Format : Score
SKU: SU.50020620
Copyright 1979. Published by: Seesaw Music.
SKU: YM.GTP01096422
ISBN 9784636964226. 12 x 9 inches.
This sheet music is an official and complete matching collection of PIANO OPERA FINAL FANTASY IV/V/VI (released on May 16, 2012). The worlds of Final Fantasy IV, V, and VI are beautifully revived with delicate and brilliant piano sounds. The piano arrangements, supervised by Nobuo Uematsu, are faithfully reproduced. This is a piano score that allows you to play the sound of emotionally stirring adventures, with melodies that will never fade away, using high-quality piano tones!
SKU: YM.GTE01095440
ISBN 9784636954401. 12 x 9 inches.
This is a luxurious collection of Final Fantasy music that captivates not only gamers but also music enthusiasts. You can enjoy the grand orchestral sounds of the Symphonic Suite FF! The Chocobo Medley features arrangements where you can enjoy four versions at once! Additionally, it includes a highly valuable sheet music bonus for duet performances on two Electones, perfect for recitals.
SKU: HL.48182930
UPC: 888680862954. 9.0x12.0x0.057 inches.
Blai Maria Colomer (1833-1917) was a Spanish pianist and composer. Following his studies at the Paris Conservatoire, he led a successful career as a teacher and composer. He is best remembered for his operas, yet his Fantasy Legend for Horn remains popular as a competition work at the Paris Conservatoire. Fantasy Legend is a chromatic work for Horn in F first popularised in the 1899 solo Horn contest at the Paris Conservatoire. Fantasy Legend exploits chromatic techniques by use of complex rhythms and variations in articulation, as well as lyrical passages. For all advanced Horn players seeking extravagant repertoire, Colomer's Fantasy Legend provides an exciting addition to the repertoire..
SKU: YM.GTP01101942
ISBN 9784636115994. 12 x 9 inches.
This is a collection of easy piano solo arrangements featuring memorable masterpieces FINAL FANTASY series of games I to XIII, which have fans all over the world. The best album includes iconic tracks such as Chocobo Theme and Aerith's Theme from the early games, as well as classic pieces like Eyes On Me and Because You're Here..
SKU: HL.48181518
UPC: 888680842055. 9.0x12.25x0.077 inches.
The great Italian Fantasy is a piece composed by Eugene Bozza for Oboe and Piano. Quite difficult, it requires some advanced skills to be executed perfectly. Starting Moderato, it opens with a cadenza which includes some solo Oboe sections and continues with a short and lyrical melody. It closes on a nice rhythmic section in Allegro. Really nice to play and to listen to, Italian Fantasy would make for a fantastic demonstration of your skills and technical abilities during a recital and a concert. Eugene Bozza won different prizes at the Conservatoire de Paris, such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others..
SKU: HL.48182521
UPC: 888680840914. 9.0x12.0x0.054 inches.
Composed by Sigismond Stojowski, Fantasy, Op.38 is a piece for Bass Trombone and Piano. This lyrical piece, published in 1912, is very melodic and would require advanced skills and technique to perform it perfectly. This piece is one of the first he wrote after moving to the USA. Comparable to Chopin's 'Fantasy', even though Stojowski's seems better-written and more virtuous. A transcription exists for Viola and other instruments. Sigismond Stojowski is a Polish pianist, composer and conductor who studied at the Paris Conservatoire. He was a good friend of Tchaikovsky and worked as a Piano soloist in the USA with the Boston and the San Francisco Symphony, as well as the New York Philharmonic, among others.
SKU: HL.48181517
UPC: 888680842079. 9.0x12.0x0.085 inches.
The great Italian Fantasy is a piece composed by Eugene Bozza and transcribed for Alto Saxophone and Piano by Marcel Mule. Quite difficult, it requires some advanced skills to be executed perfectly. Starting Moderato, it opens with a cadenza which includes some Solo Saxophone sections and continues with a short and lyrical melody. It closes on a nice rhythmic section in Allegro. Really nice to play and to listen to, Italian Fantasy is amazing to demonstrate your skills and technical abilities during a recital and a concert. Eugene Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others..
SKU: HL.48181490
UPC: 888680844240. 9.0x12.0x0.095 inches.
Composed for the Paris Conservatoire contest by Pierre Revel (1901-1984), Fantasy is a melodious piece for Bb Clarinet and Piano. Rated as difficult (8), this piece is perfect for demonstrating your skills and technique. Dedicated to Ulysse Delecluse, Fantasy is divided in three main sections: - Prelude ? Modderato (senza rigore) - Andante, featuring a Cadenza by the Clarinet solo - Final which include a ?Meno mosso? part and a ?1 tempo?, before closing on a really harmonious note. The mastering of breathing techniques and a great flexibility are required for this piece which demonstrates the whole range of the instrument. .
SKU: HL.48181519
UPC: 888680842086. 9.0x12.25x0.082 inches.
Exploiting the Flute to its full potential, Italian Fantasy is an exciting and challenging addition to the advanced flautist's repertoire. From cadenza passages to a delightful 6/8 melody, this piece by French composer Eugene Bozza (1905-1991) covers a huge variety of the Flute's possibilities. The piece begins with an emotional, characterised cadenza, covering a wide range. This leads dramatically into a 6/8 section accompanied by broken chords in the piano before ending with a quirky and lively 2/4 secton. Bozza's Italian Fantasy for Flute and Piano is not only symbolic, but also includes exciting challenges, making for an imperative performance piece in the Flute repertoire. .
SKU: HL.48182311
UPC: 888680787066. 9.25x12.25x0.055 inches.
Written by Marcel Grandjany on a tune of Haydn, Fantasy is a piece for Harp that includes 5 variations of the main theme. Ideally to be played on pedal Harp, it would fit the skills and abilities of advanced Harp players. The technical difficulties encountered are various as this piece involves some hand-crossings, arpeggios, natural harmonies, accidental alterations as well as some pedal changes. Marcel Grandjany is a French-born American who lived in the 20th century. He studied with Alphonse Hasselmans at the Paris Conservatoire from the age of 11 and got the First Prize at 13 years old. He composed numerous pieces for Harp, of all levels: '3 Very Easy Little Pieces, Op. 7', 'Divertissement, Op. 29', 'Variation on the Londonderry Air, Op. 20' and 'Two Duets for 2 harps, Op. 26' among many others..
SKU: HL.4003855
UPC: 888680005689. 9.0x12.0x0.133 inches.
Drawing inspiration from books and films of fantasy adventure, Johnnie's three-movement suite explores a variety of descriptive moods and styles. The first movement (Wizards) has a noble and grand flavor, while the second (Elves) is more playful and mischievous in design. The concluding movement (Talking Animals) uses rhythmic energy and mixed meters in creating a bit of a rambunctious setting. Themes from the earlier movements are then brought back for the grand finale. Dur: 8:00.
SKU: HL.14017508
9.5x14.25x0.15 inches.
Fantasy on the Chorale 'Es ist genug' for Violin and Organ.
Fantasy On A Theme Of Liszt was written in 1967 for a Cheltenham Festival concert. The theme which lies behind the work is the opening tune of Liszt's Faust Symphony, though this is never heard in its original form but is rather used as a thematic reservoir from which the music is derived. It is dedicated to the American composer and conductor Bernard Herrmann.
John McCabe (1939-2015) was a British composer, pianist and music administrator. He studied at the Royal Manchester College of Music (now the RNCM), and built a career as a virtuoso pianist. However, he also wrote several hundred musical compositions, ranging from large-scaleorchestral works to chamber music and solo instrumental pieces - it is said the only classical genre he did not write for was opera
SKU: BT.AMP-378-010
9x12 inches. English-German-French-Dutch.
The Shakers were a sect who, in the 18th Century, sailed out from England to America. Right into the late 19th Century, the numerous songs of this community were handed down orally, until they were written down in various volumes of song collections.Philip Sparkes fantasy for wind band is based on a selection of these beautiful, captivatingly simple songs.De shakers vormden een van de religieuze groeperingen die in het 18e-eeuwse Engeland ontstonden. Ze maakten vele liederen, die eind 19e eeuw voor het eerst in bundels werden uitgegeven. De melodieën die zijn gebruikt in Shaker Heights Fantasykomen uit twee van zulke bundels.Die Shaker waren eine Sekte, die im 18. Jahrhundert von England nach Amerika auswanderte. Bis ins späte 19. Jahrhundert wurden die zahlreichen Lieder dieser Gemeinschaft nur mündlich tradiert, bevor sie in verschiedenen Sammlungen niedergeschriebenwurden. Philip Sparkes Fantasie für Blasorchester basiert auf einer Auswahl dieser schönen, durch ihre Schlichtheit bestechenden Lieder.Le contenu de cette composition offre une belle palette démotions aux teintes énergiques, dynamiques et intenses, sans omettre toutefois des intonations poétiques empreintes de douceur et délicatesse. Une introduction majestueuse céde la place uneligne mélodique sintensifiant peu peu en rassemblant lensemble des pupitres puis soriente vers un diminuendo. Lors du passage central, bois et cuivres sinterpellent joyeusement autour dun théme festif. La conclusion est pétulante !Gli shaker erano una comunit religiosa costituitasi in Inghilterra nel XVIII° secolo. Con varie raccolte ci sono state tramandate alcune delle loro numerose canzoni che conquistano per la loro semplicit . Le melodie in Shaker Heights Fantasydi Philip Sparke provengono da due di queste raccolte.
SKU: CF.CAS18
ISBN 9780825855016. UPC: 798408055011. 8.5 X 11 inches. Key: F major.
A truly masterful fantasy on an English folk song, this piece shows the exceptional musical development found in many of the greatest classical symphonies. The fantasy is roughly in the style of the classical rondo (ABACA) and features fine counterpoint and engaging melodies. This piece can be played in an orchestral and quartet setting and is both challenging and fun to play.My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.MyA Fantasy on The Wee Cooper of FifeA was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is calledA Rissoldy Rossoldy.A Except for a few notes, the song was almost identical to the English folksongA The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.MyA Fantasy on The Wee Cooper of FifeA was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is calledA Rissoldy Rossoldy.A Except for a few notes, the song was almost identical to the English folksongA The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends!I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins:There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin....The tune is rollicking and words are amusing, and yes, eventually they worked out their problems!The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies.This composition may be performed by a string orchestra or solo string quartet.- Douglas Townsend.
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: SU.27020040
Single movement work; approximate duration: 7'; also available in the original version for flute and organ (http://ggrcomposer.com/works-instrumental-fantasyontw/)Flute, Harp Composed: 2009 Published by: Distributed Composer Includes separate Flute & Harp parts.
SKU: YM.GTP01096421
ISBN 9784636964219. 12 x 9 inches.
Sixteen pieces that play the beautiful and sad world of FINAL FANTASY X with fine piano tones. This is a collection of perfectly matched pieces from the CD album Piano Collections, which contains classical piano arrangements of music from the popular RPG Final Fantasy that evoke the atmosphere of FINAL FANTASY X. This collection features piano arrangements of the background music from Final Fantasy X, containing many pieces that are seen as distinct variations departing from the original compositions, which are made up of various instruments.
SKU: PR.144402290
UPC: 680160027316.
The theme that opens my Fantasy-Variations permeates the harmonic and melodic life of the 24 short episodes and coda that follow. However, in a few sections the relationships with the theme are more hidden than explicit; the fanciful connections between these portions and the opening theme suggested the work's hybrid title. Yet even in these more wide-ranging variations the opening theme is usually still hovering nearby, often as a quiet presence contrasting with more animated gestures. The piece may be understood as a kind of dream journal: a chain of brief entries that seem to vary greatly, yet rotate about a fixed constellation of types and obsessions, speaking a language of images at once logical and impossible, familiar and mysterious. I wrote the Fantasy-Variations for the Leonardo trio in 1991 with the support of a National Endowment for the Arts Fellowship in composition.The theme that opens my Fantasy-Variations permeates the harmonic and melodic life of the 24 short episodes and coda that follow. However, in a few sections the relationships with the theme are more hidden than explicit; the fanciful connections between these portions and the opening theme suggested the work’s hybrid title. Yet even in these more wide-ranging variations the opening theme is usually still hovering nearby, often as a quiet presence contrasting with more animated gestures.The piece may be understood as a kind of dream journal: a chain of brief entries that seem to vary greatly, yet rotate about a fixed constellation of types and obsessions, speaking a language of images at once logical and impossible, familiar and mysterious.I wrote the Fantasy-Variations for the Leonardo trio in 1991 with the support of a National Endowment for the Arts Fellowship in composition.
SKU: BT.DHP-1125353-070
9x12 inches.
The Austrian composer Franz Schubert wrote his famous song The Trout (D550) in 1817. This song reappeared as the basis of a set of variations for the fourth movement of the renowned Trout Quintet, so-named as a reference to the title of the song. Robert van Beringen used the lively theme for The Trout Fantasy, which he has written for a five-part clarinet ensemble. In 1817 schreef de Oostenrijkse componist Franz Schubert het bekende lied Die Forelle (opus 32). Hij hergebruikte het in 1819 voor het vierde deel van zijn beroemde Forellenkwintet, waarvan de titel op het lied is gebaseerd. Robert van Beringen gebruikte het levendige thema voor The Trout Fantasy, een stuk voor vijfstemmig klarinetensemble. Im Jahre 1817 schrieb der österreichische Komponist Franz Schubert das bekannte Lied Die Forelle (opus 332). 1819 verwendete er dieses Lied erneut im vierten Satz seines berühmten Forellenquintetts, dessen Name auf den Titel des Liedes zurückgeht. Robert van Beringen verwendete das lebhafte Thema für The Trout Fantasy (Forellen-Fantasie), die er für ein fünfstimmiges Klarinettenensemble schrieb. Le compositeur autrichien Franz Schubert a écrit sa célèbre mélodie Die Forelle D 550 (La Truite) en 1817. Ce lied est cependant pleinement mis en évidence dans les variations du quatrième mouvement extrait du Quintette de la Truite, ainsi nommé en référence au titre initial. Robert van Beringen a repris ce thème pétillant dans un arrangement, The Trout Fantasy, écrit pour quintette de clarinettes.
SKU: BT.DHP-0830001-030
Christmas Fantasy is a fantastic medley by Jan de Haan which features some of the best-known songs from the Christmas season. Includes: Es ist ein Ros' entsprungen - O Little Town of Bethlehem - Once in Royal David's City - Hark!The Herald Angel's Sing - God Rest Ye Merry Gentlemen and Good King Wenceslas. English and Dutch choral parts are also availble for this work.Deze fantasie over kerstliederen werd voor het eerst uitgevoerd in 1983 door het Hope College Choir, Holland Community Choral, orkest en orgel tijdens een concert en televisie opname in het Amerikaanse Holland-Michigan. Tegelijkertijdmaakte Jan de Haan een transcriptie voor ha/fa/bra waardoor het werk zowel instrumentaal als met koor (SATB) en/of orgel ad libitum uitvoerbaar is.Jan de Haan maakte in Christmas Fantasy gebruik van de liederen: Esist ein Ros’ entsprungen, O Little Town of Bethlehem, Once in Royal David’s City, The Herald Angels Sing, God Rest Ye Merry Getlemen en Good King Wenceslas. Koorpartijen zijn verkrijgbaar in het Nederlands en Engels.Die feierliche und stimmungsvolle Christmas Fantasy hat im Laufe der Jahre nichts von ihrer Attraktivität verloren. Das Medley aus einigen der bekanntesten Weihnachtslieder der Weit, z.B. Es ist ein Ros' entsprungen - O Little Town ofBethlehem - Once in Royal David's City - Hark! The Herald Ange's Sing - God Rest Ye Merry Gentlemen und Good King Wenceslas, von Jan de Haan gewohnt meisterhaft gesetzt, kann mit oder ohne Orgelbegleitung aufgeführt werden.Zusätzlich enthalten sind Chorstimmen auf Englisch und Holländisch.Christmas Fantasy est un medley regroupant les airs suivants Es ist ein Ros' entsprungen - O Little Town of Bethlehem - Once in Royal David's City - Hark! The Herald Angel's Sing - God Rest Ye Merry Gentlemen - Good KingWenceslas. Jan de Haan a réalisé ce féérique arrangement pour orchestre d'harmonie et choeur ad lib. (texte en anglais et néerlandais).
