Gloria Deo Canon

Michael Haydn's Gloria has been arranged here as a wonderful 2-part canon with optional flute or C instrument. A flowing and light piano accompaniment supports the vocal lines that sing the familiar Latin text. A beautifulselection for concert and festival. Available separately: 2-Part with flute or C instrument; PianoTrax CD (35027473). Duration: 2:30.

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The keyboard is bright and festive and choral lines joyful and invigorating. A simple canon for the voices make it a quick study while the keyboard part dances spritely below. An energetic anthem for church or concert programming.

The sucess of the first volume was so successful that it was natural that a second volume should be forthcoming to assist church organists to offer fresh hamrmonizations (free accompaniments) to aid congregational singing - D. Dewitt Wasson.Also available: Free Harmonizations Of Hymn Tunes Volume 1 (HMO145.)Contents:1. Abbey2. Abends3. Aberystwyth4. Adelaide5. Adeste Fideles6. Ahnfelt7. Albano8. All Saints9. All The Way10. Alleluia11. Alles Ist An Gottes Segen12. Alta Trinita Beata13. Amazing Grace14. America15. Angels Story16. Arfon (Minor Mode)17. Arlington18. Arnsberg19. Aurelia20. Austrian Hymn21. Babylons Streams22. Bangor23. Bishopthorpe24. Blairgowrie25. Breslau26. Campian27. Canonbury28. Capetown (Cape Town)29. Christus Der Ist Mein Leben30. Coronation31. Cranham32. Culbach33. Darwall34. Diademata35. Diva Servatrix36. Dominus Regit Me37. Down Ampney38. Duke Street39. Dulce Carmen40. Dundee (Rythmic Version)41. Dundee (Isometric Version)42. Dunfermline (Isometric Version)43. Dunfermline (Rhythmic Version)44. Easter Hymn45. Elbing46. Ellacombe47. Erhalt Uns Herr48. Eventide49. Festal Song50. Fortunatus51. Foundation52. Franconia53. Freuen Wir Uns Alle In Ein54. Gaililee55. Gelobt Sei Gott56. Germany57. God Rest You (Ye) Merry58. Halle59. Hanover60. Heinlein61. Herzliebster Jesu62. Hesperus63. Hollingside64. Holy Faith65. Horsley66. Hyfrydol67. Hymn To Joy68. I Want To Be A Christian69. Ich Halte Treulich Still70. In Babilone71. In Dulci Jubilo72. Innocents73. Italian Hymn74. Jacobs Ladder75. Jesu Meine Freude76. Jubilate77. Kilmarnock78. Kings Weston79. Kirken Den80. Komm O Komm Du Geist Des Lebens81. Lancashire82. Langham83. Lasst Uns Erfreuen84. Lauda Anima85. Laudes Domini86. Le Ping87. Leoni88. Let Us Break Bread89. Liebster Jesu [Wir Sind Hier]90. Lob Sei Dem Allmaechtigen Gott91. Lobe Den Herren [Dem Maechtigen Koenig]92. Lombard Street93. London New94. Lytlington95. Mckee96. Marion97. Martyrdom98. Mendelssohn99. Mercy100. Merton101. Mit Freuden Zart [Zu Dieser Fahrt]102. More Love To Thee103. Morecambe104. Morning Star105. Mozart106. Neander107. Nicaea108. Nicht So Traurig109. Nun Danket [Alle Gott]110. Nun Freut Euch [Lieben Christen Gmein]111. Nun Komm Der Heiden Heiland112. O Filii Et Filiae113. O Store Gud114. Old 100th115. Old 104th116. Old 124th117. Olivet118. Omni Dei119. Open My Eyes120. Ora Labora121. Orientis Partibus122. Park Street123. Pax124. Peek125. Penitentia126. Pentecost127. Perry128. Picardy129. Potsdam130. Quem Pastores131. Rathbun132. Ratisbon133. Redhead No. 76134. Regent Square135. Retreat136. Rex Gloriae (Gloria)137. Rhosymedre138. Royal Oak139. St. Anne140. St. Bavon141. St. Bees142. St. Bride143. St. Christopher144. St. Columba145. St. Cross146. St. Denio147. St. Drostane148. St. Dunstans149. St. Flavian150. St. George151. St. Gertrude152. St. Hilda153. St. Joan154. St. Keverne155. S

Tonalité : C-Dur - Mh 182. Par HAYDN JOHANN MICHAEL. Haydn’s Missa Sancti Joannis Nepomuceni, dated 21 May 1772, is dedicated to the Bohemian martyr and patron “Saint of bridges, ” Johannes Nepomuk [ca. 1340–1393, canonized in 1729]. Despite the addition of woodwinds and brass to the three-part string section, the Mass is in a comparatively simple, compact form as was expressly required by Count Hieronymus Colloredo, Haydn’s second employer in Salzburg. Even in the final sections of the Gloria and Credo Haydn forgoes not only vocal virtuosity, but also the polyphonic artifices which traditionally characterize these passages in the Mass. Like the Missa Sancti Amandi [1776], the Nepomuk Mass does not employ vocal soloists. / Messe / Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Trompett

Tonalité : C-Dur - Mh 182. Par HAYDN JOHANN MICHAEL. Haydn’s Missa Sancti Joannis Nepomuceni, dated 21 May 1772, is dedicated to the Bohemian martyr and patron “Saint of bridges, ” Johannes Nepomuk [ca. 1340–1393, canonized in 1729]. Despite the addition of woodwinds and brass to the three-part string section, the Mass is in a comparatively simple, compact form as was expressly required by Count Hieronymus Colloredo, Haydn’s second employer in Salzburg. Even in the final sections of the Gloria and Credo Haydn forgoes not only vocal virtuosity, but also the polyphonic artifices which traditionally characterize these passages in the Mass. Like the Missa Sancti Amandi [1776], the Nepomuk Mass does not employ vocal soloists. / Messe / Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Trompett

Tonalité : C-Dur - Mh 182. Par HAYDN JOHANN MICHAEL. Haydn’s Missa Sancti Joannis Nepomuceni, dated 21 May 1772, is dedicated to the Bohemian martyr and patron “Saint of bridges, ” Johannes Nepomuk [ca. 1340–1393, canonized in 1729]. Despite the addition of woodwinds and brass to the three-part string section, the Mass is in a comparatively simple, compact form as was expressly required by Count Hieronymus Colloredo, Haydn’s second employer in Salzburg. Even in the final sections of the Gloria and Credo Haydn forgoes not only vocal virtuosity, but also the polyphonic artifices which traditionally characterize these passages in the Mass. Like the Missa Sancti Amandi [1776], the Nepomuk Mass does not employ vocal soloists. / Messe / Répertoire / Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Trompett

Arthur Mills (b. 1926) is a British organist composer and academic whose compositions span seven decades from 1958 to the present day. He was Director of Music at Ely Cathedral from 1958 to 1990 and a Professor of the Royal Academy of Music from 1964 to 1992.  His setting of the Missa Brevis was first written in 1960 and dedicated to Christopher Campling who at the time was a canon of Ely Cathedral. It was revised in 1964 when the Gloria was added. It is scored for Unison Voices with Organ Accompaniment.

Psallite Choral Series. From our Psallite Series, we present a sacred tone poem destined to be an important addition to the choral canon. Luxurious in harmonic language, this octavo framed in Latin describes the angel's announcement of Christ's birth to the shepherds. Emerging poetically from stillness and darkness with fragile sound, the piece opens organically as the divine glory of light breaks forth with angelic Glorias in luminous chords. Divided voices and evocative watercolor-like dissonances create a substantial sonic stack, a challenge worth taking for choirs of distinction. The cyclical text returns to the opening darkness and silence before ending with peace. Magnificent!

Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue