Format : Sheet music
SKU: CF.CAS29
ISBN 9780825860959. UPC: 798408060954. 8.5 X 11 inches. Key: C major.
A programatic work by composer Doris Gazda that sets out to depict the historic moon landing by the Apollo 11 astronauts and the famous first step by Neil Armstrong. A sound portrait of this remarkable event in America history.In July, 1959 the world watched and listened as the astronauts of Apollo 11 traveled from the Earth to the moon. The mission, launched by NASA, successfully carried men to the surface of the moon and returned them safely to earth. The spaceship was made up of a command module, Columbia, and a lunar module, Eagle. Astronauts Neil Armstrong, flight commander, and Buzz Aldrin, pilot of the lunar module, actually walked on the moon. The third astronaut, Michael Collins, piloted Columbia, the command module that orbited the moon while Armstrong and Aldrin were on the lunar surface.The 238,000-mile trip to the moon took four days. Apollo 11 fell into orbit 60 miles above the moon's surface. The Eagle separated from Columbia, orbited the moon nine miles above the surface and then made a powered descent, touching down on the moon in the Seat of Tranquility. Six hours after landing, Armstrong stepped onto the moon's surface uttering these memorable words that brought to reality the possibilities of space travel and exploration, That's one small step for man, one giant leap for mankind.Armstrong and Aldrin spent two hours walking on the lunar surface. They set up some scientific equipment, raised an American flag and left a plaque signed by the Apollo 11 crew and President Richard Nixon, reading:Here men from planet earth first set foot upon the moon. July 1969 A.D. We came in peace for all mankind.Twenty-one hours after landing, the Eagle with Armstrong and Aldrin onboard, left the moon to reunite with Columbia. After docking successfully, all three men got into Columbia. They jettisoned the Eagle and Columbia left lunar orbit to make the return trip. Two days later Columbia re-entered the Earth's atmosphere and splashed down in the Pacific Ocean.
SKU: CF.BPS139
ISBN 9781491159736. UPC: 680160918324.
PROGRAM NOTES: In December of 2019, when I started working on this piece, Boeing conducted the first orbital test flight of its CST-100 Starliner capsule. This event was important because, since the retiring of the space shuttle program in 2011, NASA had no other way to deliver astronauts into orbit, except through Russia. Boeing is one of two companies working to get American astronauts into space on American capsules. This was of special interest to me, not only because I am a space enthusiast, but because my own cousin worked on the Starliner's systems. PERFORMANCE NOTES: The main theme should be pleasant and legato, almost as if gliding. The second theme should be noble, as if heading where no one has gone previously. When the two themes come together, the contrast between them should not be stark as they were always intended to be played as one. Additionally, in mm. 9-26 of the Percussion 2 part, the bell of the cymbal is to be struck with a snare stick.PROGRAM NOTES:In December of 2019, when I started working on this piece, Boeing conducted the first orbital test flight of its CST-100 Starliner capsule. This event was important because, since the retiring of the space shuttle program in 2011, NASA had no other way to deliver astronauts into orbit, except through Russia. Boeing is one of two companies working to get American astronauts into space on American capsules. This was of special interest to me, not only because I am a space enthusiast, but because my own cousin worked on the Starliner's systems.PERFORMANCE NOTES:The main theme should be pleasant and legato, almost as if gliding. The second theme should be noble, as if heading where no one has gone previously. When the two themes come together, the contrast between them should not be stark as they were always intended to be played as one. Additionally, in mm. 9–26 of the Percussion 2 part, the bell of the cymbal is to be struck with a snare stick.
SKU: CF.BPS139F
ISBN 9781491159743. UPC: 680160918331.
SKU: CF.CPS234
ISBN 9781491156346. UPC: 680160914883. 9 x 12 inches.
Mercury - the Roman god of financial gain, commerce, travelers, boundaries, luck, trickery, merchants, and thieves. A popular deity in Roman culture, he was instantly recognized by his unique winged shoes (talaria) and hat (petasos). With its close proximity to the sun and faster orbit than all other planets, the Romans named this small celestial body after the swift-winged messenger of their culture. It is not surprising that in Holst's major orchestral suite The Planets that Mercury utilizes such light and swift themes. There is some duality to the title of the work. Part of it involves my impression of what a playful chase of the winged messenger sounds like. The other part is the opening motif chasing two themes of Holst around the rest of the work. It was only after developing the first few ideas that I recognized some of the commonalities with some of those same themes from Holst's orchestral work. There are several quotations from that famous piece by Holst (notably as both are stated successively at mm. 13-20). The idea of someone having to chase the Winged Messenger struck me as a unique title around which to craft a work. One of my core beliefs about music is that it can be imbued with meaning by a composer, and as the sonic story unfolds an ensemble, director, and audience members can draw out their own meaning from the experience. Who exactly is chasing Mercury? I leave that up to the wonderfully creative minds of the young ladies and gentlemen who have the opportunity to bring this work to life. The opportunity to compose music and allow student musicians to give this piece new life and draw out different meanings is a humbling experience. Rehearsal Notes and Suggestions As stated earlier, the opening motif (a range of a seventh) comes back frequently in the work in a variety of settings and textures. Throughout the work, it is important for students to recognize the two themes from Holst when they are present in the sound canvas. If the solos (clarinet and alto saxophone) are utilized, the supporting parts around and underneath those lines must be sensitive and play in such a way to properly balance those parts. There are number of muted sections for the trumpet section, and I would advocate for all trumpets acquiring the same mute to contribute to unity in timbre. The bold fanfare sections (the first occurs at m. 37) must be presented with a unified articulation style. As the texture intensifies prior to m. 169, it is crucial for the ensemble to play within themselves and exercise musical courtesy to allow all voices to be heard as they arrive at m. 181. My thanks in advance for your support of this music, and I wish you well as you and your ensemble begin Chasing Mercury!.Mercury – the Roman god of financial gain, commerce, travelers, boundaries, luck, trickery, merchants, and thieves. A popular deity in Roman culture, he was instantly recognized by his unique winged shoes (talaria) and hat (petasos). With its close proximity to the sun and faster orbit than all other planets, the Romans named this small celestial body after the swift-winged messenger of their culture. It is not surprising that in Holst’s major orchestral suite The Planets that Mercury utilizes such light and swift themes.There is some duality to the title of the work. Part of it involves my impression of what a playful chase of the winged messenger sounds like. The other part is the opening motif chasing two themes of Holst around the rest of the work. It was only after developing the first few ideas that I recognized some of the commonalities with some of those same themes from Holst’s orchestral work. There are several quotations from that famous piece by Holst (notably as both are stated successively at mm. 13–20). The idea of someone having to chase the Winged Messenger struck me as a unique title around which to craft a work.One of my core beliefs about music is that it can be imbued with meaning by a composer, and as the sonic story unfolds an ensemble, director, and audience members can draw out their own meaning from the experience. Who exactly is chasing Mercury? I leave that up to the wonderfully creative minds of the young ladies and gentlemen who have the opportunity to bring this work to life. The opportunity to compose music and allow student musicians to give this piece new life and draw out different meanings is a humbling experience.Rehearsal Notes and SuggestionsAs stated earlier, the opening motif (a range of a seventh) comes back frequently in the work in a variety of settings and textures. Throughout the work, it is important for students to recognize the two themes from Holst when they are present in the sound canvas. If the solos (clarinet and alto saxophone) are utilized, the supporting parts around and underneath those lines must be sensitive and play in such a way to properly balance those parts. There are number of muted sections for the trumpet section, and I would advocate for all trumpets acquiring the same mute to contribute to unity in timbre. The bold fanfare sections (the first occurs at m. 37) must be presented with a unified articulation style. As the texture intensifies prior to m. 169, it is crucial for the ensemble to play within themselves and exercise musical courtesy to allow all voices to be heard as they arrive at m. 181. My thanks in advance for your support of this music, and I wish you well as you and your ensemble begin Chasing Mercury!
SKU: AP.31717S
UPC: 038081354958. English.
Space Journey is a three-movement suite depicting the launch, orbit and return to earth of a spaceship. Blast Off Into Orbit begins with a dramatic launch portraying the spaceship powering into the atmosphere. Zero Gravity allows the listener to float in space as a Lydian melody in the flute provides a light, weightless feeling while the percussion accompanies on metallic instruments. Re-entry to Earth features a descending fanfare announcing the return of the ship through the atmosphere back to earth. The ceremonial theme depicts the spaceship breaking through the sky, and landing in full glory.
SKU: CF.CPS234F
ISBN 9781491156353. UPC: 680160914890. 9 x 12 inches.
SKU: PE.EP73339
ISBN 9790577020792.
Orbits by Emily Howard is a contemporary work for Soprano Saxophone and Crotales. It is cast in two equal length movements that are thought of as contrasting 'Etudes in Dynamical Systems'. Orbits is a result of the close work with mathematicians Lasse Remp-Gillen and Alexandre DeZotti, who created two different sets of mathematical data, to which the two movements respond musically. It was first performed by scapegoat, Joshua Hyde and Noam Bierstone, on 17 November 2015 at The Foresight Centre, Liverpool, as part of the Leverhulme Artist in Residence Presentation.
This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.
SKU: HL.48186383
UPC: 888680827571. 9x12.25 inches.
Orbitales III (5') (9e) (collection vent de sax) pour saxophone alto et orgue. Par Martin V. aux éditions Leduc. Partition / Livre de chansons pour Saxophone.
SKU: HL.1713471
UPC: 813985005270. 10.25x12.75x3.25 inches.
SM-P6B is a bracket designed for mounting PreSonus Eris Pro 6 speakers in conjunction with Precision SM-UM1 speaker mounts.
SKU: HL.1713472
UPC: 813985005287. 10.5x12.75x3.25 inches.
SM-P8B is a bracket designed for mounting PreSonus Eris Pro 8 speakers in conjunction with Precision SM-SW1 speaker mounts.
SKU: HH.HH381-SOL
ISBN 9790708092025.
The music is cast in a single 11-minute span which builds gradually in distinct developments of materials which emanate from the opening. It aims to evoke key aspects of Venus -- of imperiousness, of being 'under the spell', as it were -- together with planetary movement in outer space. Repeated notes evoke, perhaps, satellite radio signals and movement, mythic names in Morse code or just a vague communicative presence.
SKU: HL.41166
UPC: 884088297657. 8.5x11.0x0.145 inches.
SKU: HL.14028038
ISBN 9788759854730. 12.0x16.5x0.3 inches. English.
The word GONG is saturated with associations: the splendour of the Orient, mysticism, drama, loud metallic clangour, violent impact, etc. The present piece draws upon all those connotations, but it is primarily a symphonic drama about the life and behaviour of the sun, our closest star and prime source of life on Earth. Describing the sun in music is not a new idea, of course; during a visit to Greece, Carl Nielsen was inspired by the orbit of the sun and its very un-Danish ferocity and thus wrote the Helios Overture. GONG is a Helios Overture too, of sorts, albeit more abstract. Recent astronomical research shows, that the surface of the sun reverberates like a gong, in four different, simultaneous tempi (not directly depicted in the score, though); the sun looks like a GONG, - the O in the written work looks like the sun; there is even a solar research group called GONG (Global Oscillation Network Group). Formally the composition follows the life and fate of the sun, from the initial explotional birth through the hyper-activity as energy source as we know it today to the final, predicted flaring up and collapse into a so-called white dwarf. But - being a musical composition, not an astrophysical thesis - GONG is brought to its compositional conclusion by a real concert-ending, a chord taken from the middle of the piece and sustained over several bars, from virtual nothingness to full force.
SKU: BT.PMC1124
SKU: HL.1436077
UPC: 196288203780.
Kurt Kaiser was the embodiment of what Harold Best once said about J.S. Bach - â??he could look at a blade of grass and see a universe.â? Kurt never stopped growing, believing, learning, and inspiring. He wore many hats and did so with humbleness of spirit and affirmation of all who came into his orbit. Kurt always made as much time for the impressionable young teenager as he did for famous artists with whom he collaborated. â??Come Awayâ? is a healing balm for these unsettling times.
SKU: HL.1713466
UPC: 813985005027. 7.25x8.0x2.5 inches.
SKU: AP.49144
ISBN 9781470646523. UPC: 038081564821. English.
There are almost one million asteroids in our solar system, with the main asteroid belt lying in orbit around the sun between Mars and Jupiter. Asteroids can range in size from less than 33 feet to around 580 miles in diameter. Based on notable asteroids and the mythological figures they were named for, Michael Story's Asteroids is a mini suite that contains three contrasting pieces: Pallas, Ceres, and Vesta. (3:35) This title is available in MakeMusic Cloud.
SKU: CL.023-4639-01
Named in tribute to the powerful Atlas rocket that carried the first Americans into orbit during the space race, Atlas Rising is a surprisingly mature-sounding work that only uses the first six notes learned in most band methods. Atlas Rising is carefully composed in an ABA overture style, with the success of young players in mind, while memorable themes will make it a favorite with students and audiences. Blast off with Atlas Rising!
SKU: FT.FM325
ISBN 9790570482245.
Three sun or moon themed pieces (Rising, Eclipse, In Orbit) for six trumpets. The first movement has exciting syncopations, the second is languid and slow, while the third in 7/8 time (2+3+2) has a whirling feel like the celestial body in question. The unusual timing makes the third movement the hardest, the other two are well within the reach of most confident players.
SKU: HL.1713467
UPC: 813985005034. 7.5x8.0x2.5 inches.