Piano Compositions Vol. 1

Compositions de: Carter Burwell Carli Comando Ludovico Einaudi Philip Glass Elton John David H. Lanz Wim Mertens Ennio Morricone Michael Nyman Astor Piazzolla Erik Satie Yann Tiersen John Williams Compositeur : Various Composers Édition musicale : Ricordi Instrumentation : Piano Type de produit : Recueil ISMN : 9790215108714

Un répertoire classique du piano, publié dans la série de classiques de piano russe. / Piano

Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano

La collection en deux volumes 'Romantic Piano Music 'en tire le vaste répertoire de la musique du 19e siècle pour piano à quatre mains. Les 23 pièces sont réels 'bijou' - injustement oubliés ou oeuvres moins connues qui sont portées à l'esprit nouveau avec ces deux volumes. En conséquence, rarement joué des oeuvres de grands compositeurs comme la recherche de Schubert, Mendelssohn, Dvorak, Schumann, Brahms, Fauré, Moszkowski et sont à côté de compositions inconnues jusque-là par Johann Ludwig Bohner, Heinrich Hofmann, Friedrich Gernsheim ou Julius Röntgen, entre autres. Une collection créative d'ajouter au répertoire piano à quatre mains. / Niveau : Moyen / Recueil / Piano

Upper Elementary to Lower Intermediate Level. Par . 'Upon embarking on this project, I had little idea of what I would find. There were, of course, the 'usual suspects:' women composers whose name and whose music have stood the test of time and are familiar to many. There were also those whose names ring a bell but whose music does not. The real unknowns were, well, the unknowns. How many women composers whose music is worth studying and listening to were out there? (...) When selecting, I searched for the following: beautiful interesting compositions that students can benefit from and will love learning, teachers will enjoy teaching, and audiences will appreciate; a variety to styles, composers, and nationalities; showcasing as many composers as possible, while striking a balance between well-known, lesser know, and unknown composers.' - Immanuela Gruenberg, in the Preface. These brand new collecions come in two volumes, with book 1 arranged for upper elementary to early intermediate pianists, and Book 2 arranged for intermediate to upper intermediate level pianists. / Date parution : 2023-06-01/ Recueil / Piano

Easy Pieces For Playing And Improvising. Par HULSMANN JULIA. How does one learn to improvise? The well-known jazz pianist Julia Hülsmann provides an easy and accessible introduction to Modern Piano Improvisation in this first volume of the series. In 15 easy pieces she shows how to use just a few tones to develop your own improvisational ideas and motifs. This volume contains known standards by great jazz musicians like Cole Porter and Sonny Rollins as well as compositions by Hülsmann herself which vary in style between modern jazz and pop sounds. Volume 1 is aimed at musicians who have already learnt the first technical basics on the piano and now wish to play more freely. Modern Piano Improvisation provides the tools for you to find your own way of expressing yourself on the instrument. / Niveau : 2 / Recueil / Piano

2009, l?«année Mendelssohn», nous donne l?occasion de publier maintenant, en plus du volume déjà disponible «Romances sans paroles», HN 327, la quasi totalité des compositions pour piano de ce maître en deux épais volumes (HN 860 et HN 861). Toutes les ?uvres (cf. contenu) ont fait l?objet d?un travail éditorial scrupuleux et sont accompagnées de commentaires détaillés prenant en compte l?état actuel des recherches. Nous présentons ainsi l?unique édition Urtext au monde, aussi exhaustive, des ?uvres pour piano de Mendelssohn. La nouvelle publication remplace ainsi le recueil disponible auparavant (HN 281). En outre, les morceaux pour piano les plus joués de Mendelssohn (op. 14, 16, 54 et 72) existent également en édition séparée de prix modique. / Classique / Doigtés: Hans-Martin Theopold, Andreas Groe / Partition / Carton / Plat de carton / Edition Urtext

Ces recueils de compositions originales d?Oswin Haas constituent une vraie mine de morceaux à la fois motivants et pédagogiques. Conçus pour l?enseignement, ils donnent aux apprentis pianistes de notre temps la possibilité de jouer le genre de musique qu?ils connaissent et qu?ils aiment (Pop, Jazz, Folk, Blues, Ethnic, etc.) tout en se familiarisant avec les différentes techniques pianistiques. / Méthodes

Ces recueils de compositions originales d?Oswin Haas constituent une vraie mine de morceaux à la fois motivants et pédagogiques. Conçus pour l?enseignement, ils donnent aux apprentis pianistes de notre temps la possibilité de jouer le genre de musique qu?ils connaissent et qu?ils aiment (Pop, Jazz, Folk, Blues, Ethnic, etc.) tout en se familiarisant avec les différentes techniques pianistiques...à 4 Mains ! / Méthodes

Le cahier de morceaux à jouer en accompagnement de la méthode A vous de jouer ! Piano. - Il contient du répertoire de musique classique pour piano ainsi que des chansons traditionnelles du monde entier et des compositions récentes. - Il se conforme parfaitement à la progression du premier volume de la méthode. - Et convient également en complément d'autres méthodes. - Il est accompagné d'un CD permettant de connaitre les morceaux à l'oreille et ajuster son travail si nécessaire./ Recueil / Piano