SKU: CY.CC2076
A beautiful, sweet, simple, lyrical melody for Trombone & Piano or Keyboard in a mix of Classical and Popular. This 2 1/2 minute work is in a moderate register and tempo. Will certainly show off the student with beautiful sound, Jonathan Warburton is one of the UK's and World's leading Bass Trombonists.
SKU: HP.8366
UPC: 763628183660. Galatians 6:14, John 3:14-15, John 12:32, Numbers 21:8-9, Revelation 5:9, Revelation 14:1, Revelation 22:4.
Lloyd Larson has crafted this versatile cantata to be sung during the Lenten Season, highlighting Palm Sunday through the Easter resurrection, in this 30-35 minute musical journey. Options to omit either the Palm Sunday selection or the Easter anthem are provided. This journey to the cross is filled with passionate and intimate worship moments using texts by contemporary hymn and song writers. It conveys a powerful message filled with eternal hope and the challenge to Lift high the cross, the love of Christ proclaim! The accompaniment may be provided by piano alone, chamber orchestra or an accompaniment CD. The instrumentation, arranged by Mark Kellner, contains a Conductor's Score and parts for: Flute, Oboe, Horn in F, Trumpet in B-flat, Percussion, Violin, Cello, Bass Guitar, and Synthesizer String Reduction.
SKU: HL.35012467
UPC: 747510062714. 8.5x11 inches.
Praise and jubilation are the main ingredients in this sparkling anthem. Combining elements of classic hymnody and “Lift High the Cross of Christ” with a contemporary refrain, this piece is perfect for services of blended worship. Bold, majestic accompaniment supports a memorable chorus-style melody that could easily be taught to the congregation. “Let Christ Be Lifted Up” is joyful and exciting and a must for continuing the festive celebration of Easter.
SKU: PR.114417270
ISBN 9781491101919. UPC: 680160631605. 9 x 12 inches.
The poem, written in 1900 by James Weldon Johnson, was set to music by his brother, John Rosamond Johnson, five years later, and was soon adopted as the Black American National Anthem. The powerful song of affirmation has been frequently sung at notable occasions, recently at the opening ceremonies of the National Museum of African American History and Culture. Simpson-Curenton has arranged the piece with her own variations as a concert level entry for flute and piano.______________________________________Text from the scanned back cover:Lift Ev’ry Voice and SingConcert Variations for Flute (and opt. Alto Flute) and PianoThe song “Lift Ev’ry Voice and Sing” began as a poem written by the lawyer and activist James Weldon Johnson in 1900; Johnson later served as leader of the NAACP, as foreign diplomat during the Roosevelt presidency, and as professor at New York University. In 1905, Johnson’s brother John Rosamond Johnson set the poem to music, and the song grew to be known as “the Black National Anthem,” continuing in this role today over 100 years later. J. Rosamond Johnson studied composition at New England Conservatory and sang in the original cast of Gershwin’s Porgy and Bess. Together the Johnson brothers were influential and inspirational voices of the Harlem Renaissance of the 1920s, and they also created several operettas and musicals.Evelyn Simpson-Curenton is an accomplished composer and keyboard performer in both classical and gospel music, having been raised as a piano prodigy and the keyboard player for her celebrated family’s ensemble the Singing Simpsons. Concert Variations on “Lift Ev’ry Voice and Sing” was composed for herdaughter, the flutist Julietta Curenton.
SKU: HL.540118
UPC: 196288075677. 6.75x10.5x0.019 inches.
In a nutshell, the message is how we are lifted by the love of God. The song praises that fact and prays for more. The music is not only uplifting but almost sings itself. An excellent choice for almost any time of the year.
SKU: HL.48009794
UPC: 073999175349. 8.5x11.5x0.427 inches.
Contents: As cheers the sun * And shall my sin-stain'd soul * Author of Peace * Ah! Think what ills * Alas! Erastea * Banish love from thy breast * Beneath the Vine * Bless'd the day * Capricious man * Daughter of Gods * Endless pleasure, endless love * Faithful cares in vain extended * Guardian Angels * Hide me from day's garish eye * My heart with tender pity swells * Me, when the sun begins to shine * No more shall armed bands * No, no, I'll take no less * Oft on a plat of rising ground * O killing shock of unexpected pain * O lovely youth * Sinners, lifts your eyes and tremble * Straight mine eye hath caught new pleasures * Together lovely innocents.
SKU: AP.49092
ISBN 9781470645946. UPC: 038081564326. English.
Sucessful launches and landings from the SpaceX program have proven to be inspirational in reigniting the excitement of human travel to space. Lift Off by Chris M. Bernotas is a thrilling overture that will launch the imagination of your students. With melodic opportunities for all students, this piece will engage your young band from start to finish. Correlated to Sound Innovations for Concert Band, Book 1, Level 5. (2:10).
SKU: AP.49092S
ISBN 9781470645953. UPC: 038081564333. English.
SKU: AU.9798889830986
ISBN 9798889830986.
Tedde Gibson’s accompaniments for the hymn Lift Every Voice and Sing for assembly and organ, brilliantly arranged in a Gospel style. Organist and church musician Tedde Gibson provides an introduction and three stanza accompaniments to Lift Every Voice and Sing for assembly and organ, brilliantly arranged in a Gospel style. These arrangements expand on the setting found in Pull Out the Stops! Vol. 3, providing a through-composed accompaniment for the entire hymn.
SKU: WD.080689492235
UPC: 080689492235.
Lift up your eyes to the Morning Star…lay your offering at the feet of the Light of lights and King of kings! Made popular by CCM artist Danny Gokey and arranged for you by uber-programmer Daniel Semsen, this contemporary, snyth-electronic anthem vividly points our way to Bethlehem and the manger where Jesus was born. Lift Up Your Eyes to Jesus…come and see the Saving One and follow Him!
SKU: HP.C5732C
UPC: 763628957322. George W. Kitchin, rev. Michael R. Newbolt & Sydney H. Nicholson. John 12:32, Matthew 10:38, Matthew 16:24, Luke 14:27, 1 Corinthians 1:17-24, Galatians 6:14, Philippians 2:8, 1 Peter 2:24, Revelation 1:18, John 3:14-15, Revelation 14:1, Revelation 22:4, Revelat.
Classic hymn This powerful resurrection anthem comes from Lloyd Larson's Easter musical, Lift High the Cross, and features the two Easter hymns, Lift High the Cross and Brian Wren's Christ Is Alive. Additional instruments effectively add to the impact of this Easter celebration. The Orchestration contains a Conductor's Score and parts for: Flute, Oboe, Horn, B-flat Trumpet, Violin, Cello, Bass Guitar, Synth String Reduction, and Percussion.
SKU: JK.01838
Psalm 121.
This beautiful arrangement by Christine Davis includes scriptural text adapted from Psalm 121: I Will lift mine eyes from whence cometh my help. I will lift mine eyes to the Lord, my God, for my help cometh from the Lord. Arranged for SATB choir with organ or piano accompaniment. Composer: Christine H. Davis Lyricist: Psalm 121 Difficulty: Medium Performance time: 4:00Reference: Psalm 121.
SKU: HP.C5732O
UPC: 763628257323. George W. Kitchin, rev. Michael R. Newbolt & Sydney H. Nicholson. John 12:32, Matthew 10:38, Matthew 16:24, Luke 14:27, 1 Corinthians 1:17-24, Galatians 6:14, Philippians 2:8, 1 Peter 2:24, Revelation 1:18, John 3:14-15, Revelation 14:1, Revelation 22:4, Revelat.
SKU: LO.99-3881L
UPC: 000308150247.
Performance/accompaniment CD for Unto the Hills I Lift My Eyes (10/5142L) This buoyant hymn of hope by Lloyd Larson is based on the enduring Psalm 121: Unto the hills I will lift my eyes; from where shall come my aid? My strength, my help is from God above who heaven and earth has made. It is equally effective with piano accompaniment or the optional solo trumpet.
SKU: ST.C397
ISBN 9790570813971.
1. Auf Flügeln des Gesanges (On Wings of Song)The text is from Lyrisches Intermezzo of 1823 by Heinrich Heine (1797-1856) and tells of melody’s power to transport lovers to the most beautiful night garden, with bright and fragrant flowers, gazelles, a murmuring stream, and a palm tree, under which they can dream. It is well known in the setting by Mendelssohn, written in 1834.2. Seit Ich Ihn Gesehen (Since I First Saw Him)The text is from Adelbert von Chamisso’s set of poems Frauen-Liebe und Leben, most famously set by Schumann in 1840. A young girl cries that she has been blinded by the vision of a gentleman who has unknowingly lifted her from darkness. Overwhelmed by the new emotions of adoration and infatuation, she retreats into isolation.This new edition supersedes the Nova Music publication of 1982 (NM249) and the European Archive edition (EMA119), originally edited by Georgina Dobrée, both now out of print. This edition is fully re-edited and includes the option of a second clarinet in place of the voice.Voice, clarinet & piano (or two clarinets & piano)Former Spartan Press Cat. No.: NM249.
SKU: ST.C507
ISBN 9790570815074.
The Twelve Sonatas Opus 6 for Violin and Continuo known as Trattenimenti Armonici per Camera (An Entertainment of Harmony) was first published in 1712. This spacious new series is based faithfully on Michael Talbot’s scholarly 1979 European Archive edition and includes an illuminating Preface and Critical Commentary.Volume 1: Op. 6 nos. 1-4. Four Sonatas: C, G minor, B flat and D minor.The fourth movement from Sonata in D minor (Op. 6 No. 4) was selected by ABRSM for Violin Grade 5, 2012-2015.The Optional Basso Continuo part is available to download free of charge, from: www.CliftonEdition.com/C507Edited by Michael TalbotGrade 5Former Spartan Press Cat. No.: EMA106.
SKU: ST.C508
ISBN 9790570815081.
The Twelve Sonatas Opus 6 for Violin and Continuo known as Trattenimenti Armonici per Camera (An Entertainment of Harmony) was first published in 1712. This spacious new series is based faithfully on Michael Talbot’s scholarly 1979 European Archive edition and includes an illuminating Preface and Critical Commentary.Volume 2: Op. 6 nos. 5-8. Four Sonatas: F, A minor, D and E minor.The Optional Basso Continuo part is available to download free of charge, from: www.CliftonEdition.com/C508Edited by Michael TalbotGrades 5–6Former Spartan Press Cat. No.: EMA107.
SKU: ST.C506
ISBN 9790570815067.
The Opus 5 Sonatas were first published in Amsterdam in 1716. The first four are for solo violin and continuo and appear in this volume. Numbers 5 and 6 are ‘Trio Sonatas’ for two violins and continuo. The order we have adopted pays tribute to Professor Michael Talbot’s legendary edition, first published by European Music Archive (EMA101),now sadly unavailable. Editorial suggestions are shown in square brackets.The Optional Basso Continuo part is available to download free of charge, from: www.CliftonEdition.com/C506Sonata in A, Op.5 no.2 (RV30)Sonata in B minor, Op.5 no.4 (RV35)Sonata in Bb, Op.5 no.3 (RV33)Sonata in F, Op.5 no.1 (RV18)Edited by Timothy RobertsABRSM and Trinity Grade 6Former Spartan Press Cat. No.: EMA101.
SKU: ST.C509
ISBN 9790570815098.
The Twelve Sonatas Opus 6 for Violin and Continuo known as Trattenimenti Armonici per Camera (An Entertainment of Harmony) was first published in 1712. This spacious new series is based faithfully on Michael Talbot’s scholarly 1979 European Archive edition and includes an illuminating Preface and Critical Commentary.Volume 3: Op.6 nos. 9-12. Four Sonatas: G, C minor, A and B flat.The Optional Basso Continuo part is available to download free of charge, from: www.CliftonEdition.com/C509Edited by Michael TalbotGrades 5–6Former Spartan Press Cat. No.: EMA108.
SKU: ST.C531
ISBN 9790570815319.
Formerly published by Nova Music as NM162 and by European Archive as EMA122.The Optional Basso Continuo part is free to download from https://cliftonedition.com/C531Jacques-Martin Hotteterre (1673 - 1763) was the heir to a famous family of wind instrument inventors originating in Normandy, France. The Hotteterre family is known to have brought great innovations to the development of wind instruments, including the three-part demountable flute and the oboe, whose invention is credited to his grandfather Jean. Jacques-Martin Hotteterre was perhaps the most gifted of his dynasty, with his father Martin, a renowned flute craftsman who created instruments used by Jean-Baptiste Lully.His nickname Roman was given to him following a stay in Rome. He was identified as Monsù Giacomo mastro di flauto (Monsieur Jacques master of flute), as documented at the court of The Marquis Francesco Maria Ruspoli in Rome.David Lasocki was born in London in 1947 and grew up in Manchester. Then he lived and worked in the United States and now Brazil. He holds a PhD in musicology from The University of Iowa (1983) and his dissertation won a national prize. He retired as Head of Music Reference Services in the Cook Music Library, Indiana University–Bloomington in 2011 after working there for 24 years, and is now a self-employed writer, researcher, editor, publisher (see www.instantharmony.net), and energy healer.Many kind people have viewed David as one of the world’s foremost researchers of the history of woodwind instruments, especially members of the flute family. His articles and books have also won national prizes, and he received a lifetime achievement award from the American Recorder Society in 2011.
SKU: ST.C505
ISBN 9790570815050.
Concerto IX. Woodcock’s only surviving musical compositions are a set of twelve concertos (3 for flute, 3 for recorder, and 3 for oboe) published by Walsh and Hare in London circa 1727. The concertos were originally published under the title: XII Concertos. The three flute concertos in this set are the earliest known published for that instrument, and the three oboe concertos are the first known by an English composer. Vivaldi published his opus 10 flute concertos shortly thereafter, in c.1728, and the earliest oboe concertos were published by the Italian composer Albinoni in 1715.This Concerto is available in two versions:C504Piano ReductionKeyboard score (Piano/Harpsichord)with Flute partC505 (this version)Full Score and PartsIncludes score and set of parts for Flute, Violin 1 & 2 and VioloncelloThe Optional Basso Continuo Part is available to downloadfrom www.CliftonEdition.com/C504Grades 4–5Former Spartan Press Cat. No.: PP92.
SKU: ST.C504
ISBN 9790570815043.
Concerto IX. Woodcock’s only surviving musical compositions are a set of twelve concertos (3 for flute, 3 for recorder, and 3 for oboe) published by Walsh and Hare in London circa 1727. The concertos were originally published under the title: XII Concertos. The three flute concertos in this set are the earliest known published for that instrument, and the three oboe concertos are the first known by an English composer. Vivaldi published his opus 10 flute concertos shortly thereafter, in c.1728, and the earliest oboe concertos were published by the Italian composer Albinoni in 1715.This Concerto is available in two versions:C504 (this version)Piano ReductionKeyboard score (Piano/Harpsichord)with Flute part.C505Full Score and PartsIncludes score and set of parts for Flute, Violins 1 & 2 and VioloncelloThe Optional Basso Continuo Part is available to downloadfrom www.CliftonEdition.com/C504Grades 4–5Former Spartan Press Cat. No.: PP92A.
SKU: ST.C532
ISBN 9790570815326.
Formerly published by Nova Music as NM171 and by European Music Archive as EMA123.The Optional Basso Continuo part is free to download from https://cliftonedition.com/C532.Jacques-Martin Hotteterre (1673 - 1763) was the heir to a famous family of wind instrument inventors originating in Normandy, France. The Hotteterre family is known to have brought great innovations to the development of wind instruments, including the three-part demountable flute and the oboe, whose invention is credited to his grandfather Jean. Jacques-Martin Hotteterre was perhaps the most gifted of his dynasty, with his father Martin, a renowned flute craftsman who created instruments used by Jean-Baptiste Lully.His nickname Roman was given to him following a stay in Rome. He was identified as Monsù Giacomo mastro di flauto (Monsieur Jacques master of flute), as documented at the court of The Marquis Francesco Maria Ruspoli in Rome.David Lasocki was born in London in 1947 and grew up in Manchester. Then he lived and worked in the United States and now Brazil. He holds a PhD in musicology from The University of Iowa (1983) and his dissertation won a national prize. He retired as Head of Music Reference Services in the Cook Music Library, Indiana University–Bloomington in 2011 after working there for 24 years, and is now a self-employed writer, researcher, editor, publisher (see www.instantharmony.net), and energy healer.Many kind people have viewed David as one of the world’s foremost researchers of the history of woodwind instruments, especially members of the flute family. His articles and books have also won national prizes, and he received a lifetime achievement award from the American Recorder Society in 2011.
