SKU: LP.OR-2641
UPC: 765762077508.
Consider using this energetic choral arrangement as a special Palm Sunday processional led by your adult and children's choirs.
SKU: LP.765762216600
UPC: 765762216600.
Both penned and arranged by David T. Clydesdale this anthem is a high energy grooving Palm Sunday selection. Written in a perfect palm waving tempo this SATB anthem is an excellent option to celebrate the King who comes to rescue and save!
SKU: LO.30-2425L
UPC: 000308121858.
Fill your sanctuary with Palm Sunday majesty and excitement with this anthem from Joe Martin. The first of three verses is a lively call-and-response setting of the scripture: “Who is this King of glory?†The contrasting middle verse is an inventive pairing of the traditional hymn tune LEONI with the text “All Glory, Laud and Honor.†The final verse returns the lively theme of the first in counterpoint with drum-like hosannas. An energetic accompaniment that ties all three verses together, whether provided by piano alone or orchestra, makes this anthem the perfect choice for Palm Sunday. (From the cantata Who Is This King? SATB – 55/1096L; SAB – 55/1097L.) Instrumentation: 2 Flutes, Oboe, 2 Clarinets, Bassoon, 2 F Horns, 3 Trumpets, 2 Trombones, Tuba, Timpani, 2 Percussion, Violin 1 & 2, Viola, Cello, Bass.
SKU: LP.765762217409
UPC: 765762217409.
SKU: WD.080689617478
UPC: 080689617478.
SKU: LO.99-2041L
UPC: 000308113563.
Ideal for those churches who desire a short yet powerful seasonal work, this suite explores Jesus' entry into Jerusalem on Palm Sunday, His prayer in the Garden of Gethsemane, the crucifixion at Golgotha, and the resurrection on Easter Sunday. The four anthems may be presented together utilizing the included narration as a mini-cantata for Holy Week, or they may be presented individually during Palm Sunday, Holy Week and Easter services, making this a truly versatile consideration for Holy Week worship. Regardless of your presentation choice, the superb choral writing of Lloyd Larson and the tasteful orchestration of Brant Adams shine through to create a truly meaningful worship experience. Performance time: approximately 15-20 minutes.
SKU: HP.C5178C
UPC: 763628951788. By Melchior Teschner & Carl Tuttle.
Choral medley of songs by Melchior Teschner & Carl Tuttle Choral medley incorporating Melchior Teschner's All Glory, Laud and Honor with Carl Tuttle's Hosanna - skillfully arranged by Jack Schrader. The orchestration by Mark Kellner contains a Conductor's Score and parts for: Piano, Rhythm, Flute, Oboe, Clarinet, Trumpet 1, Trumpet 2 & 3, Horns 1 & 2, Trombone 1 & 2, Trombone 3/Tuba, Percussion, Timpani, Harp, Violins, Violas, Cellos and Basses.
SKU: HP.C5178O
UPC: 763628144227. By Melchior Teschner & Carl Tuttle.
SKU: HL.4003158
UPC: 884088651343. 10.5x14 inches.
Commissioned by the award-winning Kalamazoo (MI) Concert Band, Alleluia is a convergence of hauntingly emotive themes that culminate in breath-taking builds. The Kalamazoo Gazette described it as the “pinnacle of the concert” in which it was premiered, adding that Hazo's master composition takes the listener from “...bells and chimes to full Hosannas. The result was transfiguring! It first fades like a sunset, then explodes in white light, bringing the audience to their feet.” Written for mature ensembles, this work will have a powerful impact on the performers as well as all who hear it. Duration: 7:55.
SKU: BA.BA11310-90
ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin.
This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.â?¢ Scholarly-critical edition of the â??Requiemâ? fragmentâ?¢ With performance material for presentation of1) the fragment,2) a version with completions of the authentic Mozart sections or3) a full completion consistent with Mozartâ??s musical idiomâ?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozartâ?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragmentâ?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ?â?¢ Easy-to-play piano reductionâ?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critiqueâ?¢ Detailed Critical Commentary (Eng), partly available on the Bärenreiter websiteâ?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?)You will find a detailed brochure on the new completion of Mozart's Requiem here.
SKU: LO.55-1209MD
ISBN 9780787779269.
The Hope of the Cross is a dynamic and eclectic musical experience for Easter. Featuring music from the outstanding talents of Cliff Duren, Marty Hamby, Jay Rouse, Daniel Semsen, David Wise, and David Shipps, this collection of songs spans a wide range of styles. From the driving opening number, â??Shout Hosannaâ? to the powerful solo-driven ballad, All Hail King Jesus, and Southern Gospel infused â??I Believe Heâ??s Aliveâ?, audiences will be engaged from beginning to end. Use this resource as a musical presentation at Easter or for worship service choir features throughout the year. Brief narrations penned by Rose Aspinall are included as interludes between each song if being performed in its entirety. A full range of companion products are available, including rehearsal tracks, orchestrations, and a variety of audio accompaniment options.
SKU: WD.080689641176
UPC: 080689641176.
Introducing the new Simply Word Series Easter Musical, JESUS The Undefeated One, created by Lee Black and Jason Cox, and arranged and orchestrated by Daniel Semsen, this musical presents a prayerfully considered list of great songs, each showcased in Semsen’s brilliantly conceived, yet readily accessible, SATB part writing for choirs of all sizes. Abundantly rich with songs of jubilant praise, intimately worshipful ballads, and powerfully impacting songs of testimony and faith, JESUS The Undefeated One is guaranteed to help foster an atmosphere of worship and praise in your next Easter celebration. With songs such as Shout Hosanna, and Phil Wickham’s This Is Amazing Grace, to fresh, new songs from Jason Cox and Lee Black, plus David Crowder’s, My Victory, combined with the iconic Nicole C. Mullen song, Redeemer, this musical is jam-packed with worship-inspiring songs to lead your congregation in praise of the Risen King! He is alive, and there’s an empty grave…JESUS The Undefeated One!
SKU: BA.BA09188-91
ISBN 9790006565139. 27 x 19 cm inches. Key: C minor. Text Language: Latin.
Mozart's magnificent unfinishedGreat Mass in C minor K. 427is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performers for decades.Working together with the International Mozarteum Foundation in Salzburg, Barenreiter now presents a new edition of this work, reflecting the cutting edge of scholarship while doing justice to the needs of performers.High scholarly standards, the completion and reconstruction of movements: this pioneering publication incorporates all this in order to come as close as possible to the work itself:- TheKyrieandGloria, both of which survive complete in Mozart's hand, are edited in accordance with scholarly standards.- The first two sections of theCredohave been meticulously completed by the editor Ulrich Leisinger, drawing on original Mozart compositions e.g. the ariaDeh vieni non tardarfromThe Marriage of Figaroand paying attention to a stylistically appropriate and transparent sound.- TheSanctusandBenedictus(with theHosanna), which are either incomplete or survive only in secondary sources, have been reconstructed by the editor.Sections without any known sources are left out in this edition. Rounding off the publication is an extensive Foreword (Ger/Eng).The first performance of Ulrich Leisinger's new edition was given in April 2019 in the Elbphilharmonie Hamburg by the Hamburg State Philharmonic Orchestra and the ChorWerk Ruhr under the baton of Kent Nagano. The first Austrian premiere took place in Salzburg on August 2019 in the Great Hall of the Mozarteum, with Andrew Manze conducting the Salzburg Camerata to rousing applause from audience and critics alike.The C-minor Mass reconstruction by Helmut Eder on the basis of the New Mozart Edition (BA 4846) is still available: the score and performance material are on hire, the vocal score is on sale.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
