Format : Score and Parts
SKU: SU.50601080
2 Guitars Duration: 5' Composed: 2019 Published by: Seesaw Music.
SKU: TE.TEP10813
SKU: M7.AV-2248
ISBN 9790203909651. German.
SKU: M7.AV-2239
ISBN 9790203909620. German.
SKU: HL.400317
ISBN 9781596152380. UPC: 884088188276. 9.0x12.0x0.122 inches.
A wide-ranging collection of pieces for the beginning clarinetist, suitable for first through third year of study. Includes a printed music score with online audio of professional recordings of piano accompaniments to each piece. Accompaniment: Harriet Wingreen, piano The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
SKU: MB.30091
ISBN 9781513466378. 8.75 x 11.75 inches.
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
