Homage

SKU: UT.CH-224

ISBN 9790215323674. 9 x 12 inches.

Homage to Erik Satie; Homage to Jon Lord; Homage to Gregory Corso; Homage to Philip Larkin

SKU: BT.CAZCFHHOM02

Cheryl Frances-Hoad's Homages Book 2 for solo Piano.

These lyric pieces pay homage to the four composers - Bartok, Beethoven, Mendelssohn and Haydn.

1. Bar(tik)tok
2. BlurryBagatelle
3. Song without words
4. Stolen Rhythm

Duration: 13 minutes

SKU: P2.80167

At the request of the dynamic Eufonix Quartet (Danny Helseth, Aaron Tindall, Kelly Thomas, Pat Stuckemeyer), I composed Homage for premiere at the 2015 Northeast Regional Tuba Euphonium Conference, held at Ithaca College in New York. Compositionally, my intention was to capitalize on the uncanny capacity of the four musicians of Eufonix to match tone color and nuance, always the mark of a gifted ensemble. Homage unfolds as a simple memory of respect, admiration, affection and thanks. Set in a timeless ebb and flow of gently swelling harmonies, an introspective calm emerges as performers and listeners meet in a welcome space of repose. The experience is one of shared ritual, imbued with hope and quiet optimism. Originally scored for quartet of two euphoniums and two tubas, Homage is effective for any combination of low brass instruments. The music takes on exceptional depth and meaning when presented by a large ensemble.

SKU: BT.DHP-0940571-010

In the most literal sense: a piece for an occasion. The actual occasion was Jan de Haan’s twentieth anniversary as a conductor of the top Dutch brass band, “Soli Deo Gloria” (Leeuwarden). To mark the occasion, the band commissioned the Belgian comopser Jan Van der Roost to create a surprise piece: without knowledge of the person being celebrated, a suitable source of inspiration was sought for. After some thought the chorale-theme from Camille Saint-Saëns organ symphony was chosen, a piece with which Jan de Haan has a special bond.Apart from this chorale, Homage is also based on the names of notes taken from ‘Jan de Haan’ and ‘Soli Deo Gloria’, resulting in the tonerow: DEGAH. Both elements are combined together and form a grand climax towards the end of the piece when the whole band unites in the Saint Saëns’ theme.

Homage wurde von Jan Van der Roost im Auftrage der Brass Band Soli Deo Gloria aus Leeuwarden geschrieben. Direkter Anlass dazu war das 20-jährige Jubiläum von Jan de Haan als Dirigent dieses Ensembles. Als Inspiration diente dem Komponistendas Choralthema der Orgelsymphonie von Camille Saint-Saëns, ein von Jan de Haan geschätztes Werk. Nebst diesem Choral basiert Homage ebenfalls auf den Notenbezeichnungen aus ‘Jan de Haan’ und ‘Soli Deo Gloria’, was die Notenreihe DEGAH ergab.Beide Elemente werden durcheinander verwendet, bis sich schließlich die ganze Band im Finale mit dem Saint-Saëns-Thema wieder zusammenfindet.

SKU: BT.DHP-0940598-040

Along with the movement In the Kingâ??s Hall, The Homage March from Act III of Sigurd Jorsalfar remains one of the most popular Scandinavian pieces of classical music. This arrangement has, once again, has been skilfully crafted by Wil van der Beek for a younger Concert Band and will be a popular addition to any concert.

Grieg schreef Homage March voor het toneelstuk Sigurd Jorsalfar (Sigurd de kruisvader) van Bjørnsterne Bjørnsons. Dit voorstreffelijke en feestelijke werk inspireerde Wil van der Beek tot het schrijven van een schitterendebewerking voor harmonieorkest. Een uitstekende keuze!

Sigurd Jorsalfar ist die Bühnenmusik zum gleichnamigen Drama des berühmten norwegischen Dichters Bjørnsterne Bjørnson. Das Werk basiert auf einer altnordischen Sage von zwei Brüdern, die beide um den Königsthron kämpfen und einer Frau, die den Streit schlichten soll. Wil van der Beek bearbeitete den feierlichen Huldigungsmarsch aus diesem Werk für Blasorchester.

La Marche dâ??Hommage de lâ??acte III de la suite orchestrale Sigurd Jorsalfar dâ??Edvard Grieg, se trouve lâ??opposé des marches au caractère sombre ou martial. Lâ??introduction en forme de fanfare est superbement lyrique. Puis vient lâ??exposition dâ??un thème joué cantabile. Lâ??instrumentation développe quelque peu le thème initial avec des accents rythmiques la basse. Le thème de la marche est ainsi amorcé. Un trio central, lumineux et serein, précède le retour du thème de marche au tutti.

SKU: HL.178

ISBN 9781574240184. UPC: 073999045154. 9x12 inches.

'Sonny Terry has got to be explained to the people or his art will go over their head. By understanding Sonny Terry, you will learn how to enjoy and live in the real people's music that is on a train that's bound for glory.' - Woody Guthrie, 1946. This book/CD pack pays homage to Terry and his infamous playing. Besides 70 famous licks from Sonny, this pack gives you some quick harmonica lessons, information on Sonny's style, a discography with key chart, and a bibliography for future research. The CD includes each lick played out by the author.

SKU: BT.DHP-0940598-140

Along with the movement In the King’s Hall, The Homage March from Act III of Sigurd Jorsalfar remains one of the most popular Scandinavian pieces of classical music. This arrangement has, once again, has been skilfully crafted by Wil van der Beek for a younger Concert Band and will be a popular addition to any concert.

Sigurd Jorsalfar ist die Bühnenmusik zum gleichnamigen Drama des berühmten norwegischen Dichters Bjørnsterne Bjørnson. Das Werk basiert auf einer altnordischen Sage von zwei Brüdern, die beide um den Königsthron kämpfen und einer Frau, die den Streit schlichten soll. Wil van der Beek bearbeitete den feierlichen Huldigungsmarsch aus diesem Werk für Blasorchester.

La Marche d’Hommage de l’acte III de la suite orchestrale Sigurd Jorsalfar d’Edvard Grieg, se trouve l’opposé des marches au caractère sombre ou martial. L’introduction en forme de fanfare est superbement lyrique. Puis vient l’exposition d’un thème joué cantabile. L’instrumentation développe quelque peu le thème initial avec des accents rythmiques la basse. Le thème de la marche est ainsi amorcé. Un trio central, lumineux et serein, précède le retour du thème de marche au tutti.

SKU: AP.24763S

UPC: 038081269436. English.

To honor Native American cultures, Kevin Mixon has creatively scored Native American Homage. This work represents music typically heard at many modern-day powwows, commingling authentic sounds of nature and intertribal music. Contrasting lyrical and bravura sections authentically and respectfully present a substantive introduction to America's oldest known indigenous music. This compelling new work will move audiences and draw critical acclaim. A real winner!

Free, public domain MP3 recordings of optional night sounds are available for download under the Downloads section on the left.

SKU: CL.012-1690-00

From the lyrical opening theme, HOMAGE rises through a series of climaxes to a truly stunning conclusion. Every section of the band is featured in writing that is idiomatic without resorting to formula. This is a work with a unique and inspiring message that is certain to please audiences from the most general to the most sophisticated.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

SKU: HL.44013286

This work was commissioned by the Japanese Maritime Self Defence Force Band, based at Kure City, Hiroshima, Japan, to celebrate their 60th anniversary. The composer used a passage from Kosaku Yamadas Umi No Sakimori (Sakimori of the Sea), ceremonial music of the Maritime Self-Defence Force. The result is Homage, expressing Yagisawa's respect for Yamada and his work- a tribute to a composerwhose legacy includes a large number of Japanese songs.