20 Melodic Studies

Intermediate Level And Beyond. Par COLES PAUL. In Paul Coles' '10 More Melodic Studies for Guitar”, he provides some essential complementary material to follow his previous volume, '26 Melodic Studies”. This new selection takes a look at varied time signatures and unusual harmonic combinations, offering a varied and colourful selection of original compositions that explore moderately advanced technical points for both left and right hands. / Niveau : Intermédiaire / Etude / Guitare Classique

Expertly written by the renowned trumpet virtuoso Allen Vizzutti, this comprehensive new trumpet method provides a fantastic assortment of all-new intermediate to advanced-level exercises and etudes in all keys. It is organized into three volumes for greater study flexibility: Book 1, Technical Studies- Book 2, Harmonic Studies and Book 3, Melodic Studies. / Trompette

La référence AL28606 de l'éditeur Leduc dont l'auteur célèbre est Bennett, qui a pour titre 14 Melodic Studies, a été écrite et composée pour Trompette et Cornet Cette partition musicale appartient à la catégorie Classique. / Trompette / Partition

Par GETCHELL ROBERT W.. The First Book of Practical Studies is designed to develop chord consciousness and to provide additional experience in the fundamental rhythms, key signatures, and articulations and to improve accuracy in reading through the use of interesting and melodic studies. It may be used either to supplement or to follow any beginning method book and will serve as an ideal preparation for slightly more advanced techniques to be found in the Second Book . / Méthode en anglais / Etude / Cor

The Melakarta System. Par IYER RADHIKA. Elements of Indian Music introduces the Indian melodic system in an accessible manner within the realm of Western music theory. It demonstrates a new archetype in music composition for composers of any genre, as well as composition teachers and anyone interested in ethnomusicology.This book contains a set of 12 etudes for piano and transcriptions for classical guitar. Each etude is about one minute in length and utilizes notes from a particular Indian scale. An intermediate to advanced skill level is required to perform each etude. Practicing and performing these studies is an excellent way to expand one's musical perspective beyond traditional diatonic scales.Indianmusic has intrigued the West for a long time, but hasn't always been accessible because of the absence of a systematic approach to theory and repertoire. Just as the Western harmonic system is well developed, the Indian melodic system is very advanced and equally established. The intermingling of these two worlds can inspire new, exceptional sonic landscapes.Useful literature on the evolution of the Indian melodic system is also included, with notes on how it can be used as a modus operandi by Western musicians who wish to apply Indian scales in Western compositions and improvisations.Includes access to online audio Elements of Indian Music introduces the Indian melodic system in an accessible manner within the realm of Western music theory. It demonstrates a new archetype in music composition for composers of any genre, aswell as composition teachers and anyone interested in ethnomusicology. This book contains a set of 12 etudes for piano and transcriptions for classical guitar. Each etude is about one minute in length and utilizes notesfrom a particular Indian scale. An intermediate to advanced skill level is required to perform each etude. Practicing and performing these studies is an excellent way to expand one's musical perspective beyond traditionaldiatonic scales. Indian music has intrigued the West for a long time, but hasn and rsquo - t always been accessible because of the absence of a systematic approach to theory and repertoire. Just as the Western harmonic system iswell developed, the Indian melodic system is very advanced and equally established. The intermingling of these two worlds can inspire new, exceptional sonic landscapes. Useful literature on the evolution of the Indianmelodic system is also included, with notes on how it can be used as a modus operandi by Western musicians who wish to apply Indian scales in Western compositions and improvisations. Includes access to online audio. / Niveau : 4 / Etudes et exercices / Etude / Tout Instrument

Description Fluid Pentatonics for Guitar: 84 Melodic Studies for Rock Guitar is a comprehensive manual for developing blistering pentatonic motion that moves freely over the entire fretboard, using position-shifting slides, hammer-ons, and pull-offs for speed and fluidity. Emphasis is on overcoming the restrictive nature of traditional pentatonic box scale fingerings by developing pathways that continually shift between and connect the five pentatonic “boxes”. Complete whole-neck control is developed through an extensive series of repeating melodic exercises and etudes. Section One presents 35 sequential whole-neck studies, each of which spans the range of twelve frets, thus unlocking virtually every possible position shift. Section Two develops complete non-shifting control through a series of 15 interesting and useful sequential patterns, applied to each of the five pentatonic boxes. Section Three presents 10 whole-neck/position-shifting studies that are non-sequential in design, in order to develop unpredictable melodic flow. Then, in Sections Four and Five, two vital extensions/variations of the pentatonic scale are fully explored; the Hexatonic and Dominant Pentatonic scales. The result is a complete matrix of pentatonic moves and connections that allow the guitarist to float freely across the entire fretboard without being locked into any single particular pentatonic box. The resulting sound is definitely NOT bluesy (very little string bending), but closer to a modern jazz-rock fusion style; fluid and unpredictable. Great for all guitarists in rock, jazz, fusion, blues, country, and pop styles who want to unlock complete whole-neck freedom and develop a fast, modern pentatonic sound. CD included. Presented in standard notation and tablature.

Par GARIBOLDI GIUSEPPE. 20 Melodic Studies, Op. 88 by Giuseppe Gariboldi is a series of 20 pleasant studies arranged for Flute. Quite challenging and with many nuances, 20 Melodic Studies, Op. 88would fit intermediate/advanced players and fill them with enjoyment while developing their learning and techniques. Giuseppe Gariboldi (1833-1905) is an Italian flautist and composer who wrote numerouspieces for Flute. Most of his study books are still used to teach the Flute, including also 'Dainty studies, Op. 131' or 'Daily exercises, Op. 89'. / Date parution : 2024-01-26/ Etude / Flûte Traversière

Solo transcriptions can be an interesting document of a person's style but are also so personal and idiosyncratic that one can get frustrated in trying to play them without mistakes. This book contains a series of studies to extend the playing and reading techniques, to illustrate harmonic and melodic shapes and possibilities, bolster endurance, and most of all train the ear to hear moving often intricate melodic lines in a musical sense. These pieces are structured in a way that challenges the registers of the instrument but also allows the student to learn how to pace him/herself. The shapes of the line will naturally show the practising student where and how he/she can rest while still playing. The studies could serve as tutti passage or solos for brass and/or saxophones. / Trompette

Level: easy / intermediate Format: English / French / German Arranger/Editor: Thomas Stevens This book is a supplement to the original James Stamp Warm-Ups and Studies (Editions Bim, Switzerland), and all of James Stamp?s concepts and instructions presented in the original volume should apply to these studies as if they were included in this book. The Stamp Warm-up No.6 from the original book (page 10) constitutes the main body of these studies (II, 1-6, pages 18-35). In his studio teaching, James Stamp had his advanced students play No.6 in the natural minor, harmonic minor, ?jazz? melodic minor, whole-tone, and diminished scales, versions of which are included in this volume. The philosophy of the Supplemental Studies, to which James Stamp agreed many years ago, was to fill in some of the blank pages of his legacy, to wit: to show his advanced scale exercises and some of his pedagogical ?roots.? One cannot do this without mentioning Max Schlossberg (1873-1936), whom many consider to be the father of the American school of trumpet playing, and who had a great influence on James Stamp?s work. James Stamp was a student of professor Schlossberg, and he used, especially during his formative years as a teacher, some of Schlossberg?s original unpublished materials in his work. Schlossberg?s concepts also greatly influenced the development of the now world-famous original published Stamp materials (Editions Bim). The Supplemental Studies include four preparatory scale exercises (I, page 8-16) and five attack-air flow studies (III, page 36-39) used by James Stamp, both sets of which have their origins in the concepts of Max Schlossberg and the members of the so-called Schlossberg School. Thomas Stevens

All the essential and required studies for Classical Guitar are collected here in one handsome volume for Classical Guitar students and instructors. The studies appear on nearly every syllabus from any respected university Classical Guitar program. Newly engraved from early editions, with centuries-old errors now corrected and with minimal editorial annotations, this clear, uncluttered, easy-to-read reference book will be used every day for a lifetime of study. A 'one-stop shopping' repertoire book for every classical guitarist. Includes selected studies by Sor (Opp. 6, 29, 31, 35, 44, 60), Giuliani (Opp. 48, 51, 139),Aguado (from his Nuevo Método para Guitarra) and Carulli (Op. 333), as well as complete editions of Carulli's 24 Preludes, op. 114 - Giuliani's 120 Studies for Right-Hand Development, op. 1a - Carcassi's 25 Melodic and Progressive Etudes, op. 60 - and Coste's 25 Etudes de Genre, op. 38 . Of special interest to the student is the inclusion of carefully chosen audition and recital pieces from Bach, Milán, Tárrega, and Albéniz. / Rép Classique / Recueil / Guitare

Par RAE JAMES. 18 studies written to develop familiarity with the main types of scales and arpeggios in Jazz. More enjoyable than the scales themselves, James Rae has deliberately chosen keys that give a comfortable, user-friendly introduction to the various tonalities. Each section describes a particular type of scale and includes studies based on it. Included are: the major scale, the dorian mode, the mixolydian mode, the minor pentatonic scale, the jazz melodic minor scale, the blues scale, the chromatic scale, the whole tone scale and the diminished scale. Studies in each of these volumes have been set as an alternative to scales, for all grades, on the Jazz Flute, Jazz Clarinet and Jazz Saxophone syllabuses of the new Trinity Guildhall Examinations 2007. / Jazz / Etude / Clarinette

Par RAE JAMES. 18 studies written to develop familiarity with the main types of scales and arpeggios in Jazz. More enjoyable than the scales themselves, James Rae has deliberately chosen keys that give a comfortable, user-friendly introduction to the various tonalities. Each section describes a particular type of scale and includes studies based on it. Included are: the major scale, the dorian mode, the mixolydian mode, the minor pentatonic scale, the jazz melodic minor scale, the blues scale, the chromatic scale, the whole tone scale and the diminished scale. Studies in each of these volumes have been set as an alternative to scales, for all grades, on the Jazz Flute, Jazz Clarinet and Jazz Saxophone syllabuses of the new Trinity Guildhall Examinations 2007. / Jazz / Etude / Saxophone