Fanfare and Arrayment - Score

Jay captures the full array of musical material contained in this hit by Billy Joel one of the legendary honorees at the 2013 Kennedy Center Honors. This arrangement with its message and musical content provides a great sourceof programming material. Score for small bands with reduced instrumentation.

Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).

Bob Chilcott's Wenceslas for Mezzo-Soprano and Baritone soloists SATB chorus and Piano or Orchestra. Vocal score. The story of Good King Wenceslas on the Feast of Stephen is presented here as a vivid musical narrative with solo parts for the characters of Wenceslas (Baritone) and Page (Mezzo-Soprano). Chilcott sets new words by Charles Bennett to a colourful array of styles to recount their snow-bound story. The choir sets the scene before Wenceslas and Page meet in 'Who can that be?' and the story-telling continues in several contrasting movements including a touching solo ballad from Page entitled 'Thank you' and the strong yetreflective closing movement 'On St Stephen's Night'. The full five verses of the well-known carol are skilfully interwoven throughout the work in different parts with the final verse being sung by the audience or a semi-chorus and the movements are punctuated by an instrumental interlude and triumphant fanfare.

Opening with a majestic brass fanfare punctuated by the percussion section here is a masterful overture for young players that contains a well-rounded array of moods and styles. The primary theme features a driving pulse and afew mixed meters while the dreamlike middle section includes free-form atmospheric percussion effects along with lush harmonies. A new spirited fast theme is then briefly introduced before reprising the earlier themes along witha dynamic ending. Mature sounds for young bands. Dur: 4:40

Following the recent publication of the full score and performance material to Debussy’s “La Mer” (BA 7880), Bärenreiter now presents the study score edition of this “impressionistic” masterpiece. The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, especially in terms of articulation and dynamics. This new edition includes the famous “fanfare” in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare. - New Urtext edition with numerous corrections in comparison to other editions - Important sources which were previously inaccessible have been taken into account Edition no.: TP 780 ISMN: 9790006205455 Editor: Woodfull-Harris, Douglas Language(s) of text: French, English, German Product format: Study score, Urtext edition Binding: Paperback Pages / Format: XXVIII, 158 S. - 22,5 x 16,5 cm

Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).

Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).