Format : Score and Parts
SKU: CL.011-4256-01
Courtly Procession and Dances brings the royal courts of medieval Europe to life at your next concert! The work opens with a stately brass and percussion fanfare. The courtly procession follows, and is played by the full ensemble. A slower, lyrical dance contrasts with the procession and eventually leads into a light-hearted and lively dance featuring very playable woodwind lines. The work concludes with a restatement of the processional. Courtly Procession and Dances is fresh, highly melodic, and great for variety in concert programming.
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: M7.APUE-516315
ISBN 9781875516315.
These musical gems offer a diverse array of musical styles, ensuring a rich and engaging journey into the world of flute music. From lyrical melodies to lively dances, each piece has been crafted to nurture both technique and expressive playing, exploring the beauty and versatility of the flute. There are biographies of all the composers at the end of the flute part, as well as notes and helpful performance suggestions for each work. Free Flute and Piano recordings, and Piano backing tracks for every piece can be found on YouTube at 'theyoungfluteplayer' (no spaces) channel, see the playlist for Lyrical Flute Miniatures. You can also find the link and further information at www.allegromusicpublishing.com/flutemusic Lyrical Flute Miniatures will delight students, flute teachers, and audiences alike, a valuable addition to your Flute repertoire!
SKU: PR.494032560
UPC: 680160690428.
Lyrical Flute Miniatures is a captivating collection of 40 short pieces for beginner and early intermediate flute players of all ages, exclusively commissioned from some of today's most exciting composers.These musical gems offer a diverse array of musical styles, ensuring a rich and engaging journey into the world of flute music. From lyrical melodies to lively dances, each piece has been crafted to nurture both technique and expressive playing, exploring the beauty and versatility of the flute.There are biographies of all the composers at the end of the flute part, as well as notes and helpful performance suggestions for each work.Free Flute and Piano recordings, and Piano backing tracks for every piece can be found on YouTube at “theyoungfluteplayer” (no spaces) channel, see the playlist for Lyrical Flute Miniatures. You can also find the link and further information at www.allegromusicpublishing.com/flutemusicLyrical Flute Miniatures will delight students, flute teachers, and audiences alike, a valuable addition to your Flute repertoire!
SKU: AP.36-A672690
UPC: 659359666292. English.
The Cuban composer and pianist Ernesto Lecuona (1896-1963) wrote many works labelled as Afro-Cuban, and sorting them all can be difficult. While some are lost and others are scattered about, the 1930 piano suite titled Danzas Afro-Cubanas, a collection of six of the dances, remains a core group in the style. La Comparsa (Carnival Procession) is the sixth dance in the suite, and it is based on the traditional parade and ceremony that occurs during Carnival season in Cuba. This composition starts with the gradual approach of the procession and carries one through all the excitement until the last faint notes of the departing parade die away in the distance. This version for full orchestra has been arranged by Morton Gould (1913-1996). Instrumentation: 2.2.3+BCl.2: 3Sax(AAT; opt.): 2.3.3.1: Perc(1-2): Hp.Clst.Gtr: Str (9-8-7-6-5 in set): Pno Cond Score in set.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-A672699
ISBN 9798888527887. UPC: 659359811340. English.
SKU: TM.07814SC
Intro, Redowa, Lithuanian Dance, Indian Dance, Procession of the Nobles.
SKU: TM.07814SET
SKU: BR.PB-5273
ISBN 9790004210079. 10 x 12.5 inches.
In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music.The Slavonic Dances Op. 46, which began to conquer the world's concert halls in 1878, made a major contribution to Dvorak's international breakthrough. The Urtext edition is based on the main sources, mainly on the autograph score and the first edition.
SKU: FJ.B1234S
English.
You'll be surprised to know that this great sounding work uses only six notes in all instruments, with the exception of the clarinets, which also use a low written B to involve the right hand. The piece has a Renaissance quality to it and includes a middle processional theme (at the same tempo) to work on legato playing. Optional parts are included for clarinet 2 and trumpet 2. There is something for everyone in this dynamic addition to the repertoire!
About FJH Beginning Band
Appropriate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.
SKU: BR.OB-5273-15
ISBN 9790004332498. 10 x 12.5 inches.
In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music.
SKU: BR.OB-5273-30
ISBN 9790004332542. 10 x 12.5 inches.
SKU: BR.OB-5273-19
ISBN 9790004332511. 10 x 12.5 inches.
SKU: BR.OB-5273-23
ISBN 9790004332528. 10 x 12.5 inches.
SKU: BR.OB-5273-27
ISBN 9790004332535. 10 x 12.5 inches.
SKU: BR.OB-5273-16
ISBN 9790004332504. 10 x 12.5 inches.
SKU: PR.701175060
UPC: 888680101268.
“The idea of writing the Danzón No.2 originated in 1993 during a trip to Malinalco with the painter Andrés Fonseca and the dancer Irene Martínez, both of whom are experts in salon dances with a special passion for the danzón, which they were able to transmit to me from the beginning, and also during later trips to Veracruz and visits to the Colonia Salon in Mexico City. From these experiences onward, I started to learn the danzón’s rhythms, its form, its melodic outline, and to listen to the old recordings by Acerina and his Danzonera Orchestra. I was fascinated and I started to understand that the apparent lightness of the danzón is only like a visiting card for a type of music full of sensuality and qualitative seriousness, a genre which old Mexican people continue to dance with a touch of nostalgia and a jubilant escape towards their own emotional world; we can fortunately still see this in the embrace between music and dance that occurs in the State of Veracruz and in the dance parlors of Mexico City. The Danzón No.2 is a tribute to the environment that nourishes the genre. It endeavors to get as close as possible to the dance, to its nostalgic melodies, to its wild rhythms, and although it violates its intimacy, its form and its harmonic language, it is a very personal way of paying my respects and expressing my emotions towards truly popular music. Danzón No.2 was written on a commission by the Department of Musical Activities at Mexico’s National Autonomous University and is dedicated to my daughter Lily.” -- Arturo Marquez About the danzon genre, Lidice Valenzuela writes in Cubanow: The history of the danzon goes back to the arrival in Cuba of the European contradance. It came in three different ways: directly from Spain, the colonial metropolis; with the British, who occupied Havana in 1762; and the French colonizers and their slaves who landed in Cuba's Eastern shores after fleeing from the Haitian Revolution. From all of that trans-cultural process the Danzon was born. This new Cuban dance, naturalized by the Creoles, had much more expressive freedom: the couple danced in each other's arms, and the dancing time was extended. People began calling it Danzon and it was in Matanzas, in the 1870s that figure dancing also began to be called Danzon. Thus, Failde, an outstanding musician, named his composition with the generic name of Danzon..
SKU: PR.701185010
UPC: 888680101275.
SKU: TM.08435SC
Episode No. 2 from Lenau's Faust (Dance in Village). See #09949 Nocturnal Procession for Episode No. 1.
SKU: TM.08435SET
SKU: TM.07456SC
