Follia

Le deuxième volume de la série Violinissimo, 'La Follia', propose un vaste choix de 25 compositions intermédiaires-avancés originales pour violon et piano. Le matériau s'étend de la période baroque au 21ème siècle et contient des morceaux populaires - de Corelli, Vivaldi et Mozart, Fauré, Brahms et Dvo?ák ainsi que les compositeurs modernes. Doigtés, des suggestions de tempo et d'informations sur les embellissements complètent la collection. La série Violinissimo n'est pas seulement un compagnon idéal pour des leçons, des concerts et des compétitions scolaires, mais aussi un véritable trésor pour les amateurs de musique de violon classique. / Violon Et Piano

Cette partition LA FOLLIA OPUS 5 de Corelli Arcangelo a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB3432. Cette oeuvre d'une durée de 00:12:00 est idéale pour les musiciens pratiquant Flûte Traversière. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Flûte Et Piano / Partition

In his choice of the title La Follia, Krzysztof Penderecki recalls the tradition of virtuosic variations on a Sarabande originating from the Baroque period. The theme is introduced first in pizzicato, then arco, and is developed in nine variations which exploit the full range of playing techniques on the violin. The breakneck speed of double stopping passages, artificial harmonics, extensive melodic arcs, sparkling arpeggios over all four strings, flying spiccato, and broken chords above the ostinato theme make high musical and technical demands on the performer. / Violon

Church Sonatas in Three Parts, Op. I [Sonate da Chiesa a trè] (ded. to Queen Christina of Sweden) Sonata No. 1 in F Major Sonata No. 2 E Minor Sonata No. 3 in A Major Sonata No. 4 in A Minor Sonata No. 5 in B-flat Major Sonata No. 6 in B Minor Sonata No. 7 in C Major Sonata No. 8 in C Minor Sonata No. 9 in G Major Sonata No. 10 in G Minor Sonata No. 11 in D Minor Sonata No. 12 in D Major Chamber Sonatas in Three Parts, Op. 2 [Sonate da Camera a trè] (ded. To Cardinal Benedetto Pamphili) Sonata No. 1 in D Major Sonata No. 2 in D Minor Sonata No. 3 in C Major Sonata No. 4 in E Minor Sonata No. 5 in B-flat Major Sonata No. 6 in G Minor Sonata No. 7 in F Major Sonata No. 8 in B Minor Sonata No. 9 in F-sharp Minor Sonata No. 10 in E Major Sonata No. 11 in E-flat Major Sonata No. 12 in G Major (Chaconne) Church Sonatas in Three Parts, Op. 3 [Sonate da Chiesa a trè] (ded. to Duke Francesco II of Modena) Sonata No. 1 in F Major Sonata No. 2 in D Major Sonata No. 3 in B-flat Major Sonata No. 4 in B Minor Sonata No. 5 in D Minor Sonata No. 6 in G Major Sonata No. 7 in E Minor Sonata No. 8 in C Major Sonata No. 9 in F Minor Sonata No. 10 in A Minor Sonata No. 11 in G Minor Sonata No. 12 in A Major Chamber Sonatas in Three Parts, Op. 4 [Sonate da Camera a trè] (ded. to Cardinal Pietro Ottoboni) Sonata No. 1 in C Major Sonata No. 2 in G Minor Sonata No. 3 in A Major Sonata No. 4 in D Major Sonata No. 5 in A Minor Sonata No. 6 in E Major Sonata No. 7 in F Major Sonata No. 8 in D Minor Sonata No. 9 in B-flat Major Sonata No. 10 in G Major Sonata No. 11 in C Minor Sonata No. 12 in B Minor Six Violin Sonatas, Op. 5, Part 1 [VI Sonate a Violino Solo] (ded. to Electress Sophie Charlotte of Brandenburg) Sonata No. 1 in D Major Sonata No. 2 in B-flat Major Sonata No. 3 in C Major Sonata No. 4 in F Major Sonata No. 5 in G Minor Sonata No. 6 in A Major Preludes, Allemandes, Correntes, Gigues, Sarabandes, Gavottes and Follia, Op. 5, Part 2 [Preludii, Allemande, Correnti, Gighe, Sarabande, Gavotte, e Follia] (ded. To Electress Sophie Charlotte of Brandenburg) Sonata No. 7 in D Minor Sonata No. 8 in E Minor Sonata No. 9 in A Major Sonata No. 10 in F Sonata No. 11 in E Major Follia in D Minor (Sonata No. 12)

Niveau 2 Volume 1. Par LABROUSSE-BAERT SARAH. Un recueil de 5 chefs d'oeuvre classiques arrangés pour Violon et Piano : 1 - HAYDN - Serenade du Quatuor à Cordes Op. 3 No. 5, 2 - FAURE - Berceuse Op. 16, 3 - CORELLI - La Follia, 4 - MASSENET - Méditation de Thaïs, 5 - RIES - Perpetuum Mobile Op. 34 No. 5 - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Violon 1 Piano - Niveau de Difficulté : 4/6 - Intermédiaire/Avancé - Durée : Plus de 15 mns - Style Musical : Classique, Pédagogique - Catégorie : Arrangement - Compositeur : Sarah LABROUSSE-BAERT - Arrangeur : Sarah LABROUSSE-BAERT / Niveau : Intermédiaire à Avancé / Classique, Pédagogique / Recueil / Violon et Piano

P.B. Bellinzani's Sonata in D Minor (Op.3/12) for Treble Recorder and Continuo. Includes variations on La Follia.

a cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to offer performers works that satisfy clear critical and musicological criteria. This anthology includes ten sonatas carefully selected from among those written by ten of the most important eighteenthcentury Italian composers of violin music. Tomaso Albinoni: Sonata op. VI n. 7 - Arcangelo Corelli: Follia op. V [n. 12] - Francesco Geminiani Sonata op. IV n. 11 H. 95 -Pietro Antonio Locatelli: Sonata op. VI n. 5 - Pietro Nardini: Sonata op. V n. 3 - Gaetano Pugnani: Sonata op. VII n. 1 - Giuseppe Tartini:Sonata op. I n. 10 B. g 10 [?Didone abbandonata?] - Francesco Maria Veracini: Sonata op. II n. 8 - Giovanni Battista Viotti: Sonata op. IV n. 4 W. V/4 - Antonio Vivaldi: Sonata RV 10

Bernardo Storace (sec. XVII) Selva di Varie Compositioni d'intavolatura per cimbalo ed organo. Venezia 1664 Edizione critica secondo le fonti originali A cura di / Edited by Marco Ghirotti CONTENUTO Prefazione Note critiche Preface Capriccio Sopra il Passo e Mezzo Passo e Mezzo Altro Passo e Mezzo Romanesca Aria sopra la Spagnoletta Monica Capriccio Sopra Ruggiero Partite sopra li cinque Passi Follia Passagagli sopra A, la mi re 1a. 2a. 3a. 4a. 5a. e 6a. Partita Passagagli sopra C, sol fa ut per b 1a. 2a. 3a. Partita Passagagli sopra D, sol re per # 1a. P.ta e 2a. in modo Pastorale Passagagli sopra A, la mi re per # 1a. 2a. 3a. e 4a. Partita Passagagli sopra E, la mi per # 1a. P.ta e 2a. in modo Pastorale Passagagli sopra B, mi prima, e seconda Partita Passagagli sopra Fe, fa ut per b Passagagli sopra B, fab mi per b Passagagli sopra B, fa Ciaccona 1a. 2a. 3a. e 4a. Parte Balletto P.mo S.do T.zo Q.to Qui.to e S.to Ballo della Battaglia Corrente Corrente Toccata Canzon Toccata e Canzon Recercar Recercar di legature Pastorale P.ma S.da T.za e quarta Parte

Par PASQUINI BERNARDO. Extraits du manuscrit de PasquiniClavecin : Emer BuckleyAccord Mésotonique : Partite del Saltarello, Partite diverse di Follia, Tastata per Milone, Bergamasca, Passacaglia, Sarabanda, Partite di Bargamasca, Toccata terza, Variationi Capricciose.Accord Italie, XVIIIe siècle: Alemanda Scozzese Corrente (GIGA), Capriccio, Variationi per Francia, Tastata per lo Scozzese, Variationi per il paggio tedesco, Toccata con lo Scherzo del Cucco. / Niveau : Facile / Répertoire / Clavecin (Fac-similé)