Percussion Piece

Grades 1 and 2. Par LCM. The rudiments and pieces for the London College of Music and Media's Tuned Percussion examinations for Grades 1 and 2./ Recueil / Percussions

Percussion Section Feature. Par CURNOW JAMES. A vibrant and attentive Percussion section is crucial to the success of any concert band. However, the Percussionists play a supporting role so much of the time that it can be difficult to keep your best players excited about their music. One of the best ways to beat that problem is to program an occasional feature piece. James Curnow’s BLOCKBUSTER PERCUSSION is just the arrangement you need when it’s time to let the Percussion section “show off” a bit. Bold, exciting themes and a well-crafted rhythmic modal concept keep the parts interesting for all the players in the band. AND, audiences love the energy that only the Percussion section can deliver! Give everyone a treatby programming BLOCKBUSTER PERCUSSION soon! / Niveau : 2 / Musique légère originale / Répertoire / Percussions et Concert Band ou Harmonie

Minor: Triads. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of 'Music for Children' by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition 'musik für Kinder', english adaption with additional material by Doreen Hall and Arnold Walter./ Recueil / Voix, Flûte à Bec et Percussion

These 4 pieces, Waltz, Sad Song, Rain, and Shake It Out, offer this often-neglected percussion group musically satisfying and fun-to-play pieces. The techniques required are rudimentary, and the instruments are usually available to the beginning band director. The pieces are written from the unique percussionist's prospective, where students are expected to: * Count multiple bars rest * Play numerous repeated measures * Play a muber of different instruments on the same part * Count measures while switching mallets and instruments. All parts can be doubled for larger groups. / Quatuor De Percussions

Par BEARD RICHARD. This is part of a series of inter-related instrumental workbooks for keyboard, guitar, bass guitar and percussion. Planned so that concepts are carefully introduced, consolidated and extended, the workbook comprises three progressive volumes each containing twenty-five units. They support and complement the teacher's resource through an innovative approach that encourages a creative attitude towards learning an instrument. Many sections contain work on improvisation and sight-reading and alternate units provide an ensemble piece, arranged for all the instruments covered by this project. Each book covers the same curriculum requirements regardless of instrument, however, this book acts both as a as classroom resource and as an introduction to the art of percussion technique./ Recueil / Percussions Diverses

La partition Piece de Mindlin a été composée pour Percussions et plus particulièrement pour Percussions Et Piano. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Percussions Et Piano / Partition

'The Typewriter' is a classic Leroy Anderson novelty piece. This medium-grade percussion ensemble is written for 9--10 players, and includes the classic typewriter rhythm ('What's a typewriter?'). Make sure to have fun and add a little bit of Jerry Lewis. / Percussions

Originally, Svoboda 'only' wanted to create a reduction for trio of his Music for Trombone and Orchestra (2010). When working on it, however, he discovered so many interesting possibilities in the combination of trombone, piano and percussion that he wrote a new, totally independent piece. / Trombone, Piano Et Percussions

Par SICCHIO GIANNI. Petite piece pour caisse claire et xylo avec accompagnement de piano. / Niveau : Facile / Répertoire / Ensemble de Percussions

L'auteur de ce volume est un percussionniste populaire dans l'ensemble du Brésil. Les ensembles il travaille régulièrement avec une gamme de musicien invité des orchestres symphoniques via les écoles de samba de bandes de capoeira. Le manuel contient de nombreux exercices pour la coordination et l'indépendance des mains ainsi que les modes de samba, bossa nova, afoxé et beaucoup d'autres rainures. Sur le DVD qui l'accompagne, l'auteur démontre les rythmes et les rainures notées ainsi que la posture de la main et la technique battre. / Percussions

Voici une partition musicale pour Percussions et plus spécialement pour Percussions Et Piano que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition a pour titre PIECES CLASSIQUES POUR PERCUSSION - INSTRUM. A CLAVIER - VOL1. C'est l'éditeur Billaudot sous la référence GB5856 qui a les droits pour éditer cette partition. / Percussions Et Piano / Partition

La partition PIECES CLASSIQUES POUR PERCUSSION - INSTRUM. A CLAVIER - VOL4 a été composée pour Percussions et plus particulièrement pour Percussions Et Piano. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Percussions Et Piano / Partition