Format : Set of Parts
SKU: GI.G-3753INST
This edition with many optional features allows you to present a Gathering Rite as simply or magnificently as your needs require. Parts for assembly, cantor, guitar, organ, and optional mixed choir are in the vocal edition, G-3753. A full score, which includes the parts for priest and piano, is available, G-3753FS. Parts for brass quartet, 20 Handbells (9-E), and a percussion part for timpani and suspended cymbal are all optional, G-3753INST.
SKU: GI.G-CD-386
In this first collection of ritual music, Gary and Marty have composed complete musical settings for the gathering rite. The basic melodies are drawn from familiar hymns like O Come, All Ye Faithful and Shepherd Me, O God. From the Sign of the Cross and greeting to the opening prayer, priest, cantor, and assembly engage in a musical dialog that helps reveal the meaning of the rite with integrity. Familiar musical phrases from familiar hymns and songs make the assembly's response so natural they cannot help but sing from the heart. A full score is available for the director and accompanist as well as separate octavos for each piece for the choir, and an edition for the presider, cantor, and guitarist. The presider's parts may be spoken or sung. Selected instrumental parts are also available. Reprintable assembly parts are included in the full score. Â .
SKU: GI.G-4761INST
SKU: GI.G-9575
UPC: 785147957539. English.
Here in Christ we Gather, is a collection of 14 pieces of of liturgical music by Irish composer Ephrem Feeley The collection was released in Ireland in 2013, and is now available in the US through GIA Publications. The 14-piece collection includes entrance and communion processionals, psalms, reflective pieces, and more. The book carries the complete music score for the compositions, with full choir parts, instrumental lines, and accompaniments. The accompanying CD features a recording of the collection with chamber choir, instrumentalists, soloists, and organ/piano accompaniment. Many of the pieces are suitable for smaller music groups and communities, from the unison gathering hymn Here in Christ we Gather, appropriate for all occasions, to the simple, haunting, Holy Thursday hymn My New Commandment. A number of responsorial psalms are found in the collection: settings of Psalm 34: Taste and See, Psalm122: I Rejoiced, and others. Three hymns are settings of texts by Fr James Quinn, one of the best-known hymnwriters of the 20th century. Larger choirs, too, will find useful material in this collection, with the anthems Communion with Christ and God is Love providing plenty of musical material to learn and perform. This collection will be a valuable addition to the liturgical life of parishes, schools and religious communities, and all who wish to enrich their life of prayer through music. CONTENTS: Here in Christ We Gather • In the Presence of Your Holy Angels • What Marvels the Lord Has Worked for Us • Guard Us, Lord • Taste and See • Called to Be One • I Rejoiced • You Open Wide Your Hand • My New Commandment • I Am the Bread of Life That Feeds All the World • Communion with Christ • Fill Us with Your Love • God Is Love.
SKU: CF.W2657
ISBN 9780825891120. UPC: 798408091125. 9 x 12 inches.
On May 29, 1913, an over-capacity audience in Paris’ Théâtre desChamps-Élysées witnessed an historical spectacle as they became a brutecatalyst in the most (in)famous opening night of the twentieth century.The Rite of Spring premiered that evening in the midst of a riot inspiredby the overwhelming primitivism both onstage and in the score.One-hundred plus years later, the music still incites the senses. The balletwas first published in 1914 in a reduction for two pianos, and serves asa basis for this arrangement. This edition is presented in honor of thecentennial of the ballet’s premiere, and is intended to give soloists andaccompanists a chance to perform this monumental work.On May 29, 1913, an over-capacity audience in Paris’ Théâtre des Champs-Élysées witnessedan historical spectacle as they became a brute catalyst in the most (in)famous opening nightof the twentieth century. The Rite of Spring premiered that evening in the midst of a riotinspired by the overwhelming primitivism both onstage and in the score. Subtitled “Picturesof Pagan Russia,†the ancient scenes were evoked using contemporary musical innovations,shattering expectations of a more traditional Ballet Russe production.How was an ancient ritual of sacrifice to the earth to be scored? The unevolved pesantecharacter of a village gathering was portrayed by odd time signatures and accents. Melodieswere geometrically woven as dissonant pastorales with grace-notes mimicking gutturalbreaks in primal voices. Instruments were orchestrated against the grain, straining soundsinto unrecognizable timbres. And just like the dancers on stage, musicians were organizedinto alternating groups often clashing with one another.One-hundred plus years later, the music still incites the senses. The ballet was first publishedin 1914 in a reduction for two pianos, and serves as a basis for this arrangement. This editionis presented in honor of the centennial of the ballet’s premiere, and is intended to give soloistsand accompanists a chance to perform this monumental work. Both movements may beplayed alone, and the first movement may also serve as a solo piece.
SKU: GI.G-6956INST
SKU: GI.G-5633INST
SKU: GI.G-6636INST
SKU: GI.G-6954INST
SKU: GI.G-4762INST
SKU: GI.G-4555INST
SKU: GI.G-4760INST
SKU: GI.G-4644INST
SKU: GI.G-4640INST