Gloria (Parts)

Will Todd's Jazz Missa Brevis gives new life to the sung Latin Mass texts in an accessible, short setting which embraces a variety of jazz styles, from the swinging jazz waltz Kyrie to the up-beat Latin-groove Gloria. The smooth jazz ballad Sanctus, 7/8 Benedictus and soulful Agnus Dei complete this inspiring Mass setting. Underpinned by Todd's characteristic jazz harmonies and melodic craftsmanship, it is suitable for performance both liturgically and as part of a concert by mixed choirs of all abilities. The work can be accompanied by piano alone (as written or extemporised), jazz trio (piano, bass and drums) or jazz ensemble (alto saxophone, 2 trumpets and jazz trio - parts available separately). / Choeur Mixte (SATB) Et Instruments Divers

Will Todd's Jazz Missa Brevis gives new life to the sung Latin Mass texts in an accessible, short setting which embraces a variety of jazz styles, from the swinging jazz waltz Kyrie to the up-beat Latin-groove Gloria. The smooth jazz ballad Sanctus, 7/8 Benedictus and soulful Agnus Dei complete this inspiring Mass setting. Underpinned by Todd's characteristic jazz harmonies and melodic craftsmanship, it is suitable for performance both liturgically and as part of a concert by mixed choirs of all abilities. The work can be accompanied by piano alone (as written or extemporised), jazz trio (piano, bass and drums) or jazz ensemble (alto saxophone, 2 trumpets and jazz trio - parts available separately). / Choeur Mixte (SATB) Et Ensemble

Veni Emmanuel - Il est né - Ding Dong! - Nu zijt wellekome - Gloria in excelsis - In dulci jubilo. Par DE HAAN JAN. A Christmas Collage is a selection of internationally known Christmas songs. The following songs are included either in their entirety or as extracts: Veni Emmanuel, Il est né le divin enfant, Ding Dong! Merrily on High, Nu zijt wellekome, Gloria in excelsis Deo and In dulci jubilo. It is arranged in four parts for brass quartet and can be performed in various combinations: first and second trumpet in Bb, first trombone (or horn in F/Eb) and second trombone (or euphonium, Eb bass or tuba). / Niveau : Intermédiaire / Répertoire / Quatuor de Cuivres

Par LUMINEERS THE. Matching folio to the Lumineers' ambitious third album which features a song cycle in three parts. Our matching songbook features all ten tracks plus the three bonus songs from the deluxe edition release arranged for piano and voice with guitar chord frames. Songs include: April · Democracy · Donna · Gloria · It Wasn't Easy to Be Happy for You · Jimmy Sparks · Leader of the Landslide · Left for Denver · Life in the City · My Cell · Old Lady · Salt and the Sea · Soundtrack Song./ Recueil / Piano, Chant et Guitare

Full Score and parts for Full Orch - 2.2.2.2 Ð 1.2.1.1, Strings, Timpani, Percussion (2 players). Par TROTTA MICHAEL JOHN. A new work for choir, brass quintet, organ, timpani and cymbals. This setting of the Gloria delivers a tapestry of melodic richness and rhythmic energy. A strong sense of architecture guides the listener through the three contrasting movements. Trotta?s work is a rare example of music that is both grounded in tradition and appealing to the modern listener. Exciting and inspiring! / Date parution : 2021-11-30/ Répertoire / Orchestre

A New Heaven is a collaboration between Peters Edition and Faber Music. It contains 16 exciting new choral works by some of the most highly regarded British choral composers of our time – from Jonathan Dove and Howard Goodall to Judith Bingham and Jonathan Harvey. Includes an introduction and commentary with valuable rehearsal and performance tips by internationally acclaimed British choral conductor Simon Halsey. A New Heaven features contemporary settings of key sacred texts such as Agnus Dei, Gloria and The Lord is my shepherd, for use in concerts, church services and choral evensongs throughout the year and includes accompanied and unaccompanied works for mixed-voice choirs (four to eight parts), from intermediate to more advanced level. / Choral Music / Recueil / Voix Mixtes et Orgue

Par SCHUBERT FRANZ. The piano part has been thoroughly re-worked for this new vocal score of Schubert’s Mass in A-flat major (D 678). Andreas Köhs' piano reduction reliably reflects Schubert’s orchestral score and is at the same time idiomatic piano writing. Bärenreiter’s new revised vocal score is compatible with the old vocal score as well as with the orchestral parts and the full score already available./ Répertoire / Solistes, Choeur et Orchestre

Haydn presumably wrote his 'Missa brevis? in 1775 for the Brothers Hospitallers of Eisenstadt Abbey. The work takes its nickname, the 'Little Organ Mass', from the organ solo in the 'Benedictus?. This arrangement for female choir (SMezAA) is based on the complete edition of the 'Works of Joseph Haydn?.The original soprano and alto parts have, for the most part, been taken over, as has the soprano solo in the 'Benedictus?. The tenor and bass parts are distributed among the mezzo-sopranos and altos, with a few well thought-out alterations to preserve the harmonic structure. Heribert Breuer has retained the original substance with great skill while giving the work a wholly new and attractive sound.Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and conductor of the Berlin Bach Academy.- Arrangement for SMezAA based on the Henle Complete Edition of the Works of 'Joseph Haydn?- Idiomatic piano reduction (BA 5694-90) / Soprano Et Orchestre

Par HAYDN FRANZ JOSEF. Following his ' Jugendmesse ” from 1749, church music played only a secondary role in Haydn's creative output. It was not until 1766 with the ' Cäcilienmesse ” and again in 1768-69 with the 'Great Organ Mass”, that Haydn returned to this genre of composition. This Mass in E-flat major belongs to the same period as the 'Sturm-und- Drang ” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combined with a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts, the performance material contains both the original as well as the expanded versions./ Répertoire / Solistes (SATB), Choeur Mixte (SATB) et Orchestre

Composer : Bach, Johann Sebastian Edition : Score Editor : Dörffel, Alfred Separate Parts available on demand

Tovet Donald (Ed). Par TOVEY DONALD FRANCIS. 34 Latin Motets for female voices in 2-4 parts by Lassus, Victoria, Palestrina, Gabrièli and Croce and a 5-part Kyrie by Mozart. All have English translations. CONTENTS AGOSTINI, Paolo: Adoramus te CONSTANTINI, Alessandro: Confitemini Domino CROCE: Et resurrexit GABRIÈLI, Andrea: Crucifixus LASSO, Orlando di: Adoramus te (1); Adoramus te (2); Agimus tibi gratias (1); Agimus tibi gratias (2); Alleluja laus et gloria; Benedictus qui venit; Expandi manus; Hodie apparuit in Israel; Ipsa te cogat pietas; In pace in idipsum dormiam; Oculus non vidit; Sanctimei MOZART Alleluja; Ave Maria; Kyrie eleison PALESTRINA, Giovanni: Adoramus te; Benedictus qui venit (1); Benedictus qui venit (2); Confitemini Domino; Crucifixus; Hodie Christus natus est; Jesu Rex admirabilis; Pleni sunt coeli; Salve regina; Tua Jesu dilectio VICTORIA, T L a: Accende lumen sensibus; Christe eleison; Duo seraphim; O sacrum convivium; O vos omnes 34 Latin Motets for female voices in 2-4 parts by Lassus, Victoria, Palestrina, Gabrièli and Croce and a 5-part Kyrie by Mozart. All have English translations. CONTENTS AGOSTINI, Paolo: Adoramus te CONSTANTINI, Alessandro: Confitemini Domino CROCE: Et resurrexit GABRIÈLI, Andrea: Crucifixus LASSO, Orlando di: Adoramus te (1); Adoramus te (2); Agimus tibi gratias (1); Agimus tibi gratias (2); Alleluja laus et gloria; Benedictus qui venit; Expandi manus; Hodie apparuit in Israel; Ipsa te cogat pietas; In pace in idipsum dormiam; Oculus non vidit; Sanctimei MOZART Alleluja; Ave Maria; Kyrie eleison PALESTRINA, Giovanni: Adoramus te; Benedictus qui venit (1); Benedictus qui venit (2); Confitemini Domino; Crucifixus; Hodie Christus natus est; Jesu Rex admirabilis; Pleni sunt coeli; Salve regina; Tua Jesu dilectio VICTORIA, T L a: Accende lumen sensibus; Christe eleison; Duo seraphim; O sacrum convivium; O vos omnes/ Recueil / Motets Pour Voix d'Hommes

B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The choral parts are not too difficult for well-trained amateur singers. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin