SKU: HL.48183224
UPC: 888680876876. 9.0x12.0x0.125 inches.
Michel Cals (b. 1951) composed his Four Inventions for Percussion and Piano to be played in a competition at Paris Conservatoire. As an unusual, contemporary addition to the Percussion repertoire, this Cals piece is a must-play for percussionists wishing to broaden their style. The four pieces bear the name of their instrumentation; 1. Accessories and Vibraphone, 2. Xylo-Marimba, 3. Snare Drum and Drum Kit, and 4. Five Timpani. Exploiting Percussion to its full potential, Cals' Four Inventions is essential to the repertoire of advanced percussionists..
SKU: PR.ZM35450
SKU: UM.12878
ISBN 9790224407228. A4 inches.
SKU: UM.33149
ISBN 9790224407235. A4 inches.
SKU: BT.ALHE31787
French.
For flute, piano (or celeste), harp and vibraphone (or marimba).
SKU: HL.48187893
UPC: 888680830700. 7.5x10.75x0.174 inches.
for flute, piano (or celeste), harp and vibraphone (or marimba).
SKU: AP.12-0571539327
ISBN 9780571539321. English.
Nature, Tansy Davies' gloriously offbeat concerto for piano and ten instruments from 2012, teems with invention. This 20-minute work was inspired by shamanic rituals and the supernatural, and Davies describes the piano as 'part moth, part Maenad'. There is a feral quality to much of the tumultuous solo writing---all hyperactive trills and gutsy bass eruptions, shot through with rare and unexpected moments of calm. Brilliantly imaginative, and packed full of glistening, ever-changing ensemble textures, this remarkable reimagining of the concerto form sees Davies craft yet another thrilling and wholly distinctive soundworld.
SKU: HL.50603827
ISBN 9781705148891. UPC: 196288015666. 10.5x14.0x0.055 inches.
SKU: GI.G-317045
ISBN 9780634055508. UPC: 073999170450.
A complete routine of 35 lessons showing how variations and arpeggios are formed in their relation to the fundamental chord. Demonstrates application of variations, arpeggios, double-stops, and scale forms to a given melody. Also includes a thorough demonstration of the invention of ideas, adaption from the piano-part, hot choruses, rhythm effects, and more. Originally published during 1936 and 1937 as a series of lessons available by mail, this title was one of the very first jazz improvisation methods to be published for any instrument.
