Format : Score
SKU: XC.DSO2201FS
12 x 9 inches.
The definition of gravitas (dignity, seriousness, or solemnity of manner) perfectly describes the style of this piece. It contains some carefully placed descending dissonance in the introductory material that is used throughout the piece to make even the youngest of students sound bold!
SKU: HH.HH446-FSP
ISBN 9790708146537.
The Andante opening Sonata 3, in D minor, demonstrates Balicourt’s mastery of a an entirely natural lyricism that is elegant without ever becoming bland. The vivacious Allegro that follows has an endearing playfulness reminiscent of Vivaldi. The third movement, Andante, moves to F major and is noteworthy for some delightful imitative play between flute and bass. A sprightly Minuetto brings up the rear. Sonata 4, in A minor, opens with a Largo of an almost Handelian gravitas. It is followed by a fleet-footed Allegro that at several points contains figurations derived from violinistic style as exemplified by Vivaldi. For the concluding movement, a graceful Affettuoso, Balicourt switches to A major, a way of lightening the mood that in 1750 was not yet common but very soon was to become a favoured practice in minor-key works.
SKU: HH.HH546-FSC
ISBN 9790708185611.
Burgess’s concertos display unity in larger matters and variety in smaller ones, aiming to achieve coherence without monotony. Their greatest originality, and a major part of their attractiveness, arises from the fact that they draw their inspiration from three different sources. Particularly in the fast movements not in binary form, they adopt the structure and much of the style of equivalent movements by Vivaldi. But they also follow Handelian precedent in their copious use of the ‘call-and-response’ device, where soloist and orchestra exchange a series of phrases, and in their striving for gravitas and pathos. To these influences can be added their frequent allusions to English song and dance traditions.
SKU: HH.HH545-FSC
ISBN 9790708185604.
SKU: HL.357362
UPC: 840126943405. 6.75x10.5x0.029 inches. John 18:1-12, Matthew 14:36-56.
The drama of Gethsemane is on full display in this powerful anthem. Jesus's sorrowful time of prayer is vividly portrayed and reminds us of the cost of grace. Sweeping melodic gestures and a cinematic orchestration bring gravitas to this important Holy Week moment. Score and Parts for Full Orchestra (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, timp, perc 1-2, hp, pno, vn 1-2, va, vc, db) and Consort (fl, cl, tpt 1-2, tbn, bls/chm, perc, pno, kybd) each available as a digital download.