Organizing Time

Organ Chorales From The Neumeister Collection Yale University Manuscript 'Lm 4708'. Par BACH JOHANN SEBASTIAN. In 1985 Christoph Wolff, working at Yale University, discovered a collection of 82 chorales compiled by Johann Gottfried Neumeister (1756-1840) which contained 38 compositions by Johann Sebastian Bach. They reveal great stylistic variety whose forebears stem from the Northern German organ tradition. Already these early works comprising fantasias, fugues, fughettas and imitative techniques employing motifs from chorale melodies bear witness to Bach' s broad compositional spectrum. This newly published volume is an updated edition of Series IV/9 of the ' New Bach Edition” (NBA), edited by Christoph Wolff and based on this source. In addition to a newly added concordance and corrections to the musical text, it also contains a detailed Foreword by Christoph Wolff with further information on the Neumeister Collection and hymnological details. The source of the complete Neumeister Collection has recently been made available on ' Bach digital”, shedding light on the manuscript for the very first time. Links to major sources have been provided in collaboration with the Bach Leipzig Archive and its database ' Bach digital”. The desired page of the source can be accessed quickly and conveniently via URLs at http://links.baerenreiter.com. The links stored there are examined for their validity on a regular basis. Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter' s new performing editions of Bach' s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ' Bach digital”. - Links to relevant sources in ' Bach digital” - Detailed new Foreword about the Neumeister Collection by Christoph Wolff (Ger/Eng) - Complete new engraving/ Répertoire / Orgue

Although quite some time has passed since the multifaceted organ music from Spain's Golden Age could be called an 'insider's tip?, it had yet to attain popularity with any wide audience outside the countries of the Iberian Peninsula. The three-volume Urtext edition of selected works by Joan Cabanilles, the cathedral organist from Valencia, now has every chance of becoming a milestone in its own right. The Iberian organ tradition of the 17th century appears to have reached its climax in his tientos, diferencias and versos. In the first two volumes, the editors Gerhard Doderer and Miguel Bernal Ripoll present a total of 22 of his most appealing and most significant tientos.- Urtext edition based on the latest research findings- Preface by the editors (in German, English and Spanish) / Orgue

Par SUZUKI SHINICHI. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 3 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. / Méthode / Méthode / Orgue

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

70 beautiful melodies arranged for organ: Autumn Leaves - Edelweiss - How High the Moon - If I Were a Bell - Luck Be a Lady - Memory - Ol' Man River - Satin Doll - Skylark - Smile - Stardust - Summertime - Tenderly - Till There Was You - Unchained Melody - The Way You Look Tonight - Witchcraft - Younger Than Springtime - and more. / Orgue

Par SCHUMANN CAMILLO. Within the extensive ?uvre for organ left behind by Camillo Schumann, his 6 Organ Sonatas form an independent corpus. Although living and composing at a time when the music of Webern and Schönberg had long since abandoned the traditional paths of music, Camillo Schumann pursues in an astonishingly consistent manner in the tradition of the great Romantics, in particular that of Brahms and Mendelssohn. For the first time, the present anthology brings together all 6 Organ Sonatas in a modern Urtext edition, with editor Antje Wissemann combining philological source findings with the demands of performance practice. / Date parution : 2021-11-25/ Recueil / Orgue

All this time was commissioned by Harrow School, for their 2012 Carol Service. There are two chapel choirs at Harrow - one of four parts, and the other, consisting of tenor and baritone voices, of two parts. For the Carol Service the two part choir sings from the Gallery, which also houses the organ, while the four part choir sings from the choir stalls at the east end of the Chapel. This carol is therefore written with these rather unusual arrangements in mind. In particular, the organ part makes a commentary on the text, as well as supporting the choirs. The tessitura of all parts is governed by the youthfulness of the voices of the School Choirs. The first performances of the carol took place in Harrow School Chapel on 4th and 5th of December 2012. / Choeur Mixte (SATB) Et Orgue

Little Organ Book / Six Chorales 'Von Verschiedener Art' (Schübler-Chorales) / Chorale-Partitas. Par BACH JOHANN SEBASTIAN. Replaces BA 5171 Volume 1 of Bach' s organ music presents some of the most frequently played organ pieces altogether. Here they appear in a new engraving based on the New Bach Edition (NBA). This updated edition takes into account the latest findings of Bach scholarship: Thus, for example, a newly-discovered copy of the first edition containing inscriptions in Bach' s own hand could be incorporated into the musical text of the Schübler Chorales. For the Orgel-Büchlein, Bach' s autograph manuscript remains the principal source. Yet a glance at its early dissemination among his pupils reveals an abundance of readings that give interested organists insights into how perhaps Bach' s most famous collection was played at that time. Unfortunately no autograph manuscripts survive regarding the early chorale partitas. However the Foreword helps to solve the 'riddle' of how these partitas were handed down. Links to major sources have been provided in collaboration with the Bach Archive Leipzig and its Bach digital database. The relevant page of the source in question can be accessed quickly and conveniently via shortlinks at http://links.baerenreiter.com. These links are checked for their validity on a regular basis. - Complete new engraving - New detailed Foreword by Christine Blanken (Ger/Eng) - Links to relevant sources in Bach digital/ Répertoire / Orgue

William Lloyd Webber (1914-1982) was a British organist, composer and pedagogue. He started playing the organ at an early age, becoming a well-known recitalist by the age of 14. He studied with Ralph Vaughan Williams at the Royal College of Music, where he himself later taught. His best known work is the orchestral tone poem Aurora , but he also wrote many popular Organ works, which are now experiencing a resurgence. Four Epilogues was written in 1953, and dedicated to Frederick Geoghegan, who at the time was at the Cathedral Church of the Redeemer in Calgary, Alberta. / Orgue

Description The eight sonatas of Guilmant may well lay claim to classical rank. Originally conceived for the French organs of Cavaille-Col, they are sufficiently broad in conception as to lose little, if anything, in their interpretation on English and American instruments. At the time of their composition (1874-1909) they brought to the organ a new sense which had been too little cultivated by organists. Edited by A. Eaglefield Hull. Songlist Fifth Sonata In C Minor, Op.80 Fourth Sonata In D Minor, Op.61 Second Sonata In D Major, Op.50 Symphony In D Minor, Op.42 Third Sonata In C Minor, Op.56

Johann Jacob Froberger (1617-1667) was a composer of considerable significance during his lifetime, his compositional style representing a synthesis of Italian, French and English influences. Increasingly, musicians and scholars are growing aware of Froberger?s importance for keyboard music of the 17th century, an importance comparable to that of Jan Pieterszoon Sweelinck.

Each volume of the complete edition of Froberger?s organ and keyboard music is published in German and English with a critical commentary as well as a detailed foreword explaining the scope and subdivision of the edition and the editorial techniques. Also, information on performance practice, on instruments of the time and on ornamentation is included, as well as details on Froberger?s biography. / Classique / Partitions /

'Mors et vita' - death and life. This antithesis opens a stanza of the ancient 11th-century Easter sequence 'Victimae paschali laudes', where life and death are locked in mutual struggle. Zsigmond Szathmary's 12-minute composition of 2015, commissioned for the Freiburg Minster, interprets this primal human experience with mighty explosions of sound. Here the organ can show what it's capable of: its grandeur and strength are fully exploited, but not at the expense of soft and gentle contrasts. Typical of Szathmary's compositional style is the alternation of seemingly improvised, recitative-like writing and passages in strict rhythm. Time and again the composer takes up elements from the church hymn 'Christ ist erstanden von der Marter alle' (Christ the Lord is risen again). / Orgue

A useful new resource for choirs, the New Novello Book Of Short and Easy Anthems For Mixed-Voice Choirs is perfect for groups of all sizes and abilities. The pieces in this exciting collection have been carefully chosen to offer a selection of interesting contemporary works alongside older and more well-known anthems. It is recognised that many choirs have limited rehearsal time and, frequently, limited vocal resources. This collection aims to provide works that are easily and quickly learnable, with few splits in voice parts. In addition, many of the pieces in the New Novello Book Of Short and Easy Anthems For Mixed-Voice Choirs can be adapted to work as unison settings with accompaniment, or in other flexible forms. The New Novello Book Of Short and Easy Anthems For Mixed-Voice Choirs is arranged for SATB Choir, with Organ accompaniment. / Choeur Mixte (SATB) Et Orgue