SKU: CA.2005600
ISBN 9790007100483.
Five Latin motets for Passion from the Schutz Cantiones sacres edition, op. 4, from 1624. In the proven tradition of the Stuttgart Schutz Edition. The edition is clear and superbly printed. An absolute must for choirs who already have experience with the music of Schutz..
SKU: CA.9750400
ISBN 9790007113285.
SKU: GI.G-10679
ISBN 9781622776443.
This collection of motets for SA(T)B voices is the ideal supplement for advanced choral conducting and rehearsal methods courses. Each brief motet incorporates musical characteristics that require conductors to execute a variety of skills and techniques, including dynamic changes, cues and preparations, tempo changes, legato and staccato patterns, the use of the left hand, and more. These original motets feature fragments of standard Latin text with relatively simple but musically interesting construction, flexible tenor and bass voicing, and optional piano accompaniment—making them well suited for standalone performance in church and school settings as well. A brief note for conductors precedes each work, and the booklet concludes with a concise but masterful guide to score study as well as an evaluation rubric for student conductors. A beautiful and versatile collection of motets for any context! Richard Nance brings over forty-five years of teaching experience with public school, church, community, and collegiate choirs to the composition of this collection of motets. He has many years of experience teaching conducting and music methods courses at Pacific Lutheran University, and his choirs have regularly performed at conferences sponsored by ACDA, NAfME, and NCCO. He has also published several choral works and has a featured series with Walton Music.
SKU: LO.10-5442S
ISBN 9780787771041.
These five brief anthems by Peter Niedmann are intended for practical use during Communion. They set five well-known Communion texts, with two in Latin and three in English. Straightforward in texture and easy to learn, they are nonetheless distinctive and creative in their harmonic language.
SKU: HL.48024592
ISBN 9781784540685. UPC: 888680931285. 9.0x12.0x0.226 inches.
This 17-minute choral sequence is scored for mixed chorus and organ, with optional percussion, and presents five of the Latin motets’which occur at the end of movements in MacMillan's St John Passion (2007): Astiterunt reges terr, Judas, mercator pessimus, Peccantem me quotidie, Crucifixus etiam pro nobis, Stabat Mater. In the last of these, MacMillan quotes Bach's Passion Chorale; Bach's original is therefore included as an optional opening movement in the sequence, to be sung in German or English. The sequence was selected by Nigel Perrin (Bath Camerata), who comments, “I chose these movements because they stand on their own and are effective as 'motets' with organ accompaniment. The order of movements forms a sort of chronological sequence. Although the keys do not relate I felt that this did not matter as each movement is completely different, creating its own sound-world and emotion. I have not added to the original settings; rather, I have removed material so that the choral construction can stand alone.†A Choral Sequence from the St John Passion represents a significant addition to the repertory of devotional works for Passiontide and is appropriate for church and concert performance alike.
SKU: HL.232745
For unaccompanied SSAATTBBB choir. Published 2003. Texts: Bible (Latin) and Saxton (English). Commissioned by the BBC. First performance: The Clerks' Group, Royal Albert Hall, 5th September 2003. Conducting score. For unaccompanied SSAATTBBB choir.Published 2003.Texts: Bible (Latin) and Saxton (English).Commissioned by the BBC.First performance: The Clerks' Group, Royal Albert Hall, 5th September2003.Conducting score.
SKU: ST.EC28
ISBN 9790220218354.
Robert White, Christopher Tye's successor at Ely Cathedral, composed sacred settings that fairly reflect the religious and political upheavals of mid 16th-century England. In his polyphonic psalm motets, especially, he matched in excellence his contemporaries such as Byrd and Mundy, and absorbed many elements from the various psalm-setting styles of the time. Individual titles from this volume are available as Adobe PDF files...
SKU: BA.BA25143
ISBN 9790006575091. 29.5 x 21 cm inches. Text Language: Latin.
The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.Numerous gems such as the “Cantique de Jean Racine†or the “Messe basse†are published in performing editions based on the musical text of the “Gabriel Faur – Å’uvres complètesâ€.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.48188880
UPC: 888680873271. 7.25x10.75x0.129 inches.
“Composed by Gabriel Fauré and André Messager during their holidays in Villerville in 1881, Fishermen Mass in Villerville is a mass dedicated to the fishermen of this city located in Normandy. Initially for Female choir, Harmonium and solo Violin, it was arranged by the authors in 1882 for Female choir and Chamber Orchestra. These scores, based on the two manuscripts, are the arranged version for Female choir and Piano by Odette Gartenlaub. Written in Latin, this mass features five parts which had been distributed in-between the two composers: 1. Kyrie - Messager 2. Gloria ? Fauré 3. Sanctus ? Fauré 4. O Salutaris (motet) - Messager 5. Agnus Dei - Fauré This mass is really soft, melodious and delicate, reminding sometimes of the motets by Gounod. â€.
SKU: CA.2100305
ISBN 9790007100797. Language: Latin.
Marc-Antoine Charpentier's Magnificat H 78 was composed around 1690 for the Jesuits in Paris. No less than ten works by the composer, in differing vocal and instrumental scoring and form comprise this genre. In the present Magnificat H 78 for five voices (in which alto and bass also have solo roles), two flutes, strings and basso continuo, each of the individual movements contains its own expressive profile in sound. Score available separately - see item CA.2100300.
SKU: CA.2780400
ISBN 9790007167790.
Today Monteverdi's Selva morale et spirituale (1641) stands entirely in the shadow of his famous Vespers 1610. The editions from 1610 and 1641 both include music for the Mass and Vespers, but each of these collections was composed under much different circumstances during Monteverdi's lifetime. If the works of 1610 are a bold combination of traditional compositional techniques and avant garde music, which were intended by this weary Court Composer at Mantua as an application portfolio for a new job, the 1641 collection is the only church music by the mature Monteverdi which was published after almost thirty years in his position as Music Director of St. Mark's Cathedral: the latter, a kind of best of collection from his many years of experience as a church musician. In Venice the composer had not only a fabulous, but a large ensemble at his disposal (finally, about 35 singers, alone)! The combination of soloistic and weighty tutti sections makes a big effect in this music, it makes the music, with its clearly defined sections and, for the most part homophonic choral passages more easily performable than the Vespers for today's choirs. The new edition, comprised initially of three volumes, also includes those works from the Selva Morale (a Mass and two Magnificats) which have already been published by Carus, as well as all further liturgical compositions for use in the church. Volume III, Motetti, Salve Regina, Himini, contains compositions for 1 to 3 voices and basso continuo, some with two violins (the psalms are included in both the Salmi I and Salmi II volumes). The edition is based on the methods employed in the much acclaimed Carus edition of the Vespers: * It contains a detailed foreword with suggestions for notation, scoring and for the liturgical use of individual compositions. * For the present edition four of the five surviving printed copies, as well as contemporary manuscript were consulted. Facsimiles illustrate special characteristics of the edtion of 1641. A Critical Report makes clear all of the editorial decisions made in the edition. * All of the pieces are printed untransposed and using the original note values. * All of the pieces are available in single editions with complete performance material. * Vocal scores of all works with obbligato instruments facilitate rehearsal. * Instrumental parts for collaparte accompaniment of tutti-sections (including text underlay).
SKU: CA.2100311
ISBN 9790007197674. Language: Latin.
Marc-Antoine Charpentier's Magnificat H 78 was composed around 1690 for the Jesuits in Paris. No less than ten works by the composer, in differing vocal and instrumental scoring and form comprise this genre. In the present Magnificat H 78 for five voices (in which alto and bass also have solo roles), two flutes, strings and basso continuo, each of the individual movements contains its own expressive profile in sound. Score and part available separately - see item CA.2100300.
SKU: BT.ALHE33720
French.
Composed by Gabriel Fauré and André Messager during their holidays in Villerville in 1881, Fishermen Mass in Villerville is a mass dedicated to the fishermen of this city located in Normandy. Initially for Female choir, Harmoniumand solo Violin, it was arranged by the authors in 1882 for Female choir and Chamber Orchestra. These scores, based on the two manuscripts, are the arranged version for Female choir and Piano by Odette Gartenlaub. Written inLatin, this mass features five parts which had been distributed in-between the two composers: 1. Kyrie - Messager 2. Gloria _x001A_ Fauré 3. Sanctus _x001A_ Fauré 4. O Salutaris (motet) - Messager 5. Agnus Dei - Fauré This mass isreally soft, melodious and delicate, reminding sometimes of the motets by Gounod.
