Fantasia No. 1

Par REGER MAX. The seven chorale fantasias by Max Reger are among the most important of organ repertoire ? masterpieces blending chorale melody and programmatic music based on the text of the chorales. Published on the occasion of the composer's 150th birthday, this fundamentally revised Urtext edition, in two volumes, is edited by the internationally renowned organist and Leipzig professor of organ Martin Schmeding. As one of the most influential Reger interpreters, Schmeding not only includes the latest research, but also addresses the need for a contemporary interpretation of the chorale fantasias on modern organs. The edition includes all the original dynamic and agogic indications (including continuation lines to cresc., etc., which are missing in many modern editions), as well as all the original registration and manual indications. Martin Schmeding's new edition provides for the first time an original musical text that combines the requirements of a modern Urtext edition with the demands of a practical edition. / Date parution : 2023-08-12/ Recueil / Orgue

Sonate pour piano n o 13 en mi bémol Op.27 #1 'Fantasia Quasi' est maintenant disponible en version individuelle avec un CD d'accompagnement, édité et enregistré par le célèbre érudit Beethoven, Robert Taub. / Piano

The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre

Telemann's Fantasias for Solo Violon and his Fantasias for Solo Flute constitute a varied collection of twelve pieces, half of which follow the model of the 'sonata da chiesa' and the other half the model of the 'sonata da camara'. In these pieces Telemann presents an abundance of different stylistic elements and features of his time which make this collection an extensive compendium of late Baroque violin music. / Violon

Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter?s new performing editions of Bach?s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ?Bach digital?. The present volume is an updated edition of Series IV, Volume 6 of the ?New Bach Edition? (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the ?Fantasia in C minor? (BWV 1121), the ?Fantasia in G major? (BWV 571), the ?Fugue in G major? (BWV 577) and the C major version of the ?Toccata and Fugue in E major? (BWV 566). On the other hand, the ?Prelude in G major? (BWV 568) as well as the alternative versions of the ?Fugue in C minor? (BWV 574a) and the ?Prelude in A major? (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its ?Bach? digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ? New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ? New contents reflecting the current state of source evaluations ? Links to sources in ?Bach digital? ? Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli

Over 20 of the composer's best-loved, most often performed compositions, including the Toccata and Fugue in D minor, BWV 565; Passacaglia and Fugue in C minor, BWV 582; the Fugue in B minor on a theme of Corelli, BWV 579, and many more. Content : Fantasia and Fugue in C Minor, BWV 537 Toccata and Fugue in D Minor (Dorian), BWV 538 Toccata and Fugue in F Major, BWV 540 Fantasia and Fugue in G Minor, BWV 542 Fantasia and Fugue in C Minor, BWV 562 (fugue incomplete) Fantasia with Imitation in B Minor, BWV 563 Toccata, Adagio and Fugue in C Major, BWV 564 Toccata and Fugue in D Minor, BWV 565 Prelude and Fugue in E Major, BWV 566 Prelude in G Major, BWV 568 Prelude in A Minor, BWV 569 Fantasia in C Major, BWV 570 Fantasia in G Major, BWV 572 Fantasia in C Major, BWV 573 (incomplete) Fugue in C Minor on a Theme of Legrenzi, BWV 574 Variant, BWV 574a Fugue in C Minor, BWV 575 Fugue in G Minor, BWV 578 Fugue in B Minor on a Theme of Corelli, BWV 579 Passacaglia and Fugue in C Minor, BWV 582

Miniature-Fantasias for Violin and Piano. Par PORTNOFF LEO. No.2 russe de Fantasia en d mineure Par l. Portnoff pour le violon avec le ' accompagnements de Piano. / Niveau : Elémentaire / Rép Classique / Répertoire / Violon et Piano

Par BEST WILLIAM. A prolific editor and arranger for the organ, Best also composed church music, carols, glees, piano music, orchestral pieces as well as works for the organ. Major works for the 'King of Instruments' include 'Four Concert Fantasias' of which 'Fantasia on a Welsh March' is number two in the set. Based on the Welsh tune 'Men of Harlech', it subjects the march to virtuosic treatment that makes demands on both player and instrument. It is a fine work, and worthy of inclusion in any recital programme./ Répertoire / Orgue

Contents: Juan Parga: Recuerdos de Sevilla Op. 30/ Napoléon Coste: La Source du Lyson Op. 47/ Leonhard Schulz: Recollections of Ireland Op. 41/ Fernando Sor: Souvenirs d?une Soirée à Berlin Op. 56/ Johann Kaspar Mertz: Fantaisie Hongroise Op. 65 No. 1/ Ivan Andreevic Klinger: Fantasia on Russian Folk Songs Op. 2

Duo Fantasia est dédié à professeur Luise Vosgerchian, dont mélange de fantaisie, de discipline et d'exubérance a façonné la vie des générations de musiciens américains. Parmi ceux-ci sont Lynn Chang et Yo-Yo Ma, qui pour la première fois la pièce lors d'un concert donné en l'honneur de sa retraite de l'Université Harvard en mai 1991. Dans sa carrière d'enseignant long, une de plus célèbres Conférence-spectacles de Mme trou était fondée sur le Prélude à un majeur opus 28 aucune 7 de Frédéric Chopin. Concernant le ' text ' de la pièce à la 'musique' de Getrude Stein ' une rose est qu'une rose est une rose... ', Luise captiver et enthousiasmer tous présent, frappant chaque écouteur avec une expérience inoubliable de-presque Zen comme - et en leur laissant une touche au domaine de la compréhension musicale et de la communication. J'étais une fois qu'un de ces privilégiés des auditeurs, un donc j'ai choisi le Prélude comme la source de la pièce que j'ai composé en son hommage. La Fantasia Duo s'ouvre avec une introduction suivie par onze variatins, jusqu'à la... / Violon Et Violoncelle

Par VAUGHAN WILLIAMS RALPH. This Fantasia is founded on the following traditional English carols: The Truth Sent From Above (Herefordshire) words and tune; Come All You Worthy Gentlemen (Somerset) words and tune; On Christmas Night (Sussex) words and tune; There Is A Fountain (Herefordshire) tune only; together with fragments of other well-known carol tunes. The work is scored for ordinary full Orchestra with Organ and set of bells (ad lib. ), or String Orchestra with Organ or Piano. Alternatively, it may be accompanied by Organ or Piano alone, played from the Vocal score, with an optional solo Cello part (H212). A chorus part for performance bysolo Baritone and TTBB is also available (W41). The chorus is required to sing in four different ways: 1. Singing the words. 2. Singing with closed lips. 3. Singing 'Ah'. 4. Singing with half-closed lips i. e. with a short 'u' sound as in the word 'but'. Watch Pasadena Master Chorale performing Ralph Vaughan Williams ' Fantasia On Christmas Carols :/ Répertoire / SATB, Bar Solo et Piano ou Orgue

3 Chorale Settings - Fantasia. Par STEFFENS JOHANN. Johann Steffens was municipal organist at St Johannis church in Lüneburg and one of the founding fathers of the North German Organ school. This volume contains three chorale arrangements (including a cycle based on “Veni redemptor” / Nun komm der Heiden Heiland) and a “Fantasia”, one of the few free compositions for organ of that period to show exceptional musicianship./ Répertoire / Orgue