SKU: GI.G-5691
English.
It's been some time since we've heard from the composer of the beloved Taste and See, but Come to the Feast is certainly worth the wait. A resident of Vienna, Austria, James Moore has made a special return visit to the United States to produce this lively new collection. Known for simple refrains perfect for assembly singing, this collection offers Let Us Go Rejoicing, featuring a delightful refrain in canon, Love Endures, a wedding song with a simple congregation response, and Praise Ye the Lord, a wonderful new hymn. I Am Special was written for use with children's choirs and may also be used with a combined choir of adults and children. Alive! is a lively song written especially for youth, while Be Still is a meditative tune ideal for after Communion. Includes one of each of the following octavos: I Will Be with You - Touch Somebody’s Life - Do You Know Me - Let Us Go to the House of the Lord - An Irish Blessing - Taste and See - Hail Mary, Gentle Woman - Come to the Feast - Welcome In - Spirit of God - Be Still - Love Endures - Litany of Thanksgiving - I Am Special - Alive - Praise Ye the Lord - Sing to the Glory of God.
SKU: CF.CM9589
ISBN 9781491154113. UPC: 680160912612. 6.875 x 10.5 inches. Key: C major. English, Latin. English Carol.
The Boars Head Carol is a traditional English Carol. This TBB arrangement was written as a processional for a Renaissance festival to be sung by a high school varsity level mens chorus. The boar's head feast is said to have been the special first dish at formal feasts around the year for many centuries, especially at Yuletide. The piano accompaniment contains brass-like interludes throughout as an interaction with the male voices. Page 8 contains transitional material with the repeated text laudes Domino building up to the final verse with a slower, broader tempo as marked. Latin text translation: Verse 1: Quot estis in convivio As you all feast so heartily Verse 2: Let us servire cantico. Let us serve with a song. Verse 3: In Reginensi atrio. In the Queens hall. Chorus: Caput apri defero Lo, behold the head I bring Reddens laudes Domino Giving praise to God we sing. .The Boaras Head Carol is a traditional English Carol. This TBB arrangement was written as a processional for a Renaissance festival to be sung by a high school varsity level menas chorus. The boar's head feast is said to have been the special first dish at formal feasts around the year for many centuries, especially at Yuletide. The piano accompaniment contains brass-like interludes throughout as an interaction with the male voices. Page 8 contains transitional material with the repeated text alaudes Dominoa building up to the final verse with a slower, broader tempo as marked. Latin text translation: Verse 1:A Quot estis in convivioA A A A A As you all feast so heartily Verse 2:A Let us servire cantico.A A A A A Let us serve with a song. Verse 3:A In Reginensi atrio.A A A A A A A A A In the Queenas hall. Chorus: Caput apri deferoA A A A A A A A A A Lo, behold the head I bring Reddens laudes DominoA A A Giving praise to God we sing. .The Boar's Head Carol is a traditional English Carol. This TBB arrangement was written as a processional for a Renaissance festival to be sung by a high school varsity level men's chorus. The boar's head feast is said to have been the special first dish at formal feasts around the year for many centuries, especially at Yuletide. The piano accompaniment contains brass-like interludes throughout as an interaction with the male voices. Page 8 contains transitional material with the repeated text laudes Domino building up to the final verse with a slower, broader tempo as marked. Latin text translation: Verse 1: Quot estis in convivio As you all feast so heartily Verse 2: Let us servire cantico. Let us serve with a song. Verse 3: In Reginensi atrio. In the Queen's hall. Chorus: Caput apri defero Lo, behold the head I bring Reddens laudes Domino Giving praise to God we sing. .The Boar's Head Carol is a traditional English Carol. This TBB arrangement was written as a processional for a Renaissance festival to be sung by a high school varsity level men's chorus. The boar's head feast is said to have been the special first dish at formal feasts around the year for many centuries, especially at Yuletide. The piano accompaniment contains brass-like interludes throughout as an interaction with the male voices. Page 8 contains transitional material with the repeated text laudes Domino building up to the final verse with a slower, broader tempo as marked. Latin text translation: Verse 1: Quot estis in convivio As you all feast so heartily Verse 2: Let us servire cantico. Let us serve with a song. Verse 3: In Reginensi atrio. In the Queen's hall. Chorus: Caput apri defero Lo, behold the head I bring Reddens laudes Domino Giving praise to God we sing. .The Boar’s Head Carol is a traditional English Carol. This TBB arrangement was written as a processional for a Renaissance festival to be sung by a high school varsity level men’s chorus. The boar's head feast is said to have been the special first dish at formal feasts around the year for many centuries, especially at Yuletide.The piano accompaniment contains brass-like interludes throughout as an interaction with the male voices. Page 8 contains transitional material with the repeated text “laudes Domino†building up to the final verse with a slower, broader tempo as marked.Latin text translation:Verse 1: Quot estis in convivio     As you all feast so heartilyVerse 2: Let us servire cantico.     Let us serve with a song.Verse 3: In Reginensi atrio.         In the Queen’s hall.Chorus: Caput apri defero          Lo, behold the head I bringReddens laudes Domino   Giving praise to God we sing. .
SKU: GI.G-9002
UPC: 785147900207. English. Text by Delores Dufner.
Though intended for Communion, each setting has its own theme, making them suitable at other times—whether in praise of the risen Christ, as a song to answer Christ’s invitation to the banquet, or when we gather in his name and then go forth to share his life with the world. While scored for SATB voices, the settings are versatile enough for use by cantor and assembly or by smaller, unison choirs. The accompaniments work well on organ, piano, or guitar. Contents: Alleluia, Alleluia, Praise the Risen Son!, Happy Are All Who Are Called to the Feast and Where Two or More Have Come.
SKU: CA.5507549
ISBN 9790007171315. Text language: German/English.
For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and part available separately - see item CA.5507500.
SKU: CA.5507512
ISBN 9790007226817. Text language: German/English.
SKU: CA.5507505
ISBN 9790007171230. Text language: German/English.
For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score available separately - see item CA.5507500.
SKU: CA.5507511
ISBN 9790007226800. Text language: German/English.
SKU: CA.5507519
ISBN 9790007171438. Text language: German/English.
For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements. Score and parts available separately - see item CA.5507500.
SKU: CA.5507509
ISBN 9790007226794. Text language: German/English.
SKU: CA.5507514
ISBN 9790007226831. Text language: German/English.
SKU: CA.5507500
ISBN 9790007167769. Language: German/English.
For the magnificent opening of the oratorio season at the beginning of 1736 Handel presented a composition which, like hardly any of his other oratorios, gave him the opportunity to display his musical artistry: John Dryden's ode Alexander's Feast or the Power of Music, published in 1696, demonstrates the power of music by the example of the ancient hero, Alexander the Great. From the impressive lament on the death of Darius, the King of Persia, to the boisterous Praise of Bacchus Handel avails himself of the entire breadth of the musical representation of the emotions and the possibilities for expression. In the text by Newburg Hamilton added at the end of work St. Cecilia elevates the events of the ancient heathen story, which Handel expressed in plastic, skillful polyphony. Later, this homage to the patron saint of church music, Handel also present the opportunity to perform the work on St. Cecilia's Day (22 November). For the first time the present new edition is based consistently on Handel's conducting score, which he used for his own performances of the oratorio, thus not only eliminating timeworn errors, but also offering clarity concerning the choruses, the arias and recitatives, actually performed in Handel's concerts, as well as their sequence of performance. The new Carus edition offers two performance versions: the version of the premiere in 1736, as well as a revised version from 1751. Furthermore, the inclusion of the Concerto for Harp HWV 294 (CV 55.294) is also possible; Handel composed this work especially for Alexander's Feast (as an illustration of Timotheus, the ancient poet who played the lyre). For this purpose the edition contains the appropriate alternatives for the sequence of the movements.
SKU: CA.5507513
ISBN 9790007226824. Text language: German/English.
SKU: JK.01442
Doctrine and Covenants 19:23.
Arranged for two-part young women chorus (SA) and piano, this anthem reminds us to feast, savor, search, and ultimately walk the path our Savior walked--an excellent arrangement for the 2018 LDS Mutual theme of Peace in Christ.Composer: Lynn S. Lund Lyricist: Mabel Jones Gabbott Performance time: 2:45Reference: Doctrine and Covenants 19:23.
SKU: GI.G-CD-514
It's been some time since we've heard from the composer of the beloved Taste and See, but Come to the Feast is certainly worth the wait. A resident of Vienna, Austria, James Moore has made a special return visit to the United States to record this lively new collection. Along with favorites never before available on CD, this collection also includes new material Jim has written in the past several years. Known for simple refrains perfect for assembly singing, this collection offers Let Us Go Rejoicing, featuring a delightful refrain in canon, Love Endures, a wedding song with a simple congregation response, and Praise Ye the Lord, a wonderful new hymn. I Am Special was written for use with children's choirs and may also be used with a combined choir of adults and children. Alive! is a lively song written especially for youth, while Be Still is a meditative tune ideal for after Communion. Taste and See, I Will Be with You, and An Irish Blessing, previously recorded on cassette, are also available here for the first time on CD! Â .
SKU: GI.G-9002G
English. Text by Delores Dufner.
Contains Alleluia, Alleluia, Praise the Risen Son!, Happy Are All Who Are Called to the Feast and Where Two or More Have Come.
SKU: GI.G-5632
ISBN 9781579991579. English. Text source: Various authors. Text by Various.
Martin E. Marty, Emeritus Professor at the University of Chicago, says it best in the forward of this new hymn tune collection, “Teach Our Hearts is full of music that will indeed belong in cathedrals and inspire their choirs. But I am here called upon to witness to the fact that everything in this book is singable among smaller worshipping communities, where volunteer choirs help lead ordinary congregations-if there are such-in singing.†54 new hymns, songs and carols are presented here texts by a plethora of well-known writers. CONTENTS: BEFORE THE FRUIT IS RIPENED BY THE SUN • YOU, LORD, ARE BOTH LAMB AND SHEPHERD • YOU ARE SALT, WHICH, SHAKEN OUT • THE HILLS ARE STILL • GO TO THE WORLD • FAR FROM HOME • TO BETHLEHEM TWO STRANGERS • O RISEN CHRIST • LORD, HELP US WALK • A WOUNDED MAN • BESIDE THE ALIEN RIVER • FOR THE MUSIC • MEET THE WOMAN WHO ANOINTED • O GOD, WHOSE HEALING POWER • YOU ARE CALLED • FAR MORE THAN PASSION • ONE WITH GOD • GLORY GILDS THE EASTERN • CREATING GOD • LOVING SPIRIT • O GOD, YOU KNOW US • WHEN JESUS CAME • ALL PRAISE BE TO GOD • REMEMBER AND REJOICE • A CHRISTMAS PRAYER • ALL PEOPLE JOIN • BECAUSE CHRIST LIVES • CRASHING WATERS • MOTHERING GOD • HOW SHOCKING • IT STARTED WITH • O GOD WHO MADE • THEY CAME, A MILLING CROWD • THOUGH WE MAY SPEAK HYMN • WE PRAISE YOU, GOD! • WEEP FOR EVE • MARTHA MARY • MAY GOD’S LOVE BE FIXED • THE TEMPLE RANG • TELL ME AGAIN • AS WE GATHER AT YOUR TABLE • COME, JOIN IN CANA’S FEAST • IN ALL OUR GRIEF • HOLY GOD • BLEST BE THE GOD • NOW, O LORD, DISMISS YOUR SERVANTS • SHADOWS FROM THE CROSS • STAY WITH US, LORD • REST, O CHRIST • THESE THINGS DID THOMAS • COME TO TEND GOD’S GARDEN • AND DID YOU RISK YOURSELF, O CHRIST • BLESS THE LORD IN PSALM AND CHORUS • CHRIST, YOU FORMED THE CHURCH.
SKU: JK.01621
Doctrine and Covenants 1:38, Doctrine and Covenants 84:43-45.
Original vocal solo/duet collection for medium voice--formerly listed under the title Spiritual Living Music Treasury II: Learn of Me by Lynn S. Lund.Titles in this collection: I'll Feast on the Words of Christ The Priesthood These Things I Know Forgive as He Forgives The Sacrament God's Work of Restoration For Forty Days Christ Fasted The Prayer of Faith I Will Lift up Mine Eyes to the Hills Oil for Our Lamps The House of the Lord The Pure Love of Christ Look to God and Live Composer: Lynn S. Lund Difficulty: MediumReference: Doctrine and Covenants 1:38, Doctrine and Covenants 84:43-45.
SKU: CA.161500
ISBN 9790007005450.
SKU: CA.3722149
ISBN 9790007214906. Language: German.
In 2014 not only will the 300th anniversary of Gottfried August Homilius be commemorated, but the 475th anniversary of the introduction of the Reformation in Saxony, his home region, will be observed. To honor both occasions together Carus is publishing Homilius's only surviving Reformation cantata. The cantata is dominated by a sweeping, festive opening chorus in which - in keeping with the occasion - the psalm text is combined with a Protestant chorale. Score and part available separately - see item CA.3722100.
