esprit Jazz dans votre phrasé, mais fournit la méthode idéale pour vous d'établir vos compétences d'improvisation. / Saxophone / 40 pages / Partition Cd

Balafon, the first of Christian Lauba's Neuf Etudes for Saxophone, is an 'African song? that uses the ancient technique of circular breathing. This soloist work - splendidly performed in the album 'Hard? by Richard Ducros, one of the greatest interpreters of Lauba's works for saxophone - was expanded and transformed, with the composer's approval, by saxophonist Philippe Geiss into a piece for Saxophone (tenor or soprano) and electronics under the title Blue Balafon. The arrangement calls for 'free articulation in a 'jazz legato' spirit?, making the use of circular breathing optional in order to favour the piece's incredible energy. The score comes with a CD that includes a complete version of the work performed on Saxophone by Philippe Geiss, as well as an electroacoustic accompaniment isolat­ed for playback. This eclectic musical adventure proves itself both stimulating for the mind and invigorating for the senses. / Saxophone Tenor Ou Soprano

Partition pour saxophone et piano Style : contemporain Niveau : 4 Quelque temps après qu'il nous ait remis le manuscrit des Tango-Etudes ou Etudes tanguistiques, dans la version pour saxophone alto Mi b réalisée en collaboration avec Claude Delangle, en 1988, nous avons demandé à Astor Piazzolla s'il lui était possible de les harmoniser, faisant ainsi écho aux demandes des flûtistes après l'édition originale publiée pour leur instrument en 1987. En février 1989, le compositeur nous écrivait de Punta del Este (Uruguay) où il résidait momentanément avant de regagner Buenos Aires: Dear friend, finished the piano part of the Etudes tanguistiques for saxo alto and piano… Good luck to Mr Delangle and please tell him to forgive my music handwriting. I was in a hurry and could not do it better… Please let me know if you received the music. Nous avons effectivement reçu le manuscrit quelques jours plus tard… et l'avons soigneusement rangé ! La compréhension en était tellement difficile que cette édition aurait été sérieusement retardée. Aussi avons-nous publié en décembre 1989, comme il était initialement prévu, la version pour saxophone alto solo, en remettant à plus tard l'édition harmonisée. Le maître argentin connut ensuite de graves ennuis de santé, jusqu'à son décès en 1992. L'édition projetée ne devait finalement voir le jour que beaucoup plus tard, après un travail fort minutieux sur le manuscrit (voir à ce sujet la préface de Yann Ollivo). Contenu : n°1 Décidé - n°2 Anxieux et rubato - n°3 Molto marcato e energico - n°4 Lento meditativo - n°5 Sans indication - n°6 Avec anxiete

10 Great Etudes For Playing And Improvising On The Blues. Par SNIDERO JIM. Plongez-vous dans l'essence du blues avec Jim Snidero. 10 études solos pour apprendre le phrasé, les gammes et jouer avec le bon 'feeling'. Les enregistrements studio de haute qualité avec des solistes reconnus comme Jeremy Pelt, Eric Alexander ou Steve Davis vous feront aimer les playbacks sur le CD. The Essence Of The Blues est tout à fait adapté aux cours, en particulier aux jeunes élèves, mais aussi pour l'apprentissage en autodidacte ou en pièce de concert pour les ensembles de jazz. Chaque pièce est accompagnée d'exercices d'accords, de suggestions pour la pratiques et d'indications pour l'improvisation ainsi que des conseils d'écoute./ Recueil / Saxophone Ténor

Saxofoon Methodes En Etudes. Par GORDON / FRANK VILLAFRANCA. Blues Horn Ensemble Playing is the result of the combined efforts of Andrew D. Gordon and Frank Villafranca to present the material in a way in which beginning and intermediate horn players can gain an understanding of blues ensemble playing quickly and easily. The twenty examples recorded on the CD provide a dual purpose. They take you through a variety of musical styles including, swing blues, slow blues, funky blues, jazz blues, latin blues, minor blues, mostly based on the standard 12 bar blues chord progression and include four choruses each. The first two choruses are recorded with the horns and rhythm section consisting of keyboards, guitar, bass and drumsand the last two choruses are rhythm section only. On the last two choruses you may want to play the riffs again or practice playing your own melodic blues solos. These examples will help you build a repertoire of riffs you can use in a live situation. Hopefully, they will also provide inspiration to help you come up with your own ideas./ Recueil / Saxophone

One of the world's most popular jazz etude books. Designed for sax but suitable for all instruments. This volume contains 20 advanced level solo-form etudes. Includes a play along CD suitable for Alto Sax (other instruments will have to transpose to use the CD). / Saxophone

Perfect for the student of Jazz. --Michael Brecker ?I encourage the jazz guitar students at the University of North Texas to emulate tenor saxophonists. Greg Fishman's book, Jazz Guitar Etudes, contains idiomatic bebop lines and will be a great tool for any guitar teacher with aspiring jazz guitarists. Thanks, Greg!? Fred Hamilton, professor of jazz guitar, University of North Texas ?These are great solos and etudes! I'm always telling my guitar students to learn lines and phrasing from horn players, and Greg Fishman's book is perfect for this approach. The book is nicely done and very well laid out.? Corey Christiansen Professor of Guitar, Utah State University, Visiting Professor, Indiana University This book is very well put together and very thorough. It gives guitar students the information necessary to obtain a vocabulary based on the bebop tradition, yet ultimately encourages them to improvise on these structures, creating their own lines and ideas. I commend you on meeting this challenge head-on, and for effectively clarifying these concepts in your liner notes. --Steve Cardenas Professor of Guitar, The New School, New York City, member of the Paul Motian Band and Charlie Haden Liberation Music Orchesra. The lines are great, the rhythm section is terrific, and I really love the fact that the student guitarist working out of this book gets to play along with both the guitarist on the CD and with your tenor. This book is incredibly well thought out. Congratulations on a fantastic book! --Jack Peterson, legendary jazz guitar professor (retired) from Berklee and North Texas State Just Jazz Guitar's rave review of Jazz Guitar Etudes by Greg Fishman: Jazz Guitar Etudes is an excellent resource for all guitarists and teachers. After releasing a very popular etudes book for jazz saxophone, Greg Fishman collaborated with guitarist Mike Allemena to do a guitar version of the book. The book includes standard notation and tablature. The studies in the book are great written improvised solos over familiar chord progressions such as the blues, rhythm changes, and standards. The book comes with a CD that features a guitar version, a saxophone version, and a rhythm section version of each etude. In addition, Fishman begins the book with concepts in developing jazz lines such as proper voice leading and sequences. The melodic lines are very well designed phrases using the the bebop language. Guitarists can gain so much by playing and analyzing these etudes --Just Jazz Guitar Magazine Endorsed by Michael Brecker, Dave Liebman, Phil Woods, James Moody, Plas Johnson, Mark Colby, Bob Sheppard, Jerry Coker, Gary Campbell, Tim Price, Gary Keller, Chip McNeil and many other teachers and players around the world, this series of saxophone etude and duet books will immediately help you take your playing to the next level. Click a cover and hear a sample... New book release for Jazz Guitar: Jazz Guitar Etudes book and CD Play-along set is now in stock and shipping! This book features master jazz guitarist Mike Allemana playing twelve bebop style etudes. Also includes Greg Fishman playing each etude on tenor saxophone. This allows the guitarist the choice of playing with Mike (guitar) or Greg (tenor). Book also features tablature with Mike's own fingerings! 52 pages, 8.5 x 11 format, ISBN 978-0-9766153-7-8