5 Pieces for Band

The ?Easy Concert Pieces? series offers a wide spectrum of pieces from the Renaissance, Baroque, Classical, Romantic and Modern eras. The repertoire enriches the daily exercises and double bass tutor and is suited for all kinds of auditions. It contains original works for double bass solo as well as orchestral excerpts and arrangements of famous classical masterpieces. Volume 1 (easy) contains pieces in half and first position, with easy rhythms and melodies. It includes easy strokes and articulations such as portato, staccato and legato. Some pieces contain easy Flageolets. This volume offers a broad selection of classical masterpieces in easy arrangements.Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position. This volume consists of more original works.Volume 3 (intermediate) increases the repertoire up to the 6th position and requires a good control of the lower positions. It makes higher demands on expressive playing and interpretation, velocity and rhythm, as well as bowing techniques with articulation and phrasing./ Recueil / Contrebasse et Piano

Here's the huge hit recorded by Average White Band in 1975 in a funky setting for small band.

Steps Ahead is a new BandQuest work by Michael Gandolfi that takes young players on a journey! Along the way there are musical/compositional techniques that are intended to educate the performers about basic compositional techniques that areintended to educate the performers about basic compositional techniques. ?Steps Ahead is a delightful piece with something interesting for every instrument in the ensemble. Each of its three sections addresses a kind of compositional technique ?transposition tutti (a 2-part homophonic section) and developing tutti (parts of the band enter to build to a 2-part homophonic tutti). Less experienced players might enjoy the challenges of easy syncopation and musical lines constructed with largerintervals.? ?Tom Duffy series editor.BandQuest® an exciting series of new music and accompanying curricula for band is a program published by the American Composers Forum. The series was started as a response to feedback from music educators that there is a pressing need for new fresh band music. The heart of this program is new works written by a diverse group of leading American composers who have created challenging pieces that are a true departure from standard middle school repertoire. Visit www.bandquest.org to learnmore about this innovative series and email bandquest@composersforum.orgto request a free downloadable audio catalog.

Curnow Music Press proudly presents a way to enrich your quality of playing material whilst helping you administer your library efficiently and save money! THE YOUNG BAND COLLECTION is a compilation of some of our best pieces for youth band published as individual part books. You?ll find pieces by James Curnow James Hosay Mike Hannickel Brian Connery Paul Curnow and Douglas Court. These works have all proven to be very successful as teaching material but also will keep your students interested and guarantee a happy audience! Curnow Music Press is known for its quality music for youth bands and that?s certainly what you?ll find in this publication.

Band Time Expert by Jacob de Haan now seeks to enlarge training bands musical horizons by increasing the possible combinations of instruments. This publication is suitable for musicians in their second year of orchestral playing and contains pieces of widely varying styles. The pieces are comparable in difficulty to the second volume of the method Look Listen and Learn. The compositions are mostly writing in four part harmony but some are given extra harmonic colour to bring balance to the complete ensemble.

This gem from 1985 has steadily become one of the classic repertoire pieces for young bands. Even though it is heavily cross-cued making it suitable for smaller bands this beautiful work is rich in melodic content variedscoring and marvelous counterlines and harmonies. An effective performance vehicle that also teaches legato style and musical sensitivity. Dur: 4:00 (Grade 2.5)

Part 2 in F (F Horn English Horn)-Flexible Praise has been designed with the sacred ensemble conductor in mind. Arranged by internationally known composers/arrangers these ten pieces will work well with every instrumental ensemble imaginable including quartets of mixed instruments praise bands full band or orchestra and brass band. Designed to be playable by an average grade 3 (strong middle school or average high school) player each arrangement includes optional descant (fifth part) keyboard (with chords included for guitar) percussion (mostly drum set) and electric bass parts. These parts enhance the overall sound of the arrangements but are not required for performance providing theconductor with unlimited ways to use the arrangements.

Blues to the MAX! With lots of drive and down home blues harmonies KENNESAW MOUNTAIN BLUES will latch on to your audience for keeps.Very accessible to Grade 2 1/2 bands this is one of the most enjoyable pieces you’ll find for any level of ability. If you have a kickin’ drumset player so much the better. Every section has gratifying parts to play and the easy mixed-meter section sounds so natural but will keep ‘em all thinking.The concert band doesn’t often get the chance to play in styles like this which is a shame because it’s so much fun. How about letting your band try a style that’s about as far from John Phillip Sousa as you can get! Get down with some Blues! KENNESAW MOUNTAIN BLUES is a winner!

Electric Bass/Double Bass-Flexible Praise has been designed with the sacred ensemble conductor in mind. Arranged by internationally known composers/arrangers these ten pieces will work well with every instrumental ensemble imaginable including quartets of mixed instruments praise bands full band or orchestra and brass band. Designed to be playable by an average grade 3 (strong middle school or average high school) player each arrangement includes optional descant (fifth part) keyboard (with chords included for guitar) percussion (mostly drum set) and electric bass parts. These parts enhance the overall sound of the arrangements but are not required for performance providing theconductor with unlimited ways to use the arrangements.

Part 4 in Eb (Contralto Clarinet Baritone Saxophone Eb Bass)-Flexible Praise has been designed with the sacred ensemble conductor in mind. Arranged by internationally known composers/arrangers these ten pieces will work well with every instrumental ensemble imaginable including quartets of mixed instruments praise bands full band or orchestra and brass band. Designed to be playable by an average grade 3 (strong middle school or average high school) player each arrangement includes optional descant (fifth part) keyboard (with chords included for guitar) percussion (mostly drum set) and electric bass parts. These parts enhance the overall sound of the arrangements but are not required for performance providing theconductor with unlimited ways to use the arrangements.

Part 3 in C (Viola)-Flexible Praise has been designed with the sacred ensemble conductor in mind. Arranged by internationally known composers/arrangers these ten pieces will work well with every instrumental ensemble imaginable including quartets of mixed instruments praise bands full band or orchestra and brass band. Designed to be playable by an average grade 3 (strong middle school or average high school) player each arrangement includes optional descant (fifth part) keyboard (with chords included for guitar) percussion (mostly drum set) and electric bass parts. These parts enhance the overall sound of the arrangements but are not required for performance providing theconductor with unlimited ways to use the arrangements.

Part 4 in Bb (Bb Bass Clarinet Bb Contrabass Clarinet Bb Euphonium Bb Bass)-Flexible Praise has been designed with the sacred ensemble conductor in mind. Arranged by internationally known composers/arrangers these ten pieces will work well with every instrumental ensemble imaginable including quartets of mixed instruments praise bands full band or orchestra and brass band. Designed to be playable by an average grade 3 (strong middle school or average high school) player each arrangement includes optional descant (fifth part) keyboard (with chords included for guitar) percussion (mostly drum set) and electric bass parts. These parts enhance the overall sound of the arrangements but are not required for performance providing theconductor with unlimited ways to use the arrangements.

Part 1 in Eb (Alto Saxophone Eb Trumpet/Cornet Eb Clarinet)-Flexible Praise has been designed with the sacred ensemble conductor in mind. Arranged by internationally known composers/arrangers these ten pieces will work well with every instrumental ensemble imaginable including quartets of mixed instruments praise bands full band or orchestra and brass band. Designed to be playable by an average grade 3 (strong middle school or average high school) player each arrangement includes optional descant (fifth part) keyboard (with chords included for guitar) percussion (mostly drum set) and electric bass parts. These parts enhance the overall sound of the arrangements but are not required for performance providing theconductor with unlimited ways to use the arrangements.