SKU: MN.50-9030
UPC: 688670590306. Scripture: Revelation 3.
Revelations 3:5,6,8. Independent accompaniment enhances harmonic coloring. Predominantly Unison and Two-Part Mixed Voices, occasional side trip into 6-part textures. Written for SATB (divisi) and Organ.
SKU: JK.00957
Mark 4:39-41, Psalm 48:14.
Beautiful piece of the Savior's life, singing words of encouragement for men to become like Christ--arranged for mixed chorus (SATB) and piano accompaniment:If I reach out and calm a troubled heart or let another heal the rift in me, if in distress, I take another's part as Jesus took ours in Gethsemene, then I embrace the Savior's loving art, and honor Him throughout eternity.Composer: Gaylene Anderson Lyricist: Susan Noyes Anderson Difficulty: Medium / medium acc. Performance time: 4:00Reference: Mark 4:39-41, Psalm 48:14.
SKU: FJ.ST6549
English.
Written to celebrate an amazing orchestra teacher's retirement, this piece strives to capture the joyful things, the emotional, loving, and supportive things - literally All the Things. Opening with a gentle chorale, the music moves from a warm embrace to a rollicking groove based on fiddle music and more. Highly energetic and emotional, this piece will leave you with joyful tears and have a profound impact on your students and audience.
About FJH String Orchestra
More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up
SKU: FJ.ST6549S
SKU: LO.10-5754L
ISBN 9780787778279.
Embrace the spirit of worship and invitation with this new anthem by Brad Nix. Inspired by John Bunyan's timeless work â??Come and Welcome To Jesus,â? this song reminds us that we are all lovingly invited to find faith in Christ. With its limited melodic ranges and accessible piano accompaniment, this quickly learned selection will undoubtedly become a cherished favorite that you'll revisit time and time again.
SKU: HL.49047037
ISBN 9781705182024. UPC: 842819116998. 9.0x12.0x0.123 inches.
My father, Y. “Raghu†Raghunathan, came from India to the U.S. in 1963, followed soon after by my mother Sita. Dad enjoyed a substantial career as a pharmaceutical chemist, but he drew satisfaction from a simple life among family and friends, never allowing professional demands to overshadow his devotion to loved ones. Modest, compassionate, and ardently egalitarian, he was careful not to take anything too seriously, especially himself. He embraced his own ordinariness because it connected him to everyone else; it made him no better or worse than his neighbor, no more or less deserving of friendship or kindness than any of his fellow human beings. He showed us how to live with dignity, compassion, grace, and boundless love. His last piece of advice to me: “Go slow.†Several weeks after his passing, I happened upon a recording of Shostakovich’s 24 Preludes and Fugues, opus 87. I couldn’t understand why at the time, but the sixteenth prelude and fugue took hold of me and would not let go. I completely immersed myself in that piece for ten days, until it became a mystical conduit for something else: in this semi-trance state I produced a prelude and fugue of my own, in prayer (orison) and in praise (upastuti). It shadows Shostakovich’s form, but it somehow expresses my father’s unhurried, loving spirit. I’ve come to believe that he sent me this piece as a blessing. I hope you feel his presence in it as I do. Vijay Iyer.
