Format : Score and Parts
SKU: CL.016-0046-00
SKU: CL.013-0211-00
Note: This is a reprint from a vintage publication of 1900. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Due to the era of this work, saxophone parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
SKU: AP.45152
ISBN 9781470632847. UPC: 038081516318. English.
For beginning musicians, Alfred's Easy series is the fast track to developing a repertoire of well-known and fun-to-play songs, while more experienced players will find an excellent resource of favorite songs. The Easy Hits Ukulele format provides melody, chords, and lyrics for easy strum and sing performance---plus suggested strum patterns and TAB for any integral hook parts. This Classic Rock edition features songs spanning three decades from such artists as Chicago, The Rolling Stones, Fleetwood Mac, The Doors, Bruce Springsteen, Crosby, Stills, Nash and Young, and many more! Titles: 25 or 6 to 4 (Chicago) * Baby It's You (Smith) * Behind Blue Eyes (The Who) * Born to Run (Bruce Springsteen) * Can't You See (The Marshall Tucker Band) * The Chain (Fleetwood Mac) * The Circle Game (Joni Mitchell) * Colour My World (Chicago) * Dancing in the Dark (Bruce Springsteen) * Do You Feel Like We Do (Peter Frampton) * Do You Want to Know a Secret (The Beatles) * Don't Stop Believin' (Journey) * Feelin' Stronger Every Day (Chicago) * Go Your Own Way (Fleetwood Mac) * Good Times Bad Times (Led Zeppelin) * Hit Me with Your Best Shot (Pat Benatar) * Hold the Line (Toto) * Hold Your Head Up (Argent) * I Hear You Knocking (Dave Edmunds) * I Saw Her Standing There (The Beatles) * Let's Spend the Night Together (The Rolling Stones) * The Letter (The Box Tops) * Lido Shuffle (Boz Scaggs) * Life in the Fast Lane (The Eagles) * Light My Fire (The Doors) * Lola (The Kinks) * Marrakesh Express (Crosby, Stills and Nash) * Only Women Bleed (Alice Cooper) * Open Arms (Journey) * Our House (Crosby, Stills, Nash and Young) * Paint It, Black (The Rolling Stones) * Pinball Wizard (The Who) * Riders on the Storm (The Doors) * Rock and Roll (Led Zeppelin) * (I Can't Get No) Satisfaction (The Rolling Stones) * Separate Ways (Worlds Apart) (Journey) * She Loves You (The Beatles) * She's Not There (The Zombies) * Space Oddity (David Bowie) * Spirit in the Sky (Norman Greenbaum) * Stairway to Hea.
SKU: CL.012-3806-01
The California Gold Rush began on January 24, 1848, when gold was discovered by James W. Marshall at Sutter's Mill, in Coloma, California. Using unique scoring techniques and multiple tambourines as pans, Eureka is David Shaffer’s musical depiction of the first miners attempts at panning gold from the American River and their perilous trip by horseback to San Francisco to stake their claim. Breathtaking musical excitement, simple but clever staging of the panners combined with the historical importance of that era will make this composition a must for your concert repertoire. Appropriate for festival, contest, and concert programs, this composition will make a rousing closer to any program.
SKU: CL.012-3806-75
The California Gold Rush began on January 24, 1848, when gold was discovered by James W. Marshall at Sutter's Mill, in Coloma, California. Using unique scoring techniques and multiple tambourines as pans, Eureka is David Shaffer's musical depiction of the first miners attempts at panning gold from the American River and their perilous trip by horseback to San Francisco to stake their claim. Breathtaking musical excitement, simple but clever staging of the panners combined with the historical importance of that era will make this composition a must for your concert repertoire. Appropriate for festival, contest, and concert programs, this composition will make a rousing closer to any program.
SKU: HL.4008678
UPC: 196288190219.
Presented for the first time in August 1848 in Vienna, Johann Strauss Sr's Radetzky-Marsch is one of the most famous marches ever composed, dedicated to Field Marshal Joseph Radetzky von Radetz. Strauss was commissioned to write it to commemorate Radetzky's victory in the battle of Custoza. Next to the waltz An der schönen blauen Donau - On the beautiful blue Danube - by Johann Strauss Jr, the Radetzky-Marsch has assumed the role of 'unofficial' Austrian anthem over time. When it was performed for the first time in front of officers, these began to beat their hands and feet to the rhythm of the music, giving life to a tradition often seen in many concert halls when the march is performed live. The Vienna Philharmonic always performs the march as the final piece in the famous New Year's Concert.
SKU: HL.276700
UPC: 888506020216. 6.0x9.25x4.109 inches.
The original Hotone Nano Legacy Series Amplifier Heads have grown to such demand that it onlymade sense to combine two of them into a single convenient floor-based stompbox design withincreased power, and let it form the core of your live or studio guitar setup... The Nano Legacy Floor Series features two portable dual-channel floor amplifier models: BritWind and Mojo Attack. The BritWind houses the sound characteristics of Hotone's British Invasion (inspired by the legendary Vox® AC30*) and Purple Wind (inspired by legendary Marshall® PlexiSuper Lead 1959*) Nano Legacy Series amp heads on separate channels. In the same fashion, the Mojo Attack joins those of the Mojo Diamond (inspired by legendary Fender Tweed®*) and Heart Attack (inspired by legendary Mesa/Boogie® Rectifier®*) amps. Beyond combining two Nano Legacy Series amps in one, the Nano Legacy Floor Series amps feature increased power (75 watts each), as well as enhanced sound quality and dynamic range. In addition, these amps offer extended onboard functions and effects, including independent volume/gain/3-band EQ, a clean boost (up to +12dB), reverb, an FX Loop, a single speaker output for use with 4-16omega cabinets, and a switchable cabinet simulator on its Line and XLR outputs. Fusing legendary guitar tone with convenience and portability, the Hotone Nano Legacy Floor Seriesamplifiers ensure you're always ready to perform or record. Simply connect one to a cabinet, mixer orinterface, and you're ready to rock! Features: • Portable dual-channel floor amplifier • 75 watts • Nano Legacy Series preamp tone with enhanced sound quality and dynamic range • BritWind: Dual-channel design combines two Nano Legacy Series amplifiers in one: -CH A: Hotone British Invasion, inspired by legendary Vox® AC30* -CH B: Hotone Purple Wind, inspired by legendary Marshall® Plexi Super Lead 1959* • Mojo Attack: Dual-channel design combines two Nano Legacy Series amplifiers in one: -CH A: Hotone Mojo Diamond, inspired by legendary Fender Tweed®* -CH B: Hotone Heart Attack, inspired by legendary Mesa/Boogie® Rectifier®* • High-quality tone with independent volume, gain and 3-band EQ • Built-in boost provides up to +12dB of clean volume boost • Onboard reverb with clear, natural decay • FX Loop for integrating external effects • Single speaker output for use with 4-16omega cabinets • Line and XLR outputs with switchable cabinet simulator • Powered by 18-20V DC (center positive) adapter included * VOX AC30 is an amplifier model of Korg Inc. * Marshall® Plexi Super Lead 1959 is an amplifier model of Marshall Amplification plc. * Fender Tweed® is an amplifier model of Fender Musical Instruments Corporation. * Mesa Boogie® Rectifier® is an amplifier model of Mesa/Boogie Ltd.
SKU: HL.276699
UPC: 888506020209. 6.0x9.25x4.285 inches.
SKU: FT.FM560
ISBN 9790570484591.
This Intermezzo was composed for the 3rd Annual Sul Ross State University Wind Ensemble Composition, and was selected as a winning entry. It's premier performance was on the 7th of May 2015 at the Marshall Auditorium, Alpine, Texas. With a gracious and slightly nostalgic beginning, the piece builds in energy and pace, leading to a triumphal finale. This piece has an effective and rare combination of flowing lyrical melodies with an almost military-like feeling towards the mid and latter sections; partly inspired by the excitement and power of American marching bands, as the piece was composed for an American University ensemble.
