Format : Score and Parts
SKU: BT.GOB-000780-010
'Gaudete' comes from the Finnish/Swedish 'Piae Cantiones', a collection of religious music from the 16th century. The English folk group 'Steeleye Span' featuring female lead singer Maddy Prior had a hit with this song in the seventies. Peter Martin made a scintillating arrangement for wind-band. By the use of fourths and thirds in the melody the composer harks back to the period from which the song originated (The Middle Ages) 'Gaudete' is afkomstig uit het Fins/Zweedse 'Piae Cantiones', een verzameling van religieuze muziek uit de 16e eeuw. De Engelse folk groep 'Steeleye Span' had in de zeventiger jaren een hit met dit lied. Peter Martin maakte eensprankelend arrangement voor blaasorkest. Door het gebruik van kwarten en kwinten in de melodie grijpt de componist terug naar de tijd waarin het lied ontstaan is (Middeleeuwen).
SKU: BT.GOB-000832-020
SKU: BT.GOB-000780-140
SKU: CF.CM9550
ISBN 9781491150825. UPC: 680160908325. 6.875 x 10.5 inches.
Thomas Juneau's vocal writing infuses rhythmic intensity with percussion, handbells and clapping in this exciting arrangement of Gaudete, one of most popular late medieval sacred Christmas carols. Appropriate throughout the year, Gaudete offers a multitude of opportunities for choirs to demonstrate both their vocal and dramatic skills.
SKU: BT.GOB-000832-120
SKU: AP.44209S
UPC: 038081506296. English. Traditional.
Gaudete dates back to the 16th century, and was sung as a Christmas Carol throughout the monasteries of Europe. Meaning rejoice in Latin, this piece captures the intense passion of praise coupled with moments of calm reverence. (3:25).
SKU: CA.9231409
ISBN 9790007238049. Key: C major. Language: Latin.
Score available separately - see item CA.9231400.
SKU: CA.9231413
ISBN 9790007238070. Key: C major. Language: Latin.
SKU: CA.9231412
ISBN 9790007238063. Key: C major. Language: Latin.
SKU: CA.9231414
ISBN 9790007238087. Key: C major. Language: Latin.
SKU: CA.9231449
ISBN 9790007238100. Key: C major. Language: Latin.
SKU: CA.9231411
ISBN 9790007238056. Key: C major. Language: Latin.
SKU: CA.9231405
ISBN 9790007117337. Key: C major. Language: Latin.
SKU: CA.9231419
ISBN 9790007238094. Key: C major. Text language: Latin.
Score and parts available separately - see item CA.9231400.
SKU: HL.1118331
ISBN 9781705181096. UPC: 196288107057. 6.75x10.5x0.029 inches.
Accompanied by piano and optional hand drum, this Latin work in 3/4 meter includes an English verse and celebrates the Christmas season, though it can be performed any time of year. Available for both 3-part mixed and 3-part treble, young voices will love this selection as a majestic opening number or processional, filled with rhythmic and dynamic energy.
SKU: GI.G-9499
UPC: 785147949909. English, Latin. Text Source: Ref. Piae Cantiones, 1582, vv. Joseph S. Cook, 1859-1933. Text by Joseph S. Cook.
The traditional 16th-century Christmas hymn “Gaudete†has been arranged by Chris de Silva for SAB voices, winds and percussion. At the center of this piece is the hymn itself surrounded by choral fanfares inviting listeners to rejoice at the birth of Christ, the Son of Mary. Percussion part is for snare drum.
SKU: HL.48025426
ISBN 9781835680032. UPC: 196288207559.
Silent night: This arrangement of the traditional carol by Franz Gruber and Joseph Muhr (translated into English by John Freeman Young) was written by Anna Lapwood and the Pembroke College GirlsÂ? Choir for their end of term party for the families of the choristers. The aim was to produce an arrangement manageable for the youngest choristers whilst stretching the older ones with some slightly jazzy harmonies. It was written in one 75-minute rehearsal, and performed to the parents straight after. The choir has written a new pieceat the end of every term since. Gaudete: This arrangement of the 16th-century carol was written during a full weekend of group composition with Anna Lapwood and the Pembroke College Girls' Choir, a process with which they had experimented previously. The choir decided to create rhythmic impetus and drive, which is delivered from the outset in the introductory material. This figure is repeated under the refrain for the first three verses, while the verses themselves are presented in simple unison. The final verse is harmonised and crescendos towards the uplifting key change for the final refrain, giving a sense of climax, which may be highlighted further with an optional tambourine.
