Flute Sonatas (6) Volume 1

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Flute Sonatas, Volume II (3 Sonatas ascribed to J. S. Bach - with Violoncello part) qui a été écrite pourFlûte Traversière Et Piano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 328. / Flûte Traversière Et Piano / Chanson En Séparée

Ever since the festivities for his 3rd centenary, it is manifest that Carl Philipp Emanuel Bach is not only a great name but also a great composer. Over the last decades, scholars paid more and more attention to him. Now Breitkopf & Härtel transfers his Flute Sonatas, which originated mainly during his time at the court of Frederic II., from Musica Rara to the Edition Breitkopf. For this purpose, the textual parts were translated and the volume layout was revised. / Flûte traversière / Edition Breitkopf

Les six sonates publiées en 1732 par Telemann sont dites 'méthodiques' selon l'usage du temps, car dans les premiers mouvements lents (le deuxième mouvement dans le cas de la sonate en ut mineur), est ajoutée à la simple ligne mélodique de l'instrument soliste à chaque fois une variante ornée. La maison d'édition G. Henle recommande désormais aux flûtistes et violonistes de notre temps ces pages à la fois instructives et en même temps extrêmement ludiques. La nouvelle édition, somptueusement parée, comporte des parties de solo et de basse continue dans lesquelles l'autre voix est toujours reproduite pour guider le musicien - une partie de basse continue chiffrée complète l'offre. La partition avec une basse réalisée selon les règles de l'art est insérée dans l'édition. Après le premier volume de Sonates méthodiques (HN 1266), l'ensemble des douze sonates de Telemann sont désormais disponibles en édition Henle-Urtext. / Flûte Traversière (Ou Violon) Et Piano

The Grade By Grade series draws on the rich and varied Boosey and Hawkes catalogue of classical, contemporary and educational repertoire, highlighting composers including Serge Prokofieff, Dmitri Shostakovich, Karl Jenkins, Carol Barratt and Christopher Norton, alongside arrangements of traditional music from around the world by Peter Wastall, Vera Gray and others. Carefully selected by Janet Way, this practical anthology provides the complete repertoire resource for the aspiring Grade 3 saxophonist and creates the perfect package for teaching, exam preparation and performance. Each volume contains:19 pieces and short studies, each complemented by a useful practice and performance tipgrade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercisesbrand new sight-reading activitiesnewly-commissioned aural awareness tasksa piano accompaniment bookletPackaged with a CD of full performance demonstrations, piano backing tracks, and grade-appropriate aural awareness resources. Janet Way is an experienced performer and teacher. She is a tutor for the LRAM woodwind teaching course at the Royal Academy of Music, and has worked as a mentor and diploma examiner for the Associated Board of the Royal Schools of Music. She is founder and director of the internationally-acclaimed Oxford Flute Summer School. / Hautbois Et Piano

Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willibald Gluck dedicated his artistic life almost entirely to the composition of works for the opera stage, he also produced a number of instrumental works which have been somewhat marginalized until recently. This volume of the 'Gluck Complete Edition” (GGA) is the first to present 17 symphonies attributed to Gluck in a historical-critical edition - furthermore, the volume includes a new version of one of the trio sonatas published in 1961 as part of the GGA. Current research indicates that no reliable information about the genesis of the respective works exists for any of the symphonies attributed to Gluck. This is due to a lack of both autograph sources and reliable data pertaining to the history and first performances of these works. It is assumed that some of the existing symphonies might in fact be the lost overtures of Gluck's earlier operas. Others were possibly written to be performed in private or public concerts. The greatest challenge for the editors of this volume was posed by the question of authenticity and authorship of the works presented here. As no autographs exist for any of the symphonies bearing Gluck's name, the only indicators of authorship are attributions in the copies of score and parts, either original or added at a later time. The reliability of these attributions for individual works largely depends on the respective state of source material, meaning available sources as well as the condition of the respective copy. A thorough authenticity analysis concluded Gluck's authorship as valid in the case of 13 symphonies, while in the case of four other symphonies, diverging attributions lead to the acceptance of open authorship. As a result, this volume includes all compositions for which, according to the most current research, Gluck's authorship has not been refuted. In the case of two symphonies, one concerto for flute, and six trio sonatas published in 1961 as part of the GGA, Gluck's authorship has been disproven - detailed explanations are included in the volume's Foreword (Ger). The Foreword also discusses the individual instrumental works attributed to Gluck by various encyclopedias. In addition to the detailed Foreword, the volume includes facsimiles of representative source excerpts. The Critical Commentary (Ger) analyzes the state of sources and includes extensive information on editorial principles and performance practice./ Répertoire / Orchestre

Sheet Music and CD Play-along Pack available, see Q 4461aa / Flûte Traversière Et Piano