SKU: GI.G-10864
Spanish. Text Source: Misal Romano
SKU: GI.G-5939
English, Spanish. Text source: Misa Popular Nicaraguense; Translation: Alice Parker.
From the Calvin Institute of Christian Worship series comes a tantalizing offering for thanksgiving and preparation of gifts. “Te Ofrecemos Padres Nuestro†from “Misa Popular Nicaragüense†has a definite dancelike Latin flair with contrasting three-against-two rhythms. Alice Parker provides a fine English translation, but it would be well worth the effort for Anglo choirs to try their hand at the Spanish, if only the final “Gloria†section. An exciting work with a stunning, ecstatic conclusion.
SKU: GI.G-10864INST
SKU: BT.SLB-00058300
SKU: GI.G-10864G
Text Source: Misal Romano
SKU: GI.G-5621A
Lutheran setting based on an Argentine folk song. Prefaces and eucharistic prayer by Susan Briehl, Spanish translations by Jaime Cortez and Jeffrey Judge. Contents: Preface Dialog - Prefaces - Holy, Holy - Eucharistic Prayer - We Proclaim - Through Him - Amen - Our Father - Lamb of God - Communion Song: Bread of Life from Heaven - Apertura del Prefacio - Prefacios - Santo, Santo, Plegaria EucarÃstica - Anunciamos - Por Christo - Amén - Padre Nuestro - Cordero de Dios - Canto de Comunión: Pan de Vida Eterna - Bilingual Refrain/Estribillo Bilingüe.
SKU: HL.14073473
SKU: GI.G-CD-294
Mariachi is an exciting work that brings forth the deeply spiritual roots of the Hispanic people. With a mix of the ancient and the new, you'll delight to the upbeat rhythms that trace their beginning to the Spanish colonization of Mexico. Constantly evolving, mariachi is experiencing a new resurgence as the musical ambassador of Mexico. With this in mind, Cuco has written this collection of songs for the new mariachi era. This recording features The Mariachi Sol de Mexico, one of the finest mariachi bands today, under the direction of José Hernandez, along with the incredibly talented Sue Ann Pinner. This recording will delight listeners of all cultures. CONTENTS: Pescador de Hombres (bilingual) GABARÃIN - Compasión derramada - Ave Maria SCHUBERT - Sol de este pueblo - Hymn of Joy / Hymno de Alegria BEETHOVEN - La Nueva Misa Mariachi - Señor Ten Piedad (Forma 3) - Gloria - Aleluya - Santo - Aclamación Conmemorativa - Amén por siempre - Padre Nuestro y Doxologia - LetanÃa del Pan.
SKU: BO.B.1161
SKU: UT.CH-289
ISBN 9790215325852. 9 x 12 inches.
Giovanni Podera: Fantasia (In memoriam JoaquÃn Rodrigo)Marco Reghezza: Nana EstrelladaMarco Simoni: Junto a RodrigoMarco Smaili: Fronda de la tarde (Homenaje a JoaquÃn Rodrigo)Paolo Ugoletti: Fuga a 4 vociFollowing the successful publication of Homenaje a Rodrigo (2015), containing four pieces by Alessandro Spazzoli – one of which was performed in the presence of the composer’s daughter, Cecilia Rodrigo, during her visit to the International Convention in Alessandria –, here is the second volume. It contains more tributes to Rodrigo written on my input by five well-known Italian and Spanish composers, two of whom are also guitarists and have therefore written the fingering for their own pieces.Giovanni Podera plunges us into a typically Rodrigo-like atmosphere with his evocative Fantasia, while the following three compositions are full of direct quotations from pieces also for guitar by the great composer from Valencia. Thus, Marco Simoni, in his expressive Junto a Rodrigo – which also provides the title to the volume – plays with themes taken from Junto al Generalife and from Dos piezas caballerescas for a cello ensemble as well as hinting at reminiscences of Tiento antiguo. As for Marco Smaili, in his impressionistic Fronda de la tarde, he evokes quite evidently Zarabanda lejana and Invocación y Danza, but there are more hidden references to Caminos de Santiago and even to the very famous Concierto de Aranjuez. Marco Reghezza builds his heart-breaking Nana estrellada on a sequence of chords used by Rodrigo in the fantasia ¡Que buen caminito!. On the other hand, there are no direct quotations and echoes of Rodrigo’s way of writing in the Fuga a quattro voci by Paolo Ugoletti. However it was Rodrigo himself who constructed four-part imitative passages for guitar in Pasacalle and in the Ricercare of the Fantasia para un Gentilhombre. The close polyphony of the piece by Ugoletti may be considered as a tribute to this kind of craft shown by Rodrigo who, like Ugoletti, was able to write such dense and idiomatic counterpoint without being a guitar-player.I am pleased that this volume comes out in the imminence of the 20th anniversary of the disappearance of the illustrious Spanish composer who gave so much to the musicians – and not only to them.(Piero Bonaguri)Muchas gracias por este emotivo y excelente musical homenaje a mi padre. La edición es excelente y la difundiremos con todos nuestros medios por las redes sociales a nuestro alcance. Ha sido un gran trabajo por su parte, fruto de sus grandes conocimientos guitarrÃsticos y su devoción por JoaquÃn Rodrigo. Le reitero mi gratitud y mi felicitación con el ruego transmita a los cinco compositores mi felicitación y deseos de éxito. (Cecilia Rodrigo).
SKU: BT.MS0416
Spanish.
Este libro no es un método didáctico para aprender a tocar el Djembe y otros Dundun sino una colección de ritmos tradicionales de Africa del Oeste... la transcripción musical de lo que se trasmite oralmente de padre a hijo. Se dirige en prioridad a los que desean aprender a tocar esos famosos ritmos africanos tradicionales. Pero también a todos los que conociendo ya las técnicas básicas quieren profundizar sus conocimientos de los ritmos a través de una lectura simplificada. Para comprender bien cómo “encajan†las diferentes percusiones, hemos escrito todos los ritmos a la manera de un “score†completo. Las partituras abarcan entonces no sólo las partes para Djembe que puedenvariar de uno a tres tambores máximo, sino también las que corresponden a los tres Dundun (Kenkeni, Sangban y Doundounba). Nuestro libro viene acompañado de un CD que abarca casi 250 archivos audios mp3. Éstos presentan los ritmos completos, las partes aisladas de cada instrumento as como el playback correspondiente a cada instrumento de cada uno de los ritmos. O sea más de 3 horas de música en total... para facilitarle la comprensión de los ritmos tradicionales africanos y permitirle expresarse “en situaciónâ€.
SKU: BO.B.0994
SKU: BO.B.0038
SKU: BO.B.1378
