Format : Score and Parts
SKU: HL.374733
UPC: 888506040061. 4.0x7.75x3.0 inches.
The Next Gen of a Classic Soul Press II is a next-gen product in the Hotone Press series pedal line. It's new-designed upgrade based on the popular concepts of both the Soul Press and Vow Press. It integrates up to four function modes (volume, wah, volume/wah, expression), taking playability to new heights. The pedal position indicator shows the pedal position in real time. The TONE mode selection and Q value adjustment represent an absolute improvement in tone and functionality. Multiple I/O options provide more diverse access. The reimagined pedal size maintains portability while delivering an optimal ergonomic experience. Soul Press II is a truly versatile wah pedal.
SKU: HL.49033361
ISBN 9783795757625. German.
Harmonik und Rhythmik sind fur jeden Jazzmusiker eine Selbstverstandlichkeit. Wie aber lernt man melodische Improvisation? Wie gestaltet man ein Thema und vor allem: Wie entwickelt man es weiter? Diese Lucke zu schliessen ist das Ziel von Jazztrompete kreativ. Es bietet dem angehenden und fortgeschrittenen Jazztrompeter mit ausfuhrlichen Erlauterungen und Ubungen, zahlreichen Notenbeispielen und einer Play-Along-CD pro Band eine Fulle von ubersichtlich gegliederten Ubungen, Informationen und Anregungen. Eine umfassende Anleitung zum Improvisieren, die sich nicht nur auf die Arbeit mit Skalen und Akkordpatterns beschrankt, sondern einen wirklich kreativen Zugang zur Jazzmelodik und dazu viele echte Tipps aus der Praxis bietet. Fur Unterricht und Selbststudium geeignet.
SKU: HL.369112
UPC: 840126989076. 6.75x10.5x0.029 inches.
Known as the Black National Anthem, Jarrett Johnson along with Alvin Chea created and recorded a fabulous a cappella version and placed it on YouTube, which went viral and to their amazement was nominated for a Grammy. Next, Professor Michele Jenson from Azusa Pacific University told her friend, Jarrett, she wanted to create a choral version for her chamber choir. Choral conducting legend Andre Thomas heard it and wanted it in his new choral series with Gentry Publications. And that is the story of how this amazing rendition came to be a new publication for choirs everywhere.
SKU: BR.DV-6081
ISBN 9790200460032. 9.5 x 12 inches.
Duration: full eveningTranslation: German (W. Ebermann/M. Koerth), Engl. (D. Llyod-Jones), French (M. Delines) Place and time: Partly on the estate, partly in Petersburg, in 20ies of the 19th CenturyCharacters: Larina, Owner of the Estate (mezzo-soprano) - Tatiana (soprano) and Olga (alto), her Daughters - Filipjewna, Wet Nurse (mezzo-soprano/alto) - Eugen Onegin (baritone) - Lenskij (tenor) - Prince Gremin (bass) - A Commander (bass) - Saretzkij (bass) - Triquet, a French Man (tenor) - Guillot, a Valet (silent part) - Country Folk, Ball Guests, Squire, Officers (chorus) - Waltz, mazurka, polonaise and Russian dance (Ballet )There is an interesting parallel between the subject of the opera and Tchaikovsky's life during the year he wrote the work (1877): in each case, a letter provokes fateful developments in the lives of the protagonists. In the opera, Tatyana's love letter to Eugene sets off the tragedy, whereas in real life, the love letter of a pupil led the composer into a marriage, which lasted all of ... three months. Tchaikovsky took this doomed decision without love, solely because the circumstances want it and because I cannot act differently. Certain allusions made, for example, in a letter of January 1878 to Taneyev suggest that the composer's personal situation also flowed into the work: I did not want anything to do with the so-called 'grand opera.' I am looking for an intimate but powerful drama which is built on the conflict of circumstances which I myself have seen and experienced, a conflict which truly moves me. Partly for this reason the composer decided to call the work not an opera but lyrical scenes.Eugene Onegin, conceived by Tchaikovsky for limited resources and a small stage, is the most frequently performed Russian opera today along with Mussorgsky's Boris Godunov, which represents a completely contrary aesthetic stance. Tschaikowskys letzte Oper - auf ein Libretto seines Bruders Modest nach der Dramenvorlage des danischen Schriftstellers Henrik Hertz - lebt von den poetischen Momenten und den symbolbeladenen Charakterportrats der Hauptfiguren: Die junge blinde Jolanthe wird von ihrem Vater aus Sorge um ihren Makel und zum Schutz ihrer Jungfraulichkeit und vor den Widrigkeiten der Welt in einen paradiesischen Garten gesperrt. Er befielt zu ihrem Schutz sie um ihre Blindheit unwissend zu lassen. Ein Arzt warnt sehen werde sie nur konnen wenn sie es selbst wolle gleich welche Angste aus der vollstandigen Erkenntnis der Welt erwachsen. Als der junge Vaudemont in ihre Abgeschiedenheit einbricht und sich beide ineinander verlieben befreit er sie von ihrer Unwissenheit erklart was Farbe und Licht bedeuten. Erst die Liebe zu ihm macht sie sehend. Die dunkle Welt der Jolanthe zeichnet Tschaikowsky zu Beginn musikalisch durch eine Introduktion ausschliesslich fur Blaser. Erst mit dem Eintritt in die unbekannte Welt der Liebe und des Sehens verwendet Tschaikowsky einen warmen Streicherklang. Gerade dadurch stiess die Oper wohl bei Zeitgenossen auf Verstorung. Tschaikowskys ,,Jolanthe nimmt in seinem Opernschaffen eine Sonderstellung ein: neben dem glucklichen Ende einer Apotheose des Lichts und der Liebe mit einem religios gepragten Schlusschoral ist es eines der wenigen Buhnenwerke Tschaikowskys ohne Bezug zur russischen Geschichte. Der ausgepragte Lyrismus des Werks verweist stattdessen auf Tschaikowskys Nahe zur franzosischen Kultur die im 19. Jahrhundert einen starken Einfluss auf Russland hatte. Die Oper wurde 1892 am Mariinsky-Theater in Sankt Petersburg als Auftragswerk zusammen mit seinem Ballett ,,Der Nussknacker uraufgefuhrt.Neben der Produktion des Munchner Rundfunkorchesters wurde ,,Jolanthe szenisch erfolgreich bei den Festspielen Baden-Baden mit Anna Netrebko und Piotr Beczala als Liebespaar rehabilitiert. Ausserhalb Deutschlands lief die Opernraritat in Toulouse Tokyo San Sebastian und Monte Carlo. Zuletzt erneut die ,,Suddeutsche Zeitung: ,,Jolanthe ist eine Opernausgrabung die ,,wirklich zu Unrecht vergessen ist. Tchaikovsky's last opera - on a libretto by the composer's brother Modest based on the drama by the Danish author Henrik Hertz - derives its life-blood from its poetic moments and the symbol-laden portraits of the leading characters: the blind young Yolanta is kept prisoner in a paradisiacal garden by her father who fears for her purity and her virginity and seeks to protect her from the adversities of the world. To do so he orders everyone to keep her ignorant of the fact that she is blind. A doctor warns that she will only be able to see when she is ready to do so herself no matter what fears might result from a complete experience of the world. When the young Vaudemont breaks into her secluded world and the two fall in love he frees her from her ignorance and explains the significance of color and light. It is through her love for him that she is finally able to see. At the beginning of the work Tchaikovsky depicts Yolanta's dark world with an introduction scored exclusively for winds. It is not until her discovery of the unknown world of love and sight that Tchaikovsky uses a warm string sound. This is what many of the composer's contemporaries found disturbing about the opera.Tchaikovsky's Yolanta occupies a special place in the composer's operatic oeuvre: for one it has a happy ending an apotheosis of light and love with a religiously stamped closing chorale; for another it is one of Tchaikovsky's few stage works without any reference to Russian history. Instead the work's pronounced lyricism points to the composer's closeness to French culture. which exerted a strong influence on Russia in the 19th century.The opera was given its world premiere at the Mariinsky Theater in St. Petersburg in 1892. It had been commissioned along with the ballet The Nutcracker. Next to the production by the Munchner Rundfunkorchester Yolanta was also successfully rehabilitated in a recent staged production at the Baden-Baden Festival with Anna Netrebko and Piotr Beczala as the lovers. Outside of Germany the operatic rarity was performed in Toulouse Tokyo San Sebastian and Monte Carlo.In closing another quote from the Suddeutsche Zeitung: 'Yolanta' is an operatic rediscovery of a work that was truly 'wrongly forgotten'.
SKU: KN.61527S
UPC: 822795615272.
This modern chart for advancing groups will showcase the ability of your band to sustain a strong sense of time throughout. The lengthy solo section vamps on two chords for an improvised conversation between trumpet and tenor, and may be extended for a single soloist if desired. A guitar chord chart by Jim Greeson is included in each set. Duration 5:20.
SKU: CA.5022500
ISBN 9790007090739.
Rheinberger's concert overtures are completely beholden to the tradition of the genre established at least since the 1820s. The spread of this genre was favored in equal measure by the growth of bourgeois musical culture and the overwhelming model of Beethoven's nine symphonies, which sowed a certain perplexity and discouragement among composers of the next generation and led them to turn increasingly to the smaller single-movement genre in their orchestral music. Soon a generic distinction arose between two types of overture. One was the autonomous overture, whose character results from its specific introductory function. Rheinberger's Academic Overture follows in this same line of tradition. The other type was the overture with subject-matter, in which the romantic inclination to recreate extra-musical material in music found an expecially fruitful field of exploration. Having originated as the opening item of an opera or play, the overture had, after all, long been accustomed to accommodating the contents of the work that followed. The concert overture on an extra-musical subject is in turn associated in particular with the works of Felix Mendelssohn Bartholdy. Rheinberger too, closely modeled his opp. 11 and 110 on Mendelssohn's overtures.
SKU: HL.1197750
UPC: 196288134800. 6.75x10.5x0.029 inches.
Once again, Mark Butler has produced a top-notch, inspiring original composition styled as a ballad for soloists, choir, piano, viola and bass. If your choir is blessed with two soulful soloists, this would be an ideal showcase for your next concert. Accessible yet inspiring, this work will prove a favorite for both singers and audiences.
SKU: HL.1428120
UPC: 196288202264.
“Oh, It's Gonna Be A Mighty Day” is a new spiritual arrangement with distinctive harmonies, a striking piano accompaniment, and breathtaking vocal lines. The arranger's exceptional skill shines through, ensuring each vocal line remains engaging while paying homage to the soulful roots of the Black American folk-tune. If you're on the lookout for a fresh rendition of a lesser-known spiritual, look no further. Elevate your next choral performance with this perfect addition to your repertoire!
SKU: HL.49044585
ISBN 9783795749736. German - English - French.
Following on from the successful Keytainment (ED 21233), now it's getting really easy. This songbook for keyboard players contains a large selection of easy-to-play arrangements from various music genres. There really is something for everybody! Includes: Dexter (theme song) - I'm Always Here (Baywatch theme) - and many more.
SKU: AP.37817S
UPC: 038081434384. English.
Enchant everyone at your next concert with this colorful and dramatic arrangement of Puccini's La Tregenda. This intermezzo from the opera, Le Villi, depicts the evildoings of the ghost maidens deserted by their lovers. According to the legend of Le Villi, when a woman dies of a broken heart, the fairies disguised as beautiful women cast a spell over the heart breaker and force him to dance until death. This title is available in MakeMusic Cloud.
SKU: AP.45965
UPC: 038081529691. English.
This musical escape will take your audience to a quiet place during your next performance. Simple, elegant lines combine with rich harmonies and counterpoint to provide an uplifting moment of repose. (1:55) Correlates to Book 1, level 6. This title is available in MakeMusic Cloud.
SKU: AP.45965S
UPC: 038081529707. English.
This musical escape will take your audience to a quiet place during your next performance. Simple, elegant lines combine with rich harmonies and counterpoint to provide an uplifting moment of repose. (1:55) Correlates to Book 1, level 6. This title available in MakeMusic Cloud.
SKU: YM.GTP01101010
ISBN 9784636107128. 9 x 12 inches.
What if the iconic melodies of Studio Ghibli were arranged as piano duets by classical composers? Introducing the highly anticipated second volume of the popular Duet series! Experience the luxurious duet sound enriched with the distinctive styles of classical composers and interwoven fragments of beloved melodies. Designed with advanced players in mind, the arrangements range from baroque to modern styles, making them suitable for a variety of skill levels. This collection includes a total of six pieces that are perfect for recitals, concerts, or street piano performances. *The book comes with online demo audio of all parts and each part for you to practice. Scan the QR code next to the song title on the sheet music with smartphone devices to go to the YouTube playlist for each song.
SKU: HL.1354636
ISBN 9798350116915. UPC: 196288192091. 9.0x12.0x0.125 inches.
The Really Easy Guitar series makes it incredibly easy to play your favorite songs! This beginner-friendly collection features easy-to-follow chord charts, tablature, and lyrics, allowing you to start playing classic blues and soul songs that have shaped the genre in no time. Songs include: All Your Love (I Miss Loving) ⢠Green Onions ⢠The House Is Rockin' ⢠I Got You (I Feel Good) ⢠I'm Tore Down ⢠Killing Floor ⢠Mustang Sally ⢠Soul Man ⢠Superstition ⢠and more!