My Piano Book, Vol. 2

L'Etude du Piano modernisée. Par AARON. Aaron Michael Aaron Adult Piano Course Book 1 Piano Book In French / Pédagogie / Méthode / Piano

The New International Edition of Suzuki Piano School, Volume 5, includes French, German and Spanish translations as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. / Piano

Par SMITH GAIL. This piano method experienced author and teacher Gail Smith makes music interesting and fun while covering the important skills needed to become a great pianist. It is practical and educationally sound. Each book develops the gifts and creativity of all students using improvisation techniques, folk songs, original songs, a duet, hymns and much more in one book per level. This volume offers more solos, exercises, palindromes, and theory lessons for the progressing student, exploring classical, calypso, blues, Jewish, gospel, and tango styles. Special features of this volume are composer biographies in poetry and an introduction to musical ornaments. 88 pages. / Niveau : Débutant / All Styles - Methods / Méthode / Piano

The SUZUKI METHOD of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human behavior. Students are taught using the mother-tongue approach. Suzuki Piano School materials include: Piano Books (Vol. 1-7) * Cassettes (performed by Meiko Miyazawa, Vol. 1-4) * William Aide Performs Suzuki Piano School (Cassettes & Compact Discs, Vol. 1-7) * Haruko Kataoka Performs Suzuki Piano School (Cassettes & Compact Discs, Vol. 1-3) * Valery Lloyd-Watts Performs Suzuki Piano School (Cassettes and Compact Discs Vol. 1-7). Suzuki Method Core Materials available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.

Par SMITH GAIL. Cette collection pour piano comprend des arrangements moyennement difficiles. Morceaux de fonctionnalités de J.S. Bach, C.P.E. Bach, Pachelbel, Scarlatti, Grieg et autres. Une inclusion spécial dans ce volume est la deuxième section souvent omis de Solfeggietto de C.P.E. Bach, ' di Allegro molto. ' / Niveau : Intermédiaire à Avancé / Classic - Solos / Recueil / Piano

L'édition fait partie du syllabus Trinity 2007 (évoluée récital de grade) / Piano 4 Mains

Retrouvez les plus grands thèmes de Ludovico Einaudi regravés et transcrits pour piano solo. Le meilleur de Ludovico Einaudi. Joliment emballé et nouvellement gravé, cette collection unique comprend une préface spéciale du compositeur. / Piano

A collection of romantic piano solos including many rare works of the 19th and early 20th centuries from composers such as Bartok, Greig and Rimsky-Korsakov. A collection of romantic piano solos including many rare works of the 19th and early 20th centuries from composers such as Bartok, Greig and Rimsky-Korsakov./ Recueil / Piano

Le nouveau livre 'Piano Jazz ' Volume 1 de l'auteur anglais - vente Tim Richards s'appuie sur les bases de 'Piano Blues ' . Il présente les principes de l'harmonie du jazz et de l'improvisation depuis le début avant et conduit le pianiste avancé dans les différents types d'accords typiques de jazz , en commençant par les triades majeures et mineures à septième et neuvièmes accords par tous les styles de jazz des années quarante années utilisées à ce jour . Si vous jouez dans un groupe , donner des leçons de piano ou tout simplement jouer à la maison - vous êtes avec ' Jazz Piano ' avez beaucoup de plaisir !Tim Richards combiné vingt-huit de ses propres morceaux avec des arrangements spéciaux tels que des normes de jazz bien connus comme 'Feuilles d'automne' , ' Fly Me To The Moon ', ' In A Sentimental Mood ', ' l'homme montagne ' , 'On Green Dolphin Street ', ' Song For mon Père ',' Straight No Chaser 'et' Take The A - train ' . Deux chansons transcrites par Thelonious Monk et Horace Silver fournissent une source inépuisable de techniques de jazz authentiques vous pouvez travailler à travers la reconstitution .Dans tous les chapitres , l'aide et des conseils importants sur l'improvisation sont donnés . Vous obtiendrez beaucoup de suggestions sur la façon dont vous pouvez construire individuellement sur le matériel d'étude présenté et trouver votre propre vocabulaire de jazz personnelle :- Rapports de cordes et des échelles- Modes- Broken Chords et échelles motif- Echelles pentatoniques et blues- Marche des lignes de basse- Rythmes latins et des lignes de basse- Improvisatoin horizontale et verticale- Composés II-V I- Substitution de Tritone- Voicings à deux mains- Des exercices techniques et doigté- Styles d'accompagnement- Formation de l'oreille- Propositions pour écouterLe CD contient des enregistrements de toutes les pièces , la plupart avec basse et batterie accompagnement . Ils peuvent être utilisés comme un Play-Along - un moyen important d'apprendre le jazz sans beaucoup de détours . / Piano

Pint-Sized Piano Pieces is the first in a series of three books featuring fun and enjoyably challenging Piano miniatures composed by South African pianist and composer Kevin Volans.If you're tired of playing the same old exercises, the same old études or boring studies, this book of Pint-Sized Piano Pieces is for you. Whether you're after something challenging, something fun or even something funny, you can be sure that you'll never have heard any pieces like this before. Composer Kevin Volans invites pianists 'of all ages and sizes' to play his innovative and interesting take on the Piano miniature.All of these pieces are lovely and tuneful, all provide a challenge and all are exciting, thrilling, confusing and sometimes even baffling. Each volume is technically progressive, meaning the Pint-Sized Piano Pieces is best for the beginner to the intermediate player, although the tunes vary in length and difficulty. Equally as important, even though the pieces are a lot of fun, they also each explore a different aspect of crucial Piano technique, allowing you to enjoy learning to play and perfecting your abilities.The inventive and imaginative miniatures included in the sheet music collection Pint-Sized Piano Pieces are guaranteed to get you having fun while practising. They are a pleasure to hear and a pleasure to play, so make sure you check out these fun and practical pieces today. / Piano

Featuring the most relaxing and soothing contemporary music, this collection of sheet music for solo Piano contains 21 pieces that will make sure you Keep Calm And Play On.When the stresses of modern life get too much, why not while away the blues with The Blue Book, a compendium of calming and relaxing contemporary solo Piano pieces to help you take some time out and keep calm? We've brought together 21 pieces including well-known themes from film and TV. Pieces include the Theme From Downton Abbey, the beautiful Nuvole Bianche by Einaudi and Metamorphosis Two by Philip Glass. For the complete list of songs included, please see below.So for a great way to unwind, choose your favourite piece from this collection, or just learn something new and you're sure to be inspired by these wonderful Piano pieces - a perfect addition to your repertoire. This Keep Calm And Play On: The Blue Book is part of our Keep Calm series including other books for solo Piano, as well as Piano, Vocal and Guitar arrangements: click here to view them. / Piano

Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano

Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano